Representing the Extraordinary Body

Author(s):  
Joseph Straus

Art historian Tobin Siebers has recently argued that modern visual art is centrally concerned with representing and finding new sorts of beauty in the fractured, disfigured, disabled human body. This essay asks whether the modern in music manifests itself as disability. Focusing on the Stravinskian strand of musical modernism and taking the second of his Three Pieces for String Quartet as a case study, this essay notes that the music can be understood as representing disability in its shape and appearance, its movements, and its implicit mental capacity and affect. Stravinsky’s description of this music as his effort to represent musically the appearance and “the jerky, spastic movements” of a famous music hall performer, Little Tich, whose small stature was perceived by contemporary observers as a grotesque deformation, suggests the music may be understood not only to represent disability generically and metaphorically but also to represent a particular disabled body.

2012 ◽  
Vol 10 (3/4) ◽  
pp. 204-214 ◽  
Author(s):  
Katherine Barnard-Wills ◽  
David Barnard-Wills

Contemporary art has recently started to engage with surveillance. Before this trend developed art theory had developed a rangeof approaches to understanding identity in art, sometimes borrowing from social, psychoanalytic and political theory. Art work atthe intersection of surveillance and identity tends to focus upon the representation of the human body as subject of surveillanceand bearer of identity. However, contemporary surveillance is data, categorisation and flows of information as much as it isCCTV and images of the person. There are notably fewer works of art that engage with ‘dataveillance’. This paper engages withsuch artwork as a case study for assessing the suitability of contemporary art historical theories of identity to make sense ofidentity in a surveillance society.


2021 ◽  
Vol 3 (4) ◽  
pp. 143-153
Author(s):  
Chahra Beloufa

Teaching poetry offers the teacher of literature some basic and active ways to engage students in learning English because of poetry’s rich language which represents an opportunity for learners to explore meanings and be able to formulate creative responses. One must be aware of the fact that poetry includes various types which differ in forms, and each one of these may have a particular influence on students? learning literature; that is why one centralized the research area on concrete poetry or what is called visual poetry too. This study aims to teach students not only to read and listen to a poem but to develop the skill of creativity through rewriting and this ability would be provoked by the visual shape of the concrete poem. One is trying to bring fun in the EFL classroom and particularly during the literature lecture where students are probably bored by analyzing every line and stanza. So, all these aims were to be concrete via a test, observation and questionnaire. These scientific tools confirmed one’s hypotheses about how positive is concrete poetry for the group of the third-year English L.M.D. students at the University of Djilali Liabes, Sidi Bel Abbes


2020 ◽  
Vol 4 (2) ◽  
pp. 17
Author(s):  
Mikkel Snorre Wilms Boysen ◽  
Nils Falk Hansen ◽  
Mostafa Yamil

ResuméI de seneste 30 år har pædagogprofession og pædagoguddannelse ændret sig på måder, der tilsyneladende har gjort faglig fordybelse for pædagoger og UC undervisere vanskeligere. I dette lys synes entreprenante pædagogiske ildsjæle at repræsentere en mulig modpol, i den forstand at ildsjæle ofte evner at stå værn om faglig kvalitet, fx med afsæt i fagområder som drama, musik eller billedkunst. Ligeledes formår entreprenører ofte at etablere værdifulde initiativer indenfor, udenfor eller på tværs af formelle institutioner og organisationer. I artiklen undersøges denne hypotese og problemstilling via et empirisk studie af tre pædagogiske entreprenante ildsjæle før/under/efter en række workshops, hvor ildsjælene arbejder med pædagogiske målgrupper. Tre forskere/undervisere og 50 pædagogstuderende på tre forskellige campusser foretager undersøgelsen. Studiet peger på, at faglig ekspertise og specialviden kan opnås både udenfor og inden for etablerede formelle institutioner, men at entreprenørskab giver nogle særlige muligheder i forhold til at fastholde ildsjælenes fokus på deres pædagogiske visioner og deres faglige ekspertise. I artiklen diskuteres afslutningsvist ulemper og fordele ved at anvende entreprenørskabs-modeller til at oparbejde og tilbyde specialviden på kanten af den pædagogiske profession og uddannelse. AbstractSocial entrepreneurs within the pedagogical profession: A study of entrepreneurship as a possible way to build up specialized pedagogical competence and environments. In Denmark, the pedagogical profession and the field of social education have changed radically over the last thirty years: pedagogues are expected to acquire both academic and practical competence, as well as have a broad set of knowledge within many different pedagogical subcategories. In consequence, educators and pedagogues have found it increasingly difficult to achieve and maintain specialized, rather than general, professional expertise. In this perspective, social entrepreneurship seems to represent a possible gateway, because entrepreneurs are often able to focus on a specific professional agenda and approach, e.g. within the field of drama, music, visual art, therapy, etc. In the current article, this hypothesis is investigated through a qualitative case study of three social entrepreneurs’ pedagogical careers, methods, approaches and visions. The study is conducted by three researchers/educators and fifty students across three different campuses. The study indicates that specialized knowledge and competence can be achieved and maintained both within and outside formal institutions. Still, entrepreneurship seems to offer unique possibilities when it comes to the establishment of specialized pedagogical environments with a continuous focus on specific visions and approaches. At the end of the article, entrepreneurship within the pedagogical profession is discussed from a normative perspective and essential pros and cons are highlighted.


Author(s):  
Nikolay Atanasov ◽  
Gabriela Atanasova ◽  
Blagovest Atanasov

This chapter provides a brief overview of the types of wearable antennas with high body-antenna isolation. The main parameters and characteristics of wearable antennas and their design requirements are discussed. Next, procedures (passive and active) to test the performance of wearable antennas are presented. The electromagnetic properties of the commercially available textiles used as antenna substrates are investigated and summarized here, followed by a more detailed examination of their effects on the performance of wearable antennas with high body-antenna isolation. A trade-off between substrate electromagnetic properties and resonant frequency, bandwidth, radiation efficiency, and maximum gain is presented. Finally, a case study is presented with detailed analyses and investigations of the low-profile all-textile wearable antennas with high body-antenna isolation and low SAR. Their interaction with a semisolid homogeneous human body phantom is discussed. The simulations and experimental results from different (in free-space and on-body) scenarios are presented.


2016 ◽  
Vol 6 (10) ◽  
pp. 2002
Author(s):  
Chengyu Nan

Typologically, English, Chinese and Korean belong to three different types of language. English is inflectional, Chinese is isolating and Korean is agglutinative. Therefore, words of perception in these three languages show some different semantic features. But due to similar physical features and physiological phenomenon, people speaking English, Chinese or Korean language use the same word of perception to express the same meaning or feeling. This paper makes a comparative case study of mouth, 嘴/口 and입, which have rich polysemous features. Their meanings are extended from “the part of human body” to the concrete “entrance” or “person” and then to the abstract “speech act” or “way of speaking”. The meaning extension shows semantic symmetry and asymmetry both interlingually and intralingually in the expressions not only with mouth, 嘴/口 and입 and other words of perception in three languages.


1999 ◽  
Vol 80 (6) ◽  
pp. 411-416 ◽  
Author(s):  
E. Yom-Tov ◽  
S. Yom-Tov ◽  
H. Ur
Keyword(s):  

2016 ◽  
Vol 13 (2) ◽  
pp. 261-290
Author(s):  
CHRISTOPHER CHOWRIMOOTOO

AbstractIn the last few decades, established narratives of twentieth-century music – with Schoenberg and his disciples at the centre and others on the periphery – have come under considerable fire: some have denounced the modernist canon itself as narrow and esoteric, while others have sought to restore marginalized ‘minor’ composers to a supposedly rightful centrality. In this article, I revisit the mid-century process of canon formation in order to excavate a deeper, less divisive understanding of its history. Using Benjamin Britten as a case study, I sketch a more ambivalent and reciprocal relationship between major and minor composers than has often been suggested. After illuminating key tropes in Britten's mid-century reception, I examine how the composer and his critics fashioned his canonical minority and, in the process, helped to construct the ‘majority’ of his modernist counterparts. I argue that, far from marginalizing his oeuvre, Britten's ambivalent, peripheral, and even diminutive relationship with the ‘major’ figures of musical modernism was central both to his mid-century appeal and his enduring place in the canon. Ultimately, I suggest that attending to Britten's complex and self-conscious canonical negotiations can teach us a lot not just about his own role in history, but also about the wider ways that twentieth-century canons are negotiated, mediated, transmitted, and performed.


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