Kant's Revolutionary Theory of Modality

Author(s):  
Uygar Abacı

This book offers a comprehensive study of Kant’s views on modal notions of possibility, actuality or existence, and necessity. It aims to locate Kant’s views on these notions in their broader historical context, establish their continuity and transformation across Kant’s precritical and critical texts, and determine their role in the substance as well as the development of Kant’s philosophical project. It makes two overarching claims. First, Kant’s precritical views on modality, which appear in the context of his attempts to revise the ontological argument and are critical of the tradition only from within its prevailing paradigm of modality, develop into a revolutionary theory of modality in his critical period, radicalizing his critique of the ontotheological and rationalist metaphysical tradition. While the traditional paradigm construes modal notions as fundamental ontological predicates, expressing different modes or ways of being of things, Kant’s theory consists in redefining them as subjective and relational features of our discursivity, expressing different modes in which our conceptual representations of objects are related to our cognitive faculty. Second, this revolutionary theory of modality does not only become a crucial component of Kant’s critical epistemology and his radical critique of rationalist metaphysics, but it is in fact directly constitutive of the critical turn itself, as Kant originally formulates the latter in terms of a shift from an ontological to an epistemological approach to the question of possibility. Thus, tracing the development of Kant’s understanding of modality comes to fruition in an alternative reading of Kant’s overall philosophical development.

Author(s):  
Elizete de Azevedo Kreutz

Visual identity is the result of a strategic decision that represents the ideology of an organization, through a set of ways of being and doing that represent a group of individuals in a differentiated way in comparison to other organizations. Seen as a process of representation, it is linked to the socio-historical context and follows the evolution of communication. Based on Thompson's Deep Hermeneutic and the Semantic Basin of Durand, this study presents the evolution of visual identity and the concept of Mutant Visual Identity, both Programmed as well as Poetic. It also presents the Mutant Brand as a contemporary communicational practice that is made up of an aura that must be felt, shared, make sense. It is the emotional nature of the brand.


Author(s):  
Uygar Abacı

This chapter examines the way Kant’s revolutionary theory of modality radicalizes his critique of ontotheology in the Ideal of Pure Reason. First it shows how Kant’s downgrading of his own precritical ‘only possible argument’ from an objectively valid demonstration of the real necessity of the existence of God to a subjectively valid demonstration of the necessity of assuming the idea of such a being is due to his shift from an ontological to an epistemological interpretation of the actualist principle. Second, it argues that Kant’s refutation of the traditional ontological argument in the Ideal follows a multilayered strategy, consisting of a combination of two historical lines of objection, only the second of which presupposes his negative thesis that existence is not a real predicate, as well as an additional, third objection based on his further thesis that all existential judgments are synthetic, albeit in a peculiar sense.


Dialogue ◽  
2002 ◽  
Vol 41 (3) ◽  
pp. 569-588
Author(s):  
Philip Dwyer

In The Quest for Reality, Subjectivism and the Metaphysics of Colour, Barry Stroud appraises various subjectivist theories of colour as they occur in the context of a philosophical project which he characterizes as the quest for reality. “It is meant to be a quest whose goal is the nature of reality—what the world is really like. And it involves distinguishing what is really so from what only appears to be so, or separating reality as it is independently of us from what is in one way or another dependent on us and so misleads us as to what is really there” (pp. 3–4). In a long metaphysical tradition, now more alive than ever, the systematic pursuit of the distinction finds colour on the misleading appearance and not-really-so side of things.


Politik ◽  
2012 ◽  
Vol 15 (2) ◽  
Author(s):  
Casper Mølck ◽  
Malte Frøslee Ibsen

WikiLeaks has faced much criticism after massive leaks of secret US military les and diplomatic cables, revealing both trivial and compromising details of the superpower’s judgments and actions in international politics. However, in this article we argue that WikiLeaks harbours a democratic potential, which so far has been overlooked, principally because the organisation’s activities have been interpreted within a traditional Weberian theory of power focused on strategic action. Relying on Martin Saar’s re ections on power, we argue that WikiLeaks is more fruitfully understood in terms of an ontological theory of power focused on the subjectivity-constituting function of power and power as a constitutive space of potential ways of being. Placing WikiLeaks within Jürgen Habermas’s diagnosis of our present social and historical context, we argue that WikiLeaks – despite its obvious faults – harbours a democratic potential by constituting the possibility for democratic criticism of globalised functional systems that increasingly undermine the necessary condi- tions for the e cacious exercise of popular sovereignty. 


2021 ◽  
Vol 31 (2) ◽  
pp. 220-236
Author(s):  
Tore Dag Bøe

In this article, I explore the idea that there is a fundamental ethical aspect that precedes social constructionism. I suggest that within social constructionism we can identify a development from seeing knowledge as socially constructed ( epistemological social constructionism) to seeing not only knowledge, but also corporeal ways of being as socially constructed ( ontological social constructionism). As a next step, I propose incorporating what I refer to as ethical realism in social constructionist perspectives. In the encounter with the other human being, I argue that there is a real ethical impulse that precedes social constructionism and puts it in motion. This impulse is real in the sense that it is neither constructed within, nor is it dependent upon, any particular social–cultural–historical context. In this paper I consider the ethical aspects of human encounters that allow for a constructionist epistemology and ontology to emerge in the first place. I make use of ideas from Emmanuel Levinas and Jacques Rancière and consider how these thinkers are used in the work of Gert Biesta. The ideas are discussed in relation to findings from a previous study by the author and his colleagues exploring the experiences of adolescents taking part in mental health services.


Phronesis ◽  
1999 ◽  
Vol 44 (2) ◽  
pp. 87-113 ◽  
Author(s):  
Mantas Adomenas

AbstractThe article sets out to reinterpret Heraclitus' views on religion and, by implication, his position in the context of the Presocratic philosophers' relationship to the Greek cultural tradition. It does so by examining the fragments in which Heraclitus' attitude to the popular religion of his time is reflected. The analysis of the fragments 69, 68, 15, 14, 5, 96, 93 and 92 DK reveals that the target of Heraclitus' criticism is not the religious practices themselves, but their popular interpretation. Heraclitus' fragments are simultaneously shown to identify the underlying structure of the 'unity of opposites,' inherent in various religious practices. Heraclitus appears to reinterpret religious practices in terms of the conceptual structures of his own philosophy. On the other hand, religion provides him with the categories for the construction of his philosophical theology. Thus Heraclitus' treatment of religion is shown to be analogous to his treatment of ethics and politics, which he also tries to incorporate into his highly integrated vision of reality. In contrast to Xenophanes' radical critique of the traditional religion, Heraclitus emerges not as a reformer or an Aufklärer, but as an interpreter, who tries to discern the structures of meaning inherent in the existing practices, and to assume them into his own philosophical project.


Author(s):  
Gabriela Brudzyńska-Němec

Bronisław Trentowski, a former officer in the November Uprising, was given the opportunity to study and work in the field of philosophy in Freiburg, Baden, after 1831. He set himself the ambitious task of creating an original Polish philosophical system with a universal dimension. Its source was to be a combination of western philosophical thought and tradition with the poetic Slavic spirit. The person of the philosopher himself, especially the language and style of his writings, was the medium and the coherence here. Trentowski intended to philosophize polish, using, at least at the beginning, the German language. It was the issue of language that became the focal point, but also the most problematic point of his philosophical career and personal biography. The article sketches, mainly in the biographical and historical context, the genesis of this ambitious philosophical project, its evaluation and controversy that it aroused, both among Polish and German compatriots of the philosopher.


2021 ◽  
Author(s):  
Liisa Graham

This thesis project analyzes the Pamela Harris Spence Bay Collection, held at the Art Gallery of Ontario (AGO). It is comprised of photographic work produced by Harris while in the Inuit community of Spence Bay, in 1972 and 1973, as well as photographs and documents pertaining to the community darkroom Harris initiated. Harris's photographs capture an Inuit community in transition, encompassing both Northern and Southern ways of being, and analyzed within the historical context of photographic representation of Indigenous communities. The community darkroom is examined through a feminist pedagogical framework, and illustrates how community members utilized photography as a tool of empowerment. This project is analyzed within the political and social contexts of the late 1960s and early 1970s, and explores the themes of community engagement, the politics of representation, and empowerment, and argues that Harris's social consciousness contributed to a shift in Indigenous visual discourse.


2021 ◽  
Author(s):  
Liisa Graham

This thesis project analyzes the Pamela Harris Spence Bay Collection, held at the Art Gallery of Ontario (AGO). It is comprised of photographic work produced by Harris while in the Inuit community of Spence Bay, in 1972 and 1973, as well as photographs and documents pertaining to the community darkroom Harris initiated. Harris's photographs capture an Inuit community in transition, encompassing both Northern and Southern ways of being, and analyzed within the historical context of photographic representation of Indigenous communities. The community darkroom is examined through a feminist pedagogical framework, and illustrates how community members utilized photography as a tool of empowerment. This project is analyzed within the political and social contexts of the late 1960s and early 1970s, and explores the themes of community engagement, the politics of representation, and empowerment, and argues that Harris's social consciousness contributed to a shift in Indigenous visual discourse.


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