John Heywood

Author(s):  
Greg Walker

John Heywood: Comedy and Survival in Tudor England offers the first comprehensive study of the long and varied career of the Tudor playwright, poet, musician, performer, humourist, and collector of epigrams, John Heywood (c.1497–1578). It roots his life and work in the context of the profound and often violent religious, political, and cultural changes of the Tudor century that variously provoked, enabled, and restricted the scope of his creativity, and makes the case for Heywood as both one of the sixteenth century’s most fascinating dramatic and literary figures and a revealing lens through which to view the cultural history of the period. It goes beyond the clichés of popular history, beyond Shakespeare and the purpose-built playhouses, beyond the canonical Henrician court poets and writers of the Elizabethan ‘Golden Age’, beyond even the experiences of the century’s chief ministers, intellectuals, and martyrs, to a theatrical and literary world less visible in the conventional sources. It opens a window on a culture in which the actions of monarchs, their councillors, and their victims were witnessed and reflected upon at one remove, but subjected to vigorous, witty, and often audacious criticism and comment.

1978 ◽  
Vol 35 (2) ◽  
pp. 219-237
Author(s):  
J. Manuel Espinosa

The centuries-old Spanish folk heritage of our Southwest, and its many faceted and enduring influence on the cultural life of the region, has been written about from various rims of observation. This article describes the pioneer studies of Aurelio M. Espinosa on Spanish folklore in the Southwest, with special emphasis on northern New Mexico. Although he made important contributions to the study of Spanish folklore of southern Colorado, Arizona, and California, and to that of Spain, Mexico, and other parts of Spanish America as well, he devoted most of his research and field work to the upper half of New Mexico which is the richest field of Spanish folklore in the Southwest.In viewing the cultural history of New Mexico, Espinosa reminded his readers that its first century as a Spanish colony, the 17th, was the second great century of Spain's Golden Age of arts and letters. With the vigor of Spain's sense of mission in those centuries, her Golden Age radiated to all parts of Spanish America via Mexico City, Lima, and the other principal colonial capitals. At the same time, from the bookshelf and the store of knowledge of the humble missionary, and the folklore of the Spanish settlers, passed down from generation to generation, the spirit of the Golden Age was reflected on the most remote settled frontiers.


Author(s):  
Louis A. Pérez Jr.

Louis A. Pérez Jr.’s new history of nineteenth-century Cuba chronicles in fascinating detail the emergence of an urban middle class that was imbued with new knowledge and moral systems. Fostering innovative skills and technologies, these Cubans became deeply implicated in an expanding market culture during the sugar production boom and prior to independence. Contributing to the cultural history of capitalism in Latin America, Pérez argues that such creoles were cosmopolitans with powerful transnational affinities and an abiding identification with modernity. This period of Cuban history is usually viewed through a political lens, but Pérez shows how moral, social, and cultural changes that resulted from market forces also contributed to the collapse of the Spanish colonial administration. Pérez highlights women’s centrality in this process, showing how criollas adapted to new modes of self-representation as a means of self-fulfillment. Increasing opportunities for middle-class women’s public presence and social participation was both cause and consequence of expanding consumerism and of women’s challenges to prevailing gender hierarchies. Seemingly simple actions--riding a bicycle, for example, or deploying the abanico, the fan, in different ways--exposed how traditional systems of power and privilege clashed with norms of modernity and progress.


Author(s):  
Elza Ibroscheva ◽  
Maria Stover

This study provides a glimpse into the cultural history of this popular medium for the period 1944-2016. From the “golden age” of communist era television during which TV was hailed as a main cultural force for education and entertainment and simultaneously taunted as a tool of propaganda, censorship and political control, we will trace the unprecedented “boom” in commercial TV channels at the offset of the transition, with its often questionable quality, leading to the emergence of several serious contenders on the broadcasting scene, both in terms of their financial value and in terms of power over public opinion.


2019 ◽  
Vol 24 (3) ◽  
pp. 213-247 ◽  
Author(s):  
Roland Schewe ◽  
John Davis

Abstract This article offers the first comprehensive study of a newly discovered type of medieval sundial made of ivory which might well be the precursor of the well-known diptych dial form made from ivory and wood. These sundials are unique for the combination with a wax writing tablet (tabula cerata) on the reverse side, such as has been deployed as a reusable and portable writing surface in Antiquity and throughout the Middle Ages. Three previously unpublished examples of this type of sundial have been located in Germany, Italy and England. This article gives a detailed analysis of the sundials and the underlying construction principles, including considerations from the history of science, chronology and cultural history in order to answer the questions of where, when and by whom these sundials were made.


1978 ◽  
Vol 98 ◽  
pp. 132-141 ◽  
Author(s):  
Pierre Vidal-Naquet

In the treatise de Abstinentia that the neoplatonist Porphyry devoted to justifying abstention from foods of animal origin, there is a long quotation from Life in Greece (βίος τῆς Έλλάδος) by the Peripatetic, Dicaearchus (end of the fourth century B.C.), who was a direct disciple of Aristotle. This book is known to represent a sort of cultural history of Greek humanity from the very earliest times.In its essentials, this text tells us that the Golden Age, or age of Cronos, referred to by the poets, principally by Hesiod, in his Works and Days (from which Dicaearchus quotes verses 116–19: ‘And they had all good things, the grain-bearing earth, ζείδωρος ἂρονρα, itself produced an abundant and generous harvest, and they lived off their fields in peace and joy, amidst countless boons…’), that this marvellous epoch was perhaps a historical reality


2021 ◽  
Vol 1 (2) ◽  
pp. 120-137
Author(s):  
Ahmad Musta'id

This study discusses a socio-cultural history of Islam in a society regarding the reflection of the Javanese people's ability to read natural signs to determine the calculation of the seasons that will be used in farming, which is called Pranata Mangsa. The existence of the Pranata Mangsa Javanese calendar which later developed became a guideline in farming activities for Muslim farming communities in Undaan Kudus. However, if we look at several phenomena from the early 2000s AD to the present, especially regarding the seasons, of course there are many seasonal changes that occur on this Earth. The changing seasons on Earth occur due to various factors. This factor is due to the existence of several natural phenomena. This research uses historical methods and anthropological approaches. The anthropological approach can serve to study the socio-cultural background of past events, while history serves to study the cultural changes that occurred in the Muslim farming community of Undaan Kudus. This study shows that the socio-cultural conditions of the Muslim farming community are changing. The Muslim farming community of Undaan Kudus which was initially very thick with the guidelines of Pranata Mangsa with various religious ceremonies, gradually underwent a change by following the existence of modernism due to difficulties in reading natural signs.


2020 ◽  
Vol 20 ◽  
pp. 127-147
Author(s):  
Anna Waisman ◽  

Memoirs of a Grandmother: Scenes from the Cultural History of the Jews of Russia in the Nineteenth Century byPauline Wengeroff (published in 1908–1910 in Berlin) is a unique example of a Jewish autobiography written by a woman that depicts the Jewish traditional, preassimilation mode of life as the Golden Age. Reminiscing on the bygone times, the author also muses over her own, rather complicated relationship with the traditional and the modern. For her, the conflict between the two signifies the battle of sexes that was lost by women. A knife, described in some contexts as a household object, in others assumes a metaphorical value symbolizing the idyllic Jewish past and the dramatic changes undergone by the Jewish people, by Jewish women and by the memoirist herself. A woman with a knife, featured in the first volume as a symbol and a defender of the Jewish tradition, later morphs into a tragic figure, both a sacrifice and a sacrificer.


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