Man Eats Dogs: The Hot Dog Stands of Chicago

2005 ◽  
Vol 5 (1) ◽  
pp. 56-64
Author(s):  
bruce kraig
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Fast Food ◽  
Small Communities ◽  
European Immigrants ◽  
History Of ◽  
The Subject ◽  
Hot Dog ◽  
Corporate Business ◽  
The City

Man Eats Dog Sometimes a hot dog is more than just a fast food, and the stands from which they are served in Chicago are more than simply corporate feeding places. Created by European immigrants in the Nineteenth Century and elaborated by succeeding generations, the subject of many jokes including the name itself, the hot dog represents a social and cultural history of America. Nowhere are these themes better seen than in Chicago’s hot dog stands and in the wonderful vernacular art decorating them. Stands define urban, ethnic neighborhoods, a mosaic of small communities that together compose the portrait of the city. These small places are the realms of small entrepreneurs who live seemingly untouched by the culture of modern corporate business. The art upon them embody these older, homier themes—retreat into memory, abundance, the imagined world of carnevale, and many others. To Chicagoans, hot dog stands, local eateries in general, reify the life of their hometown.

Urban Formalism

2020 ◽  
Author(s):  
David Faflik
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Cultural History ◽  
Subjective Experience ◽  
The West ◽  
Urban Experience ◽  
Street Protest ◽  
History Of ◽  
New Form ◽  
The City

Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.

Emotional Cities

2017 ◽  
Author(s):  
Joseph Ben Prestel
Keyword(s):  
Nineteenth Century ◽  
Capital Flows ◽  
Urban History ◽  
Middle Eastern ◽  
Loss Of Control ◽  
Global Capital ◽  
Dynamic Transformation ◽  
Two Cities ◽  
History Of ◽  
The City

Between 1860 and 1910, Berlin and Cairo went through a period of dynamic transformation. During this period, a growing number of contemporaries in both places made corresponding arguments about how urban change affected city dwellers’ emotions. In newspaper articles, scientific treatises, and pamphlets, shifting practices, such as nighttime leisure, were depicted as affecting feelings like love and disgust. Looking at the ways in which different urban dwellers, from psychologists to revelers, framed recent changes in terms of emotions, this book reveals the striking parallels between the histories of Berlin and Cairo. In both cities, various authors associated changes in the city with such phenomena as a loss of control over feelings or the need for a reform of emotions. The parallels in these arguments belie the assumed dissimilarity between European and Middle Eastern cities during the nineteenth century. Drawing on similar debates about emotions in Berlin and Cairo, the book provides a new argument about the regional compartmentalization of urban history. It highlights how the circulation of scientific knowledge, the expansion of empires, and global capital flows led to similarities in the pasts of these two cities. By combining urban history and the history of emotions, this book proposes an innovative perspective on the emergence of different, yet comparable cities at the end of the nineteenth century.

Urban Space and Aristocratic Power in Late Antique Rome

2019 ◽  
Author(s):  
Carlos Machado
Keyword(s):  
Roman Empire ◽  
Cultural History ◽  
Urban Space ◽  
Social Life ◽  
Late Antiquity ◽  
Late Antique ◽  
The Social ◽  
Traditional Elite ◽  
History Of ◽  
The City

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.

Puccini's La Bohème

2020 ◽  
Author(s):  
Alexandra Wilson
Keyword(s):  
Cultural History ◽  
Cultural Contexts ◽  
Music Drama ◽  
Political Debates ◽  
The World ◽  
History Of ◽  
La Boheme ◽  
The Aesthetic ◽  
The Many ◽  
The City

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.

An Introduction to the History of International Law

1924 ◽  
Vol 18 (2) ◽  
pp. 246-259 ◽  
Author(s):  
Baron S. A. Korff
Keyword(s):  
Nineteenth Century ◽  
International Law ◽  
Ancient World ◽  
Long Time ◽  
History Of ◽  
The Subject ◽  
History Of International Law

For a long time writers on international law took it for granted that the subject of their studies was a relatively recent product of modern civilization, and that the ancient world did not know any system of international law. If we go back to the literature of the nineteenth century, we can find a certain feeling of pride among internationalists that international law was one of the best fruits of our civilization and that it was a system which distinguished us from the ancient barbarians. Some of these writers paid special attention to this question of origins and endeavored to explain why the ancient world never could have had any international law.

scholarly journals Czech Film in Exile (Český film v exilu)

2005 ◽  
Author(s):  
Jan Uhde
Keyword(s):  
Cultural History ◽  
Linguistic Diversity ◽  
English Summary ◽  
Academic Community ◽  
Velvet Revolution ◽  
History Of ◽  
The Subject

CZECH FILM IN EXILE (ČESKÝ FILM V EXILU). Jiří Voráč. Brno, Host 2004. 192pp, stills, index, English summary. ISBN: 8072941399.In Czech Film In Exile, Jiří Voráč turns to a topic painfully relevant for the cultural history of his country, yet ignored by his compatriot researchers for years. In the stifling times of the pre-1989 Communist dictatorship, the subject of the exile culture was strictly taboo. More surprising was that it continued to be neglected for almost fifteen years after the "velvet revolution" and subsequent democratization. Among the reasons may have been the geographic fragmentation, linguistic diversity and disorganization of the sources which had to be researched in countries on several continents. Another factor may have been a sort of ideological inertia among some of the Czech academic community, which did not seem to consider its own film exile a worthwhile academic subject.For Voráč, a film historian at Brno's Masaryk University,...

The Legacy of the ‘Edinburgh Lamarckians’

2019 ◽  
pp. 156-195
Author(s):  
Bill Jenkins
Keyword(s):  
Nineteenth Century ◽  
Medical Student ◽  
Natural History ◽  
Evolutionary Theory ◽  
Charles Darwin ◽  
Early Nineteenth Century ◽  
History Of ◽  
The City

The penultimate chapter looks at the longer-term impact of the efflorescence of evolutionary speculation in early-nineteenth-century Edinburgh on later generations of natural historians. First it examines the evangelical reaction against progressive models of the history of life and its role in the eclipse of the ‘Edinburgh Lamarckians.’ Next it examines to the evolutionary theory proposed by Robert Chambers in his anonymously published Vestiges of the Natural History of Creation (1844) to assess its possible debt to the Edinburgh transformists of the 1820s and 1830s. Finally it turns to the important question of the possible influence of the ‘Edinburgh Lamarckians’ on Charles Darwin during his time as a medical student in Edinburgh in the years 1825 to 1827, during which period he rubbed shoulders with many of the key proponents of evolutionary ideas in the city.

Gustav Klemm, Cultural History, and Kulturwissenschaft

2017 ◽  
Author(s):  
Peter N. Miller
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
Cultural History ◽  
German Culture ◽  
High Culture ◽  
History Of ◽  
New Material ◽  
Cultural Science ◽  
History Of Culture

This chapter examines a new material-based history of German culture and looks at how a study of material culture had since evolved into “cultural history.” It traces the history of culture in nineteenth-century Germany, at the same time puzzling out the ambiguity of such a category as it was applied during the period. Encompassing both high culture and low, the popular and the elite, cultural history has often seemed borderless and indefinite—leading even its admirers to “search” for it or to see it as a “problem.” The chapter then turns to a study of Gustav Friedrich Klemm (1802–1867), the most important of the cultural historians of the 1840s and 1850s. His General Cultural History (1843–1852) and General Cultural-Science (1855) are both significant works in the field.

Officers’ contributions to Britain’s anti-slavery culture

2019 ◽  
pp. 167-190
Author(s):  
Mary Wills
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Slave Trade ◽  
West African ◽  
Royal Navy ◽  
The Social ◽  
The Press ◽  
History Of ◽  
Naval Officers

This chapter examines officers’ contributions to the metropolitan discourses about slavery and abolition taking place in Britain in the early to mid-nineteenth century. Furthering the theme of naval officers playing an important part in the social and cultural history of the West African campaign, it uncovers connections between the Royal Navy and domestic anti-slavery networks, and the extent to which abolitionist societies and interest groups operating in Britain during the first half of the nineteenth century forged relationships with naval officers in the field. Officers contributed to this ever-evolving anti-slavery culture: through support of societies and by providing key testimonies and evidence about the unrelenting transatlantic slave trade. Their representations of the slave trade were used to champion the abolitionist cause, as well as the role of the Royal Navy, in parliament, the press and other public arenas.

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