Changes in the Pattern of Settlement (1600–1100 BC)

Author(s):  
Richard Bradley ◽  
Colin Haselgrove ◽  
Marc Vander Linden ◽  
Leo Webley

The Three Age Model has outlived its usefulness, but even now it is difficult to see how it can be replaced. The beginning of the Bronze Age is sometimes termed the Chalcolithic, and the transition to the Iron Age has also been treated as distinct phase, but a still greater problem is how to acknowledge the changes that came about during the later second millennium BC. Some of those developments are considered here. When Coles and Harding wrote The Bronze Age in Europe over thirty years ago, there seemed to be a solution to the problem. They divided this phase into an ‘earlier’ and a ‘later’ Bronze Age (Coles and Harding 1979), acknowledging the important developments that happened part way through the period. These concerned settlements, houses, food production, mortuary rituals, and metalwork, although the significance of these elements differed from place to place. In their view the important division happened at about 1300 BC. They may have been influenced by Eogan’s review of Irish Bronze Age metalwork, which adopted a similar terminology, although he dated the transition to 1200 BC (Eogan 1964). In 1990 a similar division was proposed for the British Bronze Age, but that was based on developments in the pattern of settlement that began around 1500 BC (Barrett and Bradley 1980). It is revealing that subsequent accounts of Irish prehistory have reverted to a more complex chronological scheme based on successive styles of metalwork, whilst British researchers who used the terms favoured by Coles and Harding were unable to agree when a change from an ‘earlier’ to a ‘later’ phase occurred. Different versions favour starting dates of 1500 BC (or a little before) or 1100 BC (Bradley 2007, 178–81). Anthony Harding published a more recent account of the European Bronze Age in 2000 and it is revealing that the two-fold division of this period no longer plays a part. The chronology is based on the typological schemes worked out by Montelius, Reinecke, and their successors, and on radiocarbon and tree-ring dating (Harding 2000).

2015 ◽  
Author(s):  
Sheila Grecian ◽  
Safwaan Adam ◽  
Akheel Syed
Keyword(s):  
Iron Age ◽  

2020 ◽  
Author(s):  
Cezary Namirski

The book is a study of the Bronze Age and Early Iron Age Nuragic settlement dynamics in two selected areas of the east coast Sardinia, placing them in a wider context of Central Mediterranean prehistory. Among the main issues addressed are the relationship between settlement and ritual sites, the use of coastline, and a chronology of settlement.


The Holocene ◽  
2019 ◽  
Vol 29 (10) ◽  
pp. 1607-1621 ◽  
Author(s):  
Jutta Kneisel ◽  
Walter Dörfler ◽  
Stefan Dreibrodt ◽  
Stefanie Schaefer-Di Maida ◽  
Ingo Feeser

In archaeology, change in material culture is viewed as indicating social or cultural transformation and is the basis of our typo-chronological classification of phases and periods. The material culture from northern Germany reveals both quantitative and qualitative changes during the Bronze Age. At the same time, there is also evidence for ‘boom and bust’ cycles in population density/size, as indicated by changing human impact on the environment in several Bronze Age palaeoenvironmental records. These demographic fluctuations may relate to the observed changes in social phenomena in aspects of ideology, technology, food production and habitation. For example, innovations in food production, such as the adoption of new crops and agricultural techniques, could have led to population growth. While usually viewed by archaeologists as a ‘negative’ development, population stress or collapse may have favoured the emergence of new cultural phenomena. In order to test the cause-and-effect relationship between population dynamics and sociocultural change, we synthesise the archaeological evidence – qualitative and quantitative information from settlements, deposition finds (hoards), burials, material culture and architectural remains – for the Bronze Age in northern Germany, mainly Schleswig-Holstein, and compare it with the boom and bust pattern seen in the palaeoenvironmental record. The synchronicity of changes at ca. 1500 BC and ca. 1100 BC reflects the relationship between phases of major sociocultural transformation in the archaeological datasets and booms and busts in the palaeoenvironmental record of the region seen as a proxies for palaeo-demography. This sets the stage for a better understanding of the transformation of practices and relationships in the Bronze Age communities of the region.


Art History ◽  
2021 ◽  

“China” here designates much but not all of China Proper or Inner China, terrain controlled during the Imperial era (221 bce to ce 1912) by historic dynastic states. Vast regions to the northeast, north, and west—Manchuria, Mongolia, Xinjiang, and Tibet—are excluded even though they are now integral to the modern-day nation-state. Similarly, we slight areas of the south, for example the modern-day Lingnan and Yun-Gui macroregions, that only gradually were absorbed after the Bronze Age. In Chinese scholarship, “Bronze Age” (qingtong shidai青铜时代) serves as an alternate for the “Three Dynasties” (san dai三代) of traditional historiography: Xia (Hsia), Shang, and Zhou (Chou). Bracketing dates of c. 2000–221 bce are now widely used, the first an approximation, the latter firm. Bronze alloy, however, was just one ingredient of material cultures of the Three Dynasties. Other features include the appearance of states, social stratification, urbanization, warfare, and the appearance of iron (the Iron Age), in addition to achievements in literature, music, and philosophy during the latter centuries, a kind of “Classical Age.” Today, “arts” may encompass many forms of crafting materials for a variety of purposes and audiences. This bibliography specifically addresses architecture, bronze, jade, lacquer, and silk as well as music, pictorial representation, and writing. A term from the Bronze Age—“Six Arts” (or “skills,” liu yi六艺)—defined expertise for an elite male as ritual, music, archery, chariot driving, writing, and calculation. While the overlap between the ancient and modern categories is at best partial, these concepts do intersect in terms of makers and consumers and in social and religious purposes. The elite’s luxury lifestyle was sustained by the “arts.” Ritual required bronze vessels, and the requisite music was performed on instruments of bronze, stone, lacquer, etc. Chariots were outfitted with bronze; writing and picturing employed silk. This bibliography emphasizes Chinese archaeology, both as a discipline and as a realm of knowledge that have burgeoned since the late 20th century. Archaeology creates fresh evidence, which then becomes the stuff of excavation reports, investigative scholarship, exhibitions and museum displays, and reference works. Only some of this bounty can be cited here, and readers are directed to Oxford Bibliographies for Chinese Studies (e.g., Chinese Architecture, Calligraphy, Ceramics, Paleography, Ancient Chinese Religion) for further advice. This essay is limited to publications from 1980 and, when possible, favors English-language sources.


Starinar ◽  
2016 ◽  
pp. 173-191
Author(s):  
Aleksandar Kapuran ◽  
Dragana Zivkovic ◽  
Nada Strbac

The last three years of archaeological investigations at the site Ru`ana in Banjsko Polje, in the immediate vicinity of Bor, have provided new evidence regarding the role of non-ferrous metallurgy in the economy of the prehistoric communities of north-eastern Serbia. The remains of metallurgical furnaces and a large amount of metallic slags at two neighbouring sites in the mentioned settlement reveal that locations with many installations for the thermal processing of copper ore existed in the Bronze Age. We believe, judging by the finds of material culture, that metallurgical activities in this area also continued into the Iron Age and, possibly, into the 4th century AD.


Author(s):  
С. С. Мургабаев ◽  
Л. Д. Малдыбекова

Статья посвящена новому памятнику наскального искусства хребта Каратау, открытому в урочище Карасуйир. Приводится краткое описание памятника, публикуются наиболее важные изображения. Сюжеты и стилистические особенности основной чaсти петроглифов памятника Карасуйир связаны с эпохой бронзы, остaльные рисунки отнесены к эпохе рaннего железа и, возможно, к эпохе камня. Для некоторых из них предложена предварительная интерпретация. The article is devoted to a new rock art site of the Karatau Range, discovered in the Karasuyir Area. A brief description of the site is provided, and the most important images are published. Subjects and stylistic features of the main part of Karasuyir petroglyphs are associated with the Bronze Age, and other engravings are related to the early Iron Age and, perhaps, to the Stone Age. A preliminary interpretation is proposed for some of them.


1985 ◽  
Vol 35 ◽  
pp. 67-84 ◽  
Author(s):  
J. D. Muhly ◽  
R. Maddin ◽  
T. Stech ◽  
E. Özgen

The development of the skills necessary for working in iron, making possible the transition from the Bronze Age to the Iron Age, has long been regarded as one of the major break-throughs in man's technological history. For Lewis Henry Morgan, writing in 1877, the smelting of iron ore was a development on a par with the domestication of animals (Morgan 1877:39):“The most advanced portion of the human race were halted, so to express it, at certain stages of progress, until some great invention or discovery, such as the domestication of animals or the smelting of iron ore, gave a new and powerful impulse forward.”The importance of the appearance of iron as a practical, utilitarian metal has usually been seen in terms of a military context. With iron it was possible to produce weapons not only superior to those of bronze but also much cheaper. These improvements made it possible to arm a large peasant infantry in order to challenge the military superiority of the chariot forces of the Late Bronze Age aristocracy, armed with bronze weapons.


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