scholarly journals National Identity and Satire

Author(s):  
David O'Shaughnessy

The eighteenth century was a period when ambitious Irish dramatists, particularly those based in London, deployed satire as a means of publicly displaying Irish improvement and Enlightenment. The Stage Irishman evolved over the period to become less an object than a tool of satire. Central to this process was new historiographical work by Irish historians that provided an ideological basis for this new drama. The Declaratory Act (1720) provoked Irish patriot writers; the failed Jacobite Rebellion (1745) offered them an opportunity to denigrate the Scottish to further Irish claims of Celtic authenticity; and the Irish rebellion (1798) muted the sense of possibility around the politics of national identity and satire.

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The chapters do not attempt to define what may well be undefinable—what “Jewish music” is. Rather, they provide an original and much-needed exploration of the activities and creativity of “musicians of the Jewish faith.“


Author(s):  
Sutapa Dutta ◽  

Nilanjana Mukherjee’s book looks at construction of space, leading from imaginative to concrete contours, within the context of the British imperial enterprise in India. Fundamental to her argument is that colonial definitions of sovereignty were defined in terms of control over space and not just over people, and hence it was first necessary to map the space and inscribe symbols into it. In the latter half of the eighteenth century, imperialism and colonization were complex phenomena that involved new and imminent strategies of nation building. No other period of British history, as Linda Colley has noted, has seen such a conscious attempt to construct a national state and national identity (Colley 1992). Although the physical occupation of India by the British East India Company could be said to have begun with the battle of Plassey (1757), nevertheless the process of conquest through mediation of symbolic forms indicate the time and manner in which the ‘conquest’ was conscripted


2020 ◽  
pp. 189-200
Author(s):  
Alan Montgomery

The Conclusion of Classical Caledonia looks at nineteenth century attitudes towards Roman Scotland, also comparing these to Victorian attitudes towards England’s Roman heritage. It reveals striking differences, with the Roman period being viewed as a pivotal moment in the formation of modern England, but the exploits of the Romans in Scotland largely dismissed as an inconsequential footnote. During the Victorian era, the Scottish fascination with the Romans and the Caledonians would be replaced by more romanticised visions of the nation’s early history. This final section categorises the eighteenth-century obsession with Scotland’s Roman past as a historical and patriotic ‘dead end’ and discusses why it failed to become a lasting element of Scotland’s popular history and national identity.


Author(s):  
Alan Montgomery

The Introduction summarises the origins of Scotland’s patriotic historiography, highlighting the importance of medieval chronicles and the Renaissance histories of Hector Boece and George Buchanan in laying the foundations of early modern Scottish national identity. In particular, it identifies the long-held belief that Scotland was one of the few places to have successfully resisted Roman conquest. As well as looking at the importance of classical literature and authors such as Cicero and Livy in the development of Scottish scholarship, it also outlines eighteenth-century Scottish attitudes towards ancient Rome, its culture and its imperial ambitions, and explores the importance of the Grand Tour in the formation of early modern interpretations of the classical past.


2019 ◽  
Vol 88 (1) ◽  
pp. 87-119
Author(s):  
Doron Avraham

In the early nineteenth century, a neo-Pietist circle of awakened Protestants emerged in Prussia and other German lands. Disturbed by the consequences of the French Revolution, the ensuing reforms and the rising national movement, these neo-Pietists—among them noble estate owners, theologians, and other scholars—tried to introduce an alternative meaning for the alliance between state and religion. Drawing on seventeenth- and eighteenth-century pietist traditions, neo-Pietists fused their keen religious devotion with newly constructed conservative ideals, thus rehabilitating the legitimacy of political authority while investing the people's confession with additional meaning. At the same time, and through the same pietistic source of inspiration, conservative neo-Pietists forged their own understanding of national identity: its origins, values, and implications. In this regard, and against the prevailing view of the antagonist stance taken by Christian conservatives toward nationalism in the first half on the nineteenth century, this article argues for the consolidation of certain concepts of German national identity within Christian conservatism.


2007 ◽  
Vol 63 (4) ◽  
pp. 551-586 ◽  
Author(s):  
David M. Stark

The black “root” has been systematically “uprooted” from the main “trunk” of the Puerto Rican nation.Jorge DuanyScholars who study Puerto Rico's past have struggled with the question of how to define the island’s national identity. Is the essence of Puerto Rican identity rooted in Spain, does it have its origins in Africa, in the legacy of the native Tainos, or is it a product of two or all three of these? This polemical question has yet to be resolved and remains a subject of much debate. The island's black past is often overlooked, and what has been written tends to focus on the enslaved labor force and its ties to the nineteenth-century plantation economy. Few works are specifically devoted to the study of the island's seventeenth- and eighteenth-century Afro-Puerto Rican population. Recent scholarship has begun to address this oversight. For example, the efforts of fugitive slaves and free black West Indian migrants making their way to Puerto Rico have been well documented. Yet, little is known about the number or identity of these runaways. How many slaves made their way to freedom in Puerto Rico, who were they, and where did they come from? Perhaps more importantly, what about their new lives on the island? How were they able to create a sense of belonging, both as individuals and as part of a community within the island's existing population and society? What follows strives to answer these questions by taking a closer look first at the number and identity of these fugitives, and second at how new arrivals were assimilated into their new surroundings through marriage and family formation while their integration was facilitated by participation in the local economy. Through their religious and civic activity Afro-Puerto Ricans were able to create a niche for themselves in San Juan and eventually a community of their own in Cangrejos. In doing so, they helped shape the island's national identity.


Author(s):  
Terence Keel

Chapter 1 examines the thought of the eighteenth-century ethnologist Johann F. Blumenbach, whose 1775 work On the Natural Variety of Mankind is often represented as precipitating the secular turn in the modern study of race. The chapter offers an alternative account of the intellectual ancestry alive in Blumenbach’s racial theories by recovering the Christian sources of his thinking. Political and philosophical anti-Judaism prevalent in late eighteenth-century Germany, the transformation of the Protestant Reformer Martin Luther into a pioneer of German national identity, and the anti-Jewish writings of Johann David Michaelis in the emergent field of biblical geography at Göttingen University were all crucial political, religious, and intellectual influences during the time Blumenbach developed his racial theories. Drawing on the notion that the epistemological origins of racial science are fundamentally mongrel, this chapter argues that Blumenbach’s racial theories were not an expression of pure, untainted, secular rationality.


2017 ◽  
Vol 56 (1) ◽  
pp. 51-69
Author(s):  
Leah Orr

AbstractHow did the character John Bull come to be so widely recognized as a stand-in for the British government or people? John Arbuthnot created the character in 1712 in a series of five pamphlets criticizing the British role in the War of the Spanish Succession, and for fifty years the character was mentioned only in references to Arbuthnot. In the late eighteenth century, John Bull began to appear in newspaper articles relating to other political contexts, eventually appearing in satires on all manner of British policies and characteristics, from taxes and the economy to xenophobia and imperialism. This essay argues that the American colonists adapted the character to their own purposes. This analysis contributes to the understanding of the content, political engagement, and spread of the press in eighteenth-century Britain and America. It also reveals one way that writers about British national identity and its symbolism accounted for an increasingly diverse global empire that could not be represented adequately by a single figurehead.


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