War Work

Margaret Mead ◽  
2020 ◽  
pp. 81-102
Author(s):  
Elesha J. Coffman

Around the time of World War II, Mead’s personal and professional lives changed dramatically. She divorced Reo Fortune to marry her third husband, Gregory Bateson. She gave birth to a daughter, Mary Catherine Bateson. She turned her anthropological lens on her own culture for the book And Keep Your Powder Dry, part of a larger effort to galvanize Americans for the war effort. Mead’s religiosity was attenuated in this period, for two reasons. One, Bateson, an atheist, did not want their daughter to be indoctrinated, and Mead complied. Two, Mead believed that the challenge of fascism called for a broadly ethical, humanistic response, in which religious narrowness—especially, the alliance of religion and nationalism—could be dangerous.

2008 ◽  
Vol 37 (S1) ◽  
pp. 65-72
Author(s):  
Noah Riseman

Abstract Did you know that a Bathurst Islander captured the first Japanese prisoner of war on Australian soil? Or that a crucifix saved the life of a crashed American pilot in the Gulf of Carpentaria? These are excerpts from the rich array of oral histories of Aboriginal participation in World War II. This paper presents “highlights” from Yolngu oral histories of World War II in Arnhem Land, Northern Territory. Using these stories, the paper begins to explore some of the following questions: Why did Yolngu participate in the war effort? How did Yolngu see their role in relation to white Australia? In what ways did Yolngu contribute to the security of Australia? How integral was Yolngu assistance to defence of Australia? Although the answers to these questions are not finite, this paper aims to survey some of the Yolngu history of World War II.


2017 ◽  
Vol 47 (4) ◽  
pp. 521-535
Author(s):  
Lisa A. Kirschenbaum

During World War II, the Soviet media depicted children suffering as well as children actively participating in the war effort and mothers making sacrifices for them. Such mixed messages served clear political purposes, publicizing Nazi atrocities while deflecting attention from the Soviet state’s failure to protect its children. Historians have tended to approach such images and stories within a framework of trauma that validates stories of children’s suffering, despite their political purposes, while also discounting wartime accounts and postwar (and post-Soviet) reminiscences that highlight children’s strength and recovery. The concept of resilience, as developed in psychology, psychiatry, and anthropology, however, allows historians to understand such material as authentic and vital components of survivors’ understandings and memories of the war.


1980 ◽  
Vol 40 (1) ◽  
pp. 15-25 ◽  
Author(s):  
Benjamin I. Schwartz

As we all know, the modest, colorless, and ambiguous term “area studies” emerged during the course of World War II as a way of describing one minor enterprise in the war effort. It was an enterprise designed to achieve an encapsulated understanding of the unknown areas of the world in which we suddenly found ourselves engaged. During and after the war, most area studies were contemporary in orientation and, given the circumstances of their origin, extremely vulnerable to the charge of serving “nonscholarly” political or military interests.


Author(s):  
Richard M. Freeland

Harvard and M.I.T. were ideally positioned to exploit the advantageous possibilities for development that arose after World War II. Both did so, pursuing routes that reflected their different histories, stages of development, organizational characteristics, and current priorities. Both became, in the process, contrasting versions of a modern research university, together helping to define a new institutional model for the nation’s academic community. For most universities, World War II continued the difficult circumstances of the Depression, but the wartime role of academics also fostered hopes for recognition and growth in the postwar years. This optimism prompted organized planning for institutional development well before the end of the war. As Conant put it in 1943: “The period immediately following the cessation of hostilities ... will be a time when [Harvard’s] educational house can be put in order, when changes perhaps long overdue can be made most readily.” The leaders of M.I.T. anticipated even more dramatic gains. Referring in 1944 to the Institute’s contributions to the war effort, Compton observed that “the value, effectiveness and prestige of the Massachusetts Institute of Technology have never been at so high a level; this is certainly a strategic vantage point from which to initiate the next advance.” The prewar years at Harvard had left little doubt about the “changes ... long overdue” on which Conant would focus. From the beginning of his presidency, he had insisted that Harvard’s goal should not be expansion but “intensification”: the raising of intellectual standards within established programs and the reducing of concern with the social, localistic values associated with Harvard’s Brahmin traditions. The two major expressions of these policies prior to 1940 had been the efforts to tighten scholarly standards for promotion in the Faculty of Arts and Sciences and to attract more able undergraduates by recruiting in public and non-northeastern secondary schools. As Conant anticipated the postwar years, especially in the context of the veterans’ program, he was aware that the new popularity of higher education might support a level of growth that had not been possible during the Depression, but he continued to oppose expansion. If demand for admission increased, Conant argued in the mid-1940S, Harvard should raise standards, not increase in size.


2021 ◽  
pp. 25-36
Author(s):  
Andrew Zangwill

Sixteen-year-old Phil Anderson does not fit in well with the prep school boys at Harvard, but he finds a congenial study group (including future historian of science Thomas Kuhn) and does well academically. The beginning of World War II causes him to change his major to Electronic Physics. His class graduates in three years so they can contribute to the war effort. Anderson does his service as a radar (microwave) engineer at the Naval Research Laboratory where he learns quantum mechanics, learns he is probably not suited for experimental work, and grows up socially. John Van Vleck visits NRL and helps convince Anderson to return to Harvard for graduate school.


Author(s):  
Colin F. Baxter

The extraordinary story of RDX during World War II is composed of many striking chapters, one of which is the unprecedented collaboration between Britain, Canada, and the United States. At each stage, however, the proponents of RDX had to surmount formidable technical and human obstacles before the super-explosive and its offspring, Composition B and Torpex, could make an impact on the Allies’ war effort. Although researchers at the Woolwich Arsenal had desensitized the dangerous explosive by mixing it with TNT and some beeswax, the Ministry of Supply was unable to supply the vast quantities that were needed for total war....


Author(s):  
Asato Ikeda

Under Japan’s totalitarian state during World War II, most Japanese artists participated in the war effort. Their activities included producing works commissioned by the state, displaying works in state-sponsored exhibitions, donating the proceeds of art to the state, and dedicating works, as symbolic gestures, to religious sites, important battles, seminal state officials, or to those who gave their lives in the war. War artists produced works in diverse media, styles, and subject matter, ranging from painting, photography, woodblock prints, and sculpture to architecture and interior design. However, their works invariably glorified Japan’s military occupation in Asia and war against the West, or they resonated with the wartime state ideology that sought to recreate a traditional Japanese culture uncontaminated by modernity.


Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 41
Author(s):  
Gregory Gilbert

Shortly after the bombing of Pearl Harbor in December of 1941, the American government impressed upon the media industry and corporate advertising the cooperative need to boost morale and enlist nationalist support for the war effort. Public opinion was shaped through an active campaign of visual propaganda and media censorship in which the social trauma of war, in particular, representations of death and destructive disorder, was erased from official news reports. However, avant-garde art and writing in View magazine during the early 1940s can be analyzed as a radical form of counter-discourse that challenged the media’s representation of the war. View had been founded in 1940 by the poet Charles Henri Ford, who vowed to create a magazine devoted to what he called the “new journalism”, a form of international reporting by poets and visual artists that would provide visionary critical insight on the forthcoming political catastrophe in Europe. Lacking their own publishing forum, a number of Surrealist émigrés and American adherents of Surrealism gravitated towards View. As this article will examine, Surrealist imagery and prose in View evoked a profound sense of the bodily trauma and physical destruction omitted from mass media, subverting the government’s highly sanitized and ideologically manipulated representations of World War II.


1996 ◽  
Vol 42 ◽  
pp. 497-521

Sir Frederick White was one of the most influential men in Australian science during and after World War II. At the comparatively early age of 39, he resigned from his Chair of Physics at Canterbury College, University of New Zealand, to become an Executive Officer of the Australian Council for Scientific and Industrial Research (C.S.I.R.). Many years later he was to write ‘In doing so I abandoned any future personal activity in scientific research. I have never regretted doing so.’ His acceptance of the challenge to participate in leading C.S.I.R. had a profound influence on the advancement of Australian science and on the professional lives of the scientists involved.


Sign in / Sign up

Export Citation Format

Share Document