2. Debating the Tour

Author(s):  
Elizabeth A. Bohls

The Gentleman’s Magazine (vol. 1, 7 August 1731), ‘London Journal’ The Gentleman’s Magazine, or Monthly Intelligencer, launched by the printer Edward Cave in 1731, was perhaps the most influential of the mid-eighteenth-century English periodicals. The magazine’s critique of the Grand Tour attacks its educational...

Author(s):  
Robert Wokler ◽  
Christopher Brooke

This chapter discusses the significance of the Grand Tour in the eighteenth century. The itinerary of the Grand Tour offered a program of postgraduate studies which aimed to lift the veil of ignorance of an undergraduate curriculum that embraced classical languages but not the civilizations that had produced them. Tourists of one denomination or another had been in great abundance in European history before the eighteenth century, and many of the motives that had inspired travelers in medieval and early modern Europe—diplomacy, commerce, adventure and, especially outside Europe, missionary zeal and anthropological curiosity—remained widely prevalent. But perhaps the most striking differences between grand tourism in the eighteenth century and journeys undertaken by earlier travelers revolve around the conceptions of civilization which inspired eighteenth-century voyagers to retrace Europe's origins and partake of its most glorious antiquity.


Author(s):  
Alan Montgomery

The Introduction summarises the origins of Scotland’s patriotic historiography, highlighting the importance of medieval chronicles and the Renaissance histories of Hector Boece and George Buchanan in laying the foundations of early modern Scottish national identity. In particular, it identifies the long-held belief that Scotland was one of the few places to have successfully resisted Roman conquest. As well as looking at the importance of classical literature and authors such as Cicero and Livy in the development of Scottish scholarship, it also outlines eighteenth-century Scottish attitudes towards ancient Rome, its culture and its imperial ambitions, and explores the importance of the Grand Tour in the formation of early modern interpretations of the classical past.


Author(s):  
David Abulafia

An important feature of the Fifth Mediterranean was the discovery of the First Mediterranean, and the rediscovery of the Second. The Greek world came to encompass Bronze Age heroes riding the chariots described by Homer, and the Roman world was found to have deep roots among the little-known Etruscans. Thus, during the nineteenth and early twentieth centuries entirely new perspectives on the history of the Mediterranean were opened up. An early lead was given by the growth of interest in ancient Egypt, discussed in the previous chapter, though that was closely linked to traditional biblical studies as well. In the eighteenth century, the Grand Tour introduced well-heeled travellers from northern Europe to classical remains in Rome and Sicily, and Englishmen saw it as an attractive alternative to time spent at Oxford or Cambridge, where those who paid any attention to their studies were more likely to be immersed in ancient texts than in ancient objects. On the other hand, aesthetic appreciation of ancient works of art was renewed in the late eighteenth century, as the German art historian Winckelmann began to impart a love for the forms of Greek art, arguing that the Greeks dedicated themselves to the representation of beauty (as the Romans failed to do). His History of Art in Antiquity was published in German in 1764 and in French very soon afterwards, and was enormously influential. In the next few decades, discoveries at Pompeii and Herculaneum, in which Nelson’s cuckolded host, Sir William Hamilton, was closely involved, and then in Etruria, further enlarged northern European interest in ancient art, providing interior designers with rich patterns, and collectors with vast amounts of loot – ‘Etruscan vases’, nearly all in reality Greek, were shipped out of Italy as the Etruscan tombs began to be opened up. In Greece, it was necessary to purchase the consent of Ottoman officials before excavating and exporting what was found; the most famous case, that of the Parthenon marbles at the start of the nineteenth century, was succeeded by other acquisitions for northern museums: the Pergamon altar was sent to Berlin, the facings of the Treasury of Atreus from Mycenae were sent to the British Museum, and so on.


2018 ◽  
Vol 62 (2) ◽  
pp. 349-373 ◽  
Author(s):  
MARK R. F. WILLIAMS

AbstractThis article assesses the role of memory, interiority, and intergenerational relations in the framing of early modern experiences and narratives of travel. It adopts as its focus three generations of the Clerk family of Penicuik, Scotland, whose travels through Europe from the mid-seventeenth century onward proved formative in the creation of varied ‘cosmopolitan’ stances within the family. While such widely studied practices as the ‘Grand Tour’ have drawn on discourses of encounter and cultural engagement within the broader narratives of the ‘long’ eighteenth century, this article reveals a family made deeply anxious by the consequences of travel, both during and after the act. Using diaries, manuscript correspondence, memoirs, and material objects, this article reveals the many ways in which travel was fashioned before, during, and long after it was undertaken. By shifting focus away from the act of travel itself and towards its subsequent afterlives, it explores the ways in which these individuals internalized what they experienced in the course of travel, how they reconciled it with the familiar, quotidian world to which they returned, and how the ‘cosmopolitan’ worldviews they brought home were made to inform the generations that followed.


The name of Dr John Turton may not be familiar today, but in the latter part of the eighteenth century it was both well-known and respected. Dr Johnson, with whom he was related and connected, wrote verses to his mother. During the Grand Tour which he made on a Radchffe Travelling Fellowship, he met most of the physicians in Europe and studied at Geneva, Vienna and Paris. He played a small but important part, hitherto quite unknown, in the life of Jean-Jacques Rousseau. Among his patients were Edward Gibbon, David Garrick, Oliver Goldsmith, Mrs Delany, George III, Queen Charlotte, and the Prince of Wales, for he became Physician in Ordinary to them, and his correspondence shows how greatly his advice was appreciated by several members of the Royal Family. His correspondence with Charles Bonnet and Sir Joseph Banks throws light on the famous dissensions in the Royal Society in the 1780’s. For all these reasons it has seemed worth while to rescue Turton from oblivion, a task which has been made both possible and pleasurable with the help of Mr R. H. Turton, M.P., Dr John Keevil, D.S.O., and Dr Bernard Gagnebin, Keeper of Manuscripts in the Library of Geneva. Ancestry and early years Dr John Turton (I) * was born in 1735, the son of Dr John Turton, a distinguished physician of Birmingham who in the previous year had married Dorothy Hickman, daughter of Gregory Hickman of Stourbridge. The Hickmans were connected with Dr Johnson, for Gregory Hickman’s mother Jane afterwards married Joseph Ford, Dr Johnson’s uncle. It was to Dorothy Hickman that Dr Johnson addressed his verses, To Miss Hickman playing on the Spinet , before he left Staffordshire for London. Mrs Turton died in 1744, and she appears to have been possessed of some fortune because John Turton inherited from her some property in Yorkshire.


2011 ◽  
Vol 46 (1) ◽  
pp. 89-101
Author(s):  
WILLIAM L. CHEW

James Price, Massachusetts Yankee and successful Boston merchant, visited Paris in August 1792, just when the French Revolution was entering into a new and ominous phase. On a trip designed to combine business with pleasure, he ended up witnessing the famous Journée du Dix AoÛt (Tenth of August) – dubbed the “Second French Revolution” by contemporaries – when provincial militia and national guards assaulted the Tuileries palace, massacred the king's Swiss Guards, and toppled the Bourbon monarchy from its centuries-old throne. As a fairly unbiased and certainly perspicacious observer – though with moderate revolutionary sympathies – Price must be included in the list of more famous, and more highly partisan, American witnesses of revolution, notably Thomas Jefferson, John Trumbull, and Gouverneur Morris. Specific topics addressed by Price include women during the Revolution, the dynamic between crowd action and attempts of municipal authorities at control, and the development of a Revolutionary fashion. Price's fascinating diary is not only a running account of events surrounding the fateful Tenth, but also an evaluation and commentary of an outsider, combined with a lively eyewitness description of the Revolutionary street scene. Not included in Marcel Reinhard's standard study on the Journée du Dix, Price's hour-by-hour chronology provides a valuable corroboration of and supplement to Reinhard. His account notes also provide insight into the eighteenth-century Continental travel habits of Americans on the “Grand Tour” and on business.


1988 ◽  
Vol 68 (2) ◽  
pp. 265-286
Author(s):  
Andor Gomme

SummaryExamination of the account books and other papers, now chiefly deposited in the Record Office of the Shakespeare Birthplace Trust, Stratford-upon-Avon, has enabled a chronology to be prepared of the long-drawn-out construction and decoration of the eighteenth-century west range of Stoneleigh Abbey. The contributions of the four architects principally involved—Francis and William Smith, William Hiorn and Timothy Lightoler—have been assessed, together with those of the more prominent craftsmen. In particular, the process by which the hall (or saloon) achieved its final form in 1763-5 is explored and suggestions made about the authorship of its remarkable stucco decoration.


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