Spanish Folklore in the Southwest: The Pioneer Studies of Aurelio M. Espinosa

1978 ◽  
Vol 35 (2) ◽  
pp. 219-237
Author(s):  
J. Manuel Espinosa

The centuries-old Spanish folk heritage of our Southwest, and its many faceted and enduring influence on the cultural life of the region, has been written about from various rims of observation. This article describes the pioneer studies of Aurelio M. Espinosa on Spanish folklore in the Southwest, with special emphasis on northern New Mexico. Although he made important contributions to the study of Spanish folklore of southern Colorado, Arizona, and California, and to that of Spain, Mexico, and other parts of Spanish America as well, he devoted most of his research and field work to the upper half of New Mexico which is the richest field of Spanish folklore in the Southwest.In viewing the cultural history of New Mexico, Espinosa reminded his readers that its first century as a Spanish colony, the 17th, was the second great century of Spain's Golden Age of arts and letters. With the vigor of Spain's sense of mission in those centuries, her Golden Age radiated to all parts of Spanish America via Mexico City, Lima, and the other principal colonial capitals. At the same time, from the bookshelf and the store of knowledge of the humble missionary, and the folklore of the Spanish settlers, passed down from generation to generation, the spirit of the Golden Age was reflected on the most remote settled frontiers.

Author(s):  
Peter J. Schmelz

Sonic Overload presents a musically centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. The central themes are collage, popular music, kitsch, and eschatology. The book traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced and assimilated popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet doctrine with utopian impulses to encompass all musical styles, from “high” to “low.” But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, but it also targets a wider scholarly audience, including readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of “high” and “low” cultures; and politics and the arts. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke.


At least four writing systems—in addition to the Phoenician, Greek, and Latin ones—were used between the fifth century BCE and the first century CE to write the indigenous languages of the Iberian peninsula (the so-called Palaeohispanic languages): Tartessian, Iberian, Celtiberian, and Lusitanian. In total over three thousand inscriptions are preserved in what is certainly the largest corpus of epigraphic expression in the western Mediterranean world with the exception of the Italian peninsula. The aim of this book is to present a state of the question that includes the latest cutting-edge scholarship on these epigraphies and the languages that they transmit. To do so, the editors have put together a volume that from a multidisciplinary perspective brings together linguistic, philological, epigraphic, numismatic, historical, and archaeological aspects of the surviving inscriptions. The study of these languages is essential to achieve a better understanding of the social, economic, and cultural history of Hispania and the ancient western Mediterranean. They are also the key to our understanding of colonial Phoenician and Greek literacy, which lies at the root of the spread of these languages and also of the diffusion of Roman literacy, which played an important role in the final expansion of the so-called Palaeohispanic languages.


2018 ◽  
pp. 126-150
Author(s):  
Sarah Wood

This chapter locates the figure of Félix Éboué in the cultural politics of commemoration in Guyane. It offers a cultural history of the production of memorials to Éboué in Guyane (his birthplace) and beyond, assessing the role of these markers of national power in the local landscape. The chapter focuses first on the monument located in central Cayenne, produced at the instigation of a local committee and inaugurated in 1957, towards the end of the Fourth Republic. It then addresses the revival of 'memory' of Éboué and the renewal of his presence in Guyane which occurred during the 2000s. Instigated in part by Christiane Taubira, this culminated in the renaming of the only international airport in the Département — the key point of arrival and departure between Paris and Cayenne. The chapter concludes by asking how the vision of Guyane asserted in the act of ‘remembering’ Éboué has changed or been adapted in the twenty-first century.


2017 ◽  
Vol 23 (1) ◽  
pp. 151-183
Author(s):  
Michael Shenkar

The sensational finds made at Tillya Tepe in Northern Afghanistan close to the modern city of Sheberghān, are the primary source for reconstructing the cultural history of Bactria in the turbulent period between the end of Greek rule and the rise of the Kushan Empire. The paucity of written sources from this period (mid second centurybceto mid first centuryce), and our resulting lack of understanding of even major political and cultural events, has led to its apt characterization as the “Dark Age” of Bactrian history. In this context, a special place should therefore be reserved for archaeological finds and Tillya Tepe is undoubtedly the most important site of this period. The significance of the Tillya Tepe finds for the reconstruction of Bactrian history and its cultural landscape has long been recognized, but they still have much to offer in terms of historical inquiry. In what follows I shall attempt a new reconstruction of the headdress of a “prince” buried in Graveivand conclude that it allows us to place him within the orbit of the Indo-Parthian Gondopharid dynasty, one of the most powerful regional political entities of the period.


1963 ◽  
Vol 39 (3) ◽  
pp. 485-485
Author(s):  
Stephen Clissold

2008 ◽  
Vol 1 (2) ◽  
pp. 160-171
Author(s):  
Antanas Andrijauskas

The object of the article is the duality of the cultural‐historical memory of the Grand Duchy of Lithuania between the worlds of the Latin West and the Byzantine Slavic East, strongly affected the historical memory and mentality of the Lithuanian nation and shaped many of the forms of cultural and national self‐identification, forms which are historically changing and characteristic for a border culture. After concisely discussing various aspects of the cultural history of the GDL, that have strongly affected Lithuanian historical memory, it is possible to state that homogeneity was alien for Lithuanian culture, which had insinuated itself between the Latin West and the Byzantine East and which, from the first century of the appearance of the state, was distinguished by a heterogeneous cultural orientation with diverse directions.


2020 ◽  

This volume covers the vast field of memory, commemoration and the art of memory in the Middle Ages. Memory was not only a religious, social and historical phenomenon but also a driving factor in cultural life and in the production of art. It played an important role in medieval intellectual, visual and material culture, touching on almost all spheres of personal and social life. Yet the perception of memory did not remain static. The period covered by this volume, 500-1450, was one of enormous change in the way memory was understood, expressed, and valued. The authors of the essays trace the changes in the understanding of memory in its diverse forms and social fields, analysing everyday life as well as politics, philosophy and theology. As can be demonstrated, functions and perceptions evolved over the medieval millennium and laid the foundations for the modern understanding of individual and social memory.


2021 ◽  
Vol 2 (2) ◽  
pp. 154-170
Author(s):  
Deborah Cafiero

Hard-boiled’ fiction arose in the early decades of the twentieth century, uncovering connections among crime, wealth and power, and exposing moral fissures within U.S. capitalism. After French publisher Gallimard marketed translations of American crime fiction as noir, international writers started adjusting the ethical framework of the original authors as part of their ‘glocal’ adaptation of a global genre to local circumstances. The present article pushes past ‘glocal’ analysis of noir to propose a ‘transnational’ relationship, adapting Paul Giles’ definition of ‘transnational’ practice in which international authors reflect the genre back upon its American roots in order to illuminate the ‘silences, absences and blindspots’ in the original ethical stance. The ‘misreading’ of noir also permits a ‘misrecognition’ of local circumstances, exposing moral fissures throughout different societies. This article shows how series by Manuel Vázquez Montalbán and Paco Ignacio Taibo II reveal ethical blindspots in American models by situating the detective within an emotional history of place (Barcelona for Vázquez Montalbán, Mexico City for Taibo II). Although these detectives ultimately cannot determine or perform the role of ethical citizen, their emotional-geographical bonds open up a critique of American ideals and pave the way for a reimagining of the ethical in the twenty-first century.


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