Below 100 Hz

Author(s):  
Robert Fink

This chapter explores cultural theories of sub-bass production and reception in electronic dance music (EDM), reggae, and other bass-heavy popular musics. After a brief review of the musicology surrounding sub-bass (particularly the work of Steve Goodman and Julian Henriques), the discussion moves on to a cultural history of the sub-bass signal chain, including the subject of subwoofer design and other aspects of audio engineering for the reproduction of musical sounds below 100 Hz. The chapter details the perceptual responses to low frequencies and the physics of sub-bass sound propagation in order to critique the mystification of recent theorists of “bass culture.”

Author(s):  
Jan Uhde

CZECH FILM IN EXILE (ČESKÝ FILM V EXILU). Jiří Voráč. Brno, Host 2004. 192pp, stills, index, English summary. ISBN: 8072941399.In Czech Film In Exile, Jiří Voráč turns to a topic painfully relevant for the cultural history of his country, yet ignored by his compatriot researchers for years. In the stifling times of the pre-1989 Communist dictatorship, the subject of the exile culture was strictly taboo. More surprising was that it continued to be neglected for almost fifteen years after the "velvet revolution" and subsequent democratization. Among the reasons may have been the geographic fragmentation, linguistic diversity and disorganization of the sources which had to be researched in countries on several continents. Another factor may have been a sort of ideological inertia among some of the Czech academic community, which did not seem to consider its own film exile a worthwhile academic subject.For Voráč, a film historian at Brno's Masaryk University,...


2000 ◽  
Vol 29 (1) ◽  
pp. 131-133
Author(s):  
Richard W. Bailey

In his preface, Knowles makes clear what his book is not. It is not a history of literary English, and it is not an account of changes in linguistic form; it is a “cultural history.” In the introductory chapter, he declares: “In view of the close connection between language and power, it is impossible to treat the history of the language without reference to politics” (9). Of course, books that purport to be histories of English have often “treated” the subject without apparent politics. Knowles is right in alleging that the politics of such books has often been implicit, since most of them provide information about the ascent of one variety of the language to the elevated status of a standard – as if that were an inevitable and desirable result of the spirit of goodness working itself out through speech.


2011 ◽  
Vol 43 (3) ◽  
pp. 385-386 ◽  
Author(s):  
Samah Selim

The three-week uprising in Egypt that ended with the removal of Husni Mubarak on February 11 happened to coincide with the section of my spring course syllabus on the Egyptian novel from Najib Mahfuz to Ahmed Alaidy. As was the case for many of my colleagues and their students, the rapid and awe-inspiring events unfolding daily before us pushed purely academic concerns to the margins of class discussion. This tidal wave of revolutionary politics erupting into the classroom forced me to the realization that my larger syllabus was not simply some neutral or systematic survey of half a century's worth of Arabic literature. I began to think about the largely invisible dystopic intellectual and historical paradigms through which modern Arabic literature is often framed, at least in the United States. The nahḍa/naksa narrative, which compelled many of us to read Arab cultural history of the 20th century as a story of brief “awakening” followed by irredeemable decline and corruption, is clearly no longer tenable in the wake of February 11. This same narrative underpinned the highly self-conscious postmodernism that began to emerge in Egypt in the 1990s and that reached its apogee a couple of decades later at the end of the 2000s, a postmodernism that was celebrated (though by no means universally) as the true beginning of literary modernity and the emancipation of the subject from the dead weight of a past ideological age.


2020 ◽  
Vol 15 (2) ◽  
pp. 236-253
Author(s):  
I. G. Devyatyarova

The subject of this article arose in connection with the study of the cultural history of Siberia during the Civil War (1918–1922). An appeal to archival documents and L. N. Martynov’s memoirs made it possible to reveal many interesting facts from the life of the White capital and recall one of its significant episodes – the meeting of the schoolboy Leonid Martynov with the Petrograd poet Georgy Maslov in the summer of 1919. They met at the book collection office creating hospital libraries in August 1919. The meeting with the first real poet made a strong impression on Leonid. Young people met often, came to each other’s homes. It is not difficult to imagine how fascinating and informatively rich were he stories of the participant in the Pushkin seminary and the university’s “Circle of Poets” for the Omsk schoolboy. Maslov introduced the schoolboy and his friends N. Kalmykov and V. Shebalin to all the “stray” writers. Maslov wrote a lot and published poetry in local periodicals, and Martynov was probably one of the first to read them. Maslov firmly adhered to the anti-Bolshevik position, and in poetry on contemporary themes he expressed his high patriotic feelings, calling on his compatriots to enlightenment. These moods influenced the young Omsk citizen. In line with the influence of Maslov on the worldview of young Martynov – a positive attitude towards the personality of A. V. Kolchak. In the spring in Soviet Omsk, Leonid left the gymnasium, which, under the new government, has now become the United Labor School. This decision, formed, of course, under the influence of Maslov, was an expression of protest and a demonstration of Martynov’s attitude to the new government. At the end of May 1920, fifteen-year-old Martynov went to Krasnoyarsk, where he met with E. Ivanov, who told him about the long, painful retreat to the east, the death of Maslov, showed him the poems he had written on the way. Returning to Omsk, Martynov meets with Maslov’s friend Tanya Solovyova, with whom they remember the poet and read his poems. At this time, Martynov conceived the idea of a poem dedicated to the memory of a friend – “Harlequinade”. In May 1922, Martynov is in Moscow, where he meets with the participants of the Omsk literary meetings and participates in an evening in memory of Maslov. The short friendship between the “Pushkinist and the Futurist” was fruitful for the young Martynov. It played a decisive role in his professional development, the forming of his literary tastes, social guidelines. The name of Georgy Maslov remained dear to Leonid Martynov until the end of his life.


Author(s):  
Fendi Adiatmono ◽  
Arif Rivai

Human work is influenced by thinking and behavior patterns. Weaving as a result of human culture is no longer something that is considered important. Birth and development have not been comprehensively explored. Kuningan as a weaving region cannot be separated from the problem. Its development stalled during Colonial rule.This research aims to describe the development of weaving as a home industry in terms of cultural history, form of motives and management. This study aims to (1) describe the weaving motif in the Kuningan home industry; and (2) design forms of motifs that are in accordance with the history of Kuningan culture; and (3) suitable management of art applied to the Kuningan area. This research is a qualitative research where the data obtained from observations, interviews, documentation, and participant observations are presented in descriptive form. The instruments in this study were the researchers themselves with guidelines for observation, interviews, and documentation. The tools used in this study are digital cameras and writing equipment. The validity of the data from this paper is obtained by perseverance / regularity of observation and publication of research results. Analysis of the data used in the form of reduction, presentation of data, and conclusion. The results of this study indicate (1) the weaving motifs of home industry production are not in accordance with the development of other textile arts, such as batik. Then the form of the motive produced is the result of interference from outside countries; and (2) Kuningan home industry weaving is not in the right management, as evidenced by the death of the industry in the present.This research uses the theory of visual history and methods of anthropological approaches, forms of aesthetics, and symbols that are relevant to the subject and subject matter of the problem. So, the context that was built to be legitimate, text, oral and visual, both now and past has been used as a reconstruction. The contents of the study and his work aroused community sensitivity in formulating natural and human development constructions. The general objective of this research is the point of awareness, that it creates filters, balance, and makes a counter of global forces that try to make Indonesian society artificial.This research is expected to emit reference needs for public creativity in general. The written phrases are expected to be able to inspire the sensitivity of the people of Indonesia, to further dynamize the transmission method in the construction of the community.


2018 ◽  
Vol 17 (2) ◽  
pp. 460
Author(s):  
Gisele Belusso ◽  
Terciane Ângela Luchese

O presente artigo comunica resultados de pesquisa na temática da História da Educação, atentando para o processo histórico do Colégio Nossa Senhora de Lourdes, Farroupilha/RS (1922-1954). Nesse sentido, tem como objetivo analisar indícios das culturas e práticas escolares a partir da cultura material. Para tanto, utilizou-se, principalmente, um caderno de sabatinas e também outros documentos, tais como o livro de atas de comemorações cívicas, livros de chamada, legislação vigente e memórias de ex-alunos e ex-professoras-religiosas. O aporte teórico é o da História Cultural e, como metodologia, foi utilizada a análise documental e a história oral. A análise permitiu perceber elementos das culturas e práticas escolares que permearam o cotidiano do Colégio Nossa Senhora de Lourdes, no ensino primário, na década de 40 do século XX.Palavras-chave: Práticas escolares. História das instituições. Ensino Primário.AbstractThis article presents research results within the subject History of Education, paying attention to the historic process of Nossa Senhora de Lourdes School, Farroupilha/RS (1922-1954). In this sense, its objective is to analyze signs of culture and school practices from material culture. For this, an evaluation notebook and other documents were mainly used, as well as a minute book of civic commemorations, roll call books, existing legislation and memories of ex-students and ex-teachers-Sisters. The theoretical contribution is that of Cultural History, and, as methodology, the document analysis and oral history were used. The analysis allowed noting elements of school cultures and practices that permeated Nossa Senhora de Lourdes School daily routine, in primary school, in the forties of the twentieth century.Key words: School practices. History of institutions. Primary teaching. ResumenEste artículo comunica resultados de investigación en la temática de la Historia de la Educación, atentando para el proceso histórico del Colegio Nossa Senhora de Lourdes, Farroupilha/RS (1922-1954). En este sentido, tiene por objetivo analizar indicios de las culturas y prácticas escolares a partir de la cultura material. Para tanto, se utilizó, principalmente, un cuaderno de pruebas y también otros documentos, tales como el libro de actas de conmemoraciones cívicas, libros de presencias, legislación vigente y memorias de ex-alumnos y ex-maestras religiosas. El aporte teórico es el de la Historia Cultural y, como metodología, fue utilizado el análisis documentario y la historia oral. El análisis permitió descubrir elementos de las culturas y prácticas escolares que permearon el cotidiano del Colegio Nossa Senhora de Lourdes, en la enseñanza primaria, en la década del 40 del siglo XX.Palabras clave: Prácticas escolares. Historia de las instituciones. Enseñanza Primaria.


2021 ◽  
Vol 36 ◽  
Author(s):  
Ekaterina Kulinicheva

This paper considers sneakerheads, or sneaker collectors and enthusiasts, as fans. It explores both them and their participatory culture, developing a new approach to researching sneakerheads: I here conceptualize sneaker collecting as an object-inspired fandom to highlight the difference between sneaker fandom and other object-oriented fandoms. This paper demonstrates that sneaker collecting is about both collecting knowledge about the subject of sneakers and collecting sneakers themselves. The materiality of sneakers, the story behind a design, and the cultural history of sneakers attracts sneakerheads to sneakers. As such, I here explore the following characteristics of sneaker collecting: the importance of knowledge and its acquisition, the high value of the community's practices and activities, the high level of emotional involvement, fan art (sneaker art), and anticommercial ideologies and beliefs. The approach demonstrated in this paper could also be useful in research of other communities organized around collecting wearable goods, such as clothes or accessories, including football T-shirts, vintage denim, and bags.


2005 ◽  
Vol 5 (1) ◽  
pp. 56-64
Author(s):  
bruce kraig

Man Eats Dog Sometimes a hot dog is more than just a fast food, and the stands from which they are served in Chicago are more than simply corporate feeding places. Created by European immigrants in the Nineteenth Century and elaborated by succeeding generations, the subject of many jokes including the name itself, the hot dog represents a social and cultural history of America. Nowhere are these themes better seen than in Chicago’s hot dog stands and in the wonderful vernacular art decorating them. Stands define urban, ethnic neighborhoods, a mosaic of small communities that together compose the portrait of the city. These small places are the realms of small entrepreneurs who live seemingly untouched by the culture of modern corporate business. The art upon them embody these older, homier themes—retreat into memory, abundance, the imagined world of carnevale, and many others. To Chicagoans, hot dog stands, local eateries in general, reify the life of their hometown.


Author(s):  
Mar'atul Azizah ◽  
Rina Bayu Winanda

The subject of Islamic history is underestimated or is only considered a complementary subject by students. So that here the researcher is interested in researching about how the problems of learning Islamic Cultural History at MTs Salafiyah Syafiiyah Bandung Diwek Jombang and how the teacher's efforts in overcoming the problems of learning the History of Islamic Culture at MTs Salafiyah Syafiiyah Bandung Diwek Jombang. This research uses a qualitative approach. Data collection methods: observation, interviews and documentation. The data analysis technique used Miles and Huberman's interactive model which included data reduction, data presentation and conclusion drawing. To check the validity of the data, it was used research extension, observation persistence and triangulation. The results of this study found that: Mathematics of learning resource problems are incomplete, lack of understanding of the method, the lack of media so that it meets the learning objectives, student problems before and during learning, some evaluation scores are below standard. The teacher's efforts: learning resources are handled with the internet as a complementary source, methods are handled with other methods prepared by the teacher, media are overcome with other media that are easy to find, students are overcome with several common things, evaluation is overcome with remedial programs.


The volume contains articles concerning the influence of Latinitas in the territory now occupied by Poland, Lithuania, Ukraine and Belarus’. The articles, all published in English, range from history to literature and to cultural history and the history of ideas. They analyze the issue of building an identity, either real or imagined, from different points of view. Among the most interesting topics are the classical origins of myths and ideas that have helped build the national identities of those that constituted the ethnic mosaic of the Grand Duchy of Lithuania and the role of Neo-Latin poetry, as a conveyor of Latinitas, in the development of national identities. Because of the significance of Latinitas for both common European cultural traditions and the national cultures, literatures and languages of Belarus, Poland, Lithuania, Estonia, Latvia and Ukraine, it is to be hoped that the subject will continue to attract a good level of attention in the future.


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