Antarctic Archaeology

2017 ◽  
Author(s):  
A. Zarankin ◽  
Melisa A. Salerno
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
South Shetland Islands ◽  
Shetland Islands ◽  
The Past ◽  
Late Nineteenth ◽  
Dominant Narratives ◽  
Different Characteristics ◽  
Shed Light ◽  
Over Time

Antarctica was the last continent to be known. Human encounters with the region acquired different characteristics over time. Within the framework of dominant narratives, the early ‘exploitation’ of the territory was given less attention than late nineteenth- and early twentieth-century ‘exploration’. Nineteenth-century exploitation was especially associated with sealing on the South Shetland Islands. Dominant narratives on the period refer to the captains of sealing vessels, the discovery of geographical features, the volume of resources obtained. However, they do not consider the life of the ordinary sealers who lived and worked on the islands. This chapter aims to show the power of archaeology to shed light on these ‘invisible people’ and their forgotten stories. It holds that archaeology offers a possibility for reimagining the past of Antarctica, calling for a revision of traditional narratives.

scholarly journals From Aristocratic to Ordinary: Shifting Modes of Elite Distinction

2020 ◽  
Vol 85 (2) ◽  
pp. 323-350 ◽  
Author(s):  
Sam Friedman ◽  
Aaron Reeves
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Fine Arts ◽  
Cultural Practice ◽  
Late Nineteenth Century ◽  
Cultural Participation ◽  
Birth Cohorts ◽  
Elite Culture ◽  
Late Nineteenth ◽  
Over Time

How do elites signal their superior social position via the consumption of culture? We address this question by drawing on 120 years of “recreations” data ( N = 71,393) contained within Who’s Who, a unique catalogue of the British elite. Our results reveal three historical phases of elite cultural distinction: first, a mode of aristocratic practice forged around the leisure possibilities afforded by landed estates, which waned significantly in the late-nineteenth century; second, a highbrow mode dominated by the fine arts, which increased sharply in the early-twentieth century before gently receding in the most recent birth cohorts; and, third, a contemporary mode characterized by the blending of highbrow pursuits with everyday forms of cultural participation, such as spending time with family, friends, and pets. These shifts reveal changes not only in the contents of elite culture but also in the nature of elite distinction, in particular, (1) how the applicability of emulation and (mis)recognition theories has changed over time, and (2) the emergence of a contemporary mode that publicly emphasizes everyday cultural practice (to accentuate ordinariness, authenticity, and cultural connection) while retaining many tastes that continue to be (mis)recognized as legitimate.

A Century of Synergy in Termite Symbiosis Research: Linking the Past with New Genomic Insights

2021 ◽  
Vol 66 (1) ◽  
pp. 23-43
Author(s):  
Michael E. Scharf ◽  
Brittany F. Peterson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Symbiotic Associations ◽  
The Past ◽  
Gas Utilization ◽  
Biochemical Studies ◽  
Late Nineteenth ◽  
Symbiosis Research ◽  
Culture Dependent

Termites have long been studied for their symbiotic associations with gut microbes. In the late nineteenth century, this relationship was poorly understood and captured the interest of parasitologists such as Joseph Leidy; this research led to that of twentieth-century biologists and entomologists including Cleveland, Hungate, Trager, and Lüscher. Early insights came via microscopy, organismal, and defaunation studies, which led to descriptions of microbes present, descriptions of the roles of symbionts in lignocellulose digestion, and early insights into energy gas utilization by the host termite. Focus then progressed to culture-dependent microbiology and biochemical studies of host–symbiont complementarity, which revealed specific microhabitat requirements for symbionts and noncellulosic mechanisms of symbiosis (e.g., N2 fixation). Today, knowledge on termite symbiosis has accrued exponentially thanks to omic technologies that reveal symbiont identities, functions, and interdependence, as well as intricacies of host–symbiont complementarity. Moving forward, the merging of classical twentieth-century approaches with evolving omic tools should provide even deeper insights into host–symbiont interplay.

The Heterochronic Past and Sidewise Historicity: T. S. Eliot, Pablo Picasso and Murray Leinster

2019 ◽  
pp. 35-78
Author(s):  
Charles M. Tung
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Evolutionary History ◽  
Alternative Conceptions ◽  
Late Nineteenth Century ◽  
Pablo Picasso ◽  
Time Compression ◽  
The Past ◽  
Late Nineteenth ◽  
Time Culture

At the beginning of the twentieth century, primitivism and paleomodernism appeared to reflect primarily those conditions out of which both modernism and SF have been shown to emerge: evolutionary and imperial conceptions of history. Modernism’s complex engagement with late-nineteenth-century time culture went beyond a simple turn toward the past and produced alternative conceptions of time and history. This chapter explores the idea of heterochrony derived from evolutionary biology’s knowledge of the body’s hodgepodge of disjunctive timings and times in order to reexamine two canonical orientations toward the past—Eliot’s tradition and Picasso’s primitivism. Drawing a connection with Murray Leinster’s “Sidewise in Time” (1934), which features a jumbled and patchwork geography comprising a “Post-Cambrian jungle left in eastern Tennessee,” a Russian Alaska and California, and preindustrial Chinese settlements around the Potomac, this chapter reconfigures modernist “pastism” against the notion of a single, progressive, evolutionary history justifying racist imperial schemes, as well as the shallowing of time by capitalist space-time compression.

Gazing on the Past (and Being Photobombed by Children)

2018 ◽  
Author(s):  
Sally Crawford ◽  
Katharina Ulmschneider
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Glass Plate ◽  
Recent Analysis ◽  
Late Nineteenth Century ◽  
Archaeological Record ◽  
The Past ◽  
Late Nineteenth ◽  
The Many ◽  
Insight Into

Archaeologists often ignore the presence of children as a contributing factor in the archaeological record. However, recent analysis of a number of glass plate and film photographs taken by archaeologists at the end of the nineteenth century and the first half of the twentieth century shows that children were often incorporated into the photograph, either deliberately or inadvertently. These images provide not just a record of ancient sites and monuments, but also of the many local children who appear in the photographs. The children recorded by archaeologists offer an insight into children, their childhoods, their freedoms, and their place in society across a range of cultures in the late nineteenth century and early twentieth century, as well as raising questions about how archaeologists ‘saw’ the human subject in photographs where monuments and sites were the object.

Epilogue

2019 ◽  
pp. 129-136
Author(s):  
Evan A. Kutzler
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Civil War ◽  
Final Section ◽  
Historical Memory ◽  
The Past ◽  
Sensory Experiences ◽  
Sensory History ◽  
The Senses ◽  
Over Time

This final section explores the prospects and limitations of sensory history as a method for assessing the past. The importance of the senses to individual prisoners did not end in 1865 and memoirs were an important continuation of prison experience. That individual sensory experiences change over time reflects the process of historical memory—a continual construction and reconstruction of the past. The centrality of context to perception makes sensory history an exceptional way to historicize experience; however, this also limits the reconstruction of past sensory experiences. MacKinlay Kantor's novel about a Civil War prison written in the 1950s, for example, says more about the sensory worlds of the twentieth century than the nineteenth century. The importance of sensory history as a methodology is that the senses are subjective and radically contingent on time and place.

Bellingshausen's first accounts of his Antarctic voyage of 1819–1821

Polar Record ◽  
2011 ◽  
Vol 49 (1) ◽  
pp. 9-25 ◽  
Author(s):  
Rip Bulkeley
Keyword(s):  
Nineteenth Century ◽  
Soviet Union ◽  
Antarctic Peninsula ◽  
South Shetland Islands ◽  
Shetland Islands ◽  
Covering Letter ◽  
The Past ◽  
The Soviet Union ◽  
Antarctic Expedition ◽  
The Antarctic

ABSTRACTIn 1949 a reassessment of the Imperial Russian Navy's Antarctic expedition of 1819–1821 was promulgated in the Soviet Union. The contention was that Russian seamen had made the first discovery of the mainland of Antarctica, two or three days before the northern tip of the Antarctic Peninsula was sighted by a British expedition, under William Smith and Edward Bransfield, sent to take formal possession of the South Shetland Islands. The new Soviet line apparently required that an important passage in a report which Captain Bellingshausen had sent from Australia in 1820 should, as far as possible, be overlooked or downplayed. Nineteenth century editions of the report and its covering letter are translated, the contemporary ice vocabulary in which they were phrased is explained, and the practice of discounting parts of them in the past and continuing to ignore those passages today is discussed.

Reimagining the “Lost Men” of the Gilded Age: Perspectives on the Late Nineteenth Century Presidents

2002 ◽  
Vol 1 (3) ◽  
pp. 225-257 ◽  
Author(s):  
Charles W. Calhoun
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Civil War ◽  
Progressive Era ◽  
Gilded Age ◽  
Bright Light ◽  
Late Nineteenth Century ◽  
The Past ◽  
Dark Ages ◽  
Late Nineteenth

For much of the twentieth century, scholars treated the Gilded Age and the Progressive Era as starkly contrasting phases in the unfolding of the American story: the post-Civil War dark ages followed by the bright light of the early twentieth century. More recently, historians have recognized the oversimplification if not downright wrongheadedness of that dichotomy. The past few decades have witnessed an explosion of studies on a variety of topics with coverage dates roughly from the 1870s to the 1920s. Most of these newer works underscore the continuities between the two periods and the relatively seamless evolution of forces and institutions.

scholarly journals From Aristocratic to Ordinary: Shifting Modes of Elite Distinction

2020 ◽  
Author(s):  
Aaron Reeves ◽  
Sam Friedman
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Fine Arts ◽  
Cultural Practice ◽  
Late Nineteenth Century ◽  
Cultural Participation ◽  
Birth Cohorts ◽  
Elite Culture ◽  
Late Nineteenth ◽  
Over Time

How do elites signal their superior social position via the consumption of culture? We address this question by drawing on 120 years of “recreations” data (N = 71,393) contained within Who’s Who, a unique catalogue of the British elite. Our results reveal three historical phases of elite cultural distinction: first, a mode of aristocratic practice forged around the leisure possibilities afforded by landed estates, which waned significantly in the late-nineteenth century; second, a highbrow mode dominated by the fine arts, which increased sharply in the early-twentieth century before gently receding in the most recent birth cohorts; and, third, a contemporary mode characterized by the blending of highbrow pursuits with everyday forms of cultural participation, such as spending time with family, friends, and pets. These shifts reveal changes not only in the contents of elite culture but also in the nature of elite distinction, in particular, (1) how the applicability of emulation and (mis)recognition theories has changed over time, and (2) the emergence of a contemporary mode that publicly emphasizes everyday cultural practice (to accentuate ordinariness, authenticity, and cultural connection) while retaining many tastes that continue to be (mis)recognized as legitimate.

scholarly journals The Effect of Social, Culture and Economy of Dampelas during Dutch and Banawa Hegemony

2015 ◽  
Vol 2 (2) ◽  
pp. 46
Author(s):  
Lukman Nadjamuddin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Forest Products ◽  
Late Nineteenth Century ◽  
Economic Aspects ◽  
Colonial Power ◽  
Social Culture ◽  
Historical Sources ◽  
The Past ◽  
Late Nineteenth

This research tries to express that a problem of competition over Dampelas land must be seen in the context, namely the land is a combination of social, `~ cultural and economic aspects. Historical sources for this research are consisted in some archives, contemporary newspapers, journals and research rapports. The aim of it is to explain that Dampelas as a part of <em>Afdeling van Midden Celebes </em>in the past was under control of two powers, namely Banawa in Donggala and the Dutch colonial power, based in Makassar, then Manado. In the late nineteenth century and the early twentieth century, Dampelas was a strategic punt for the Dutch position in Banawa. Dutch tried to take over a control of all forest products in Dampelas, without any concession for local natives. Under King Lamarauna, the Dutch annexed Dampelas without any cost and ruled it as autonomy of Banawa. Lord of Dampelas got a freedom for ruling his land.

Sealer's sledge excavated on Livingston Island, South Shetland Islands

Polar Record ◽  
2008 ◽  
Vol 44 (4) ◽  
pp. 362-364 ◽  
Author(s):  
Michael Pearson ◽  
Ruben Stehberg ◽  
Andres Zarankin ◽  
Maria Ximena Senatore ◽  
Carolina Gatica
Keyword(s):  
Twentieth Century ◽  
South Shetland Islands ◽  
Shetland Islands ◽  
Livingston Island ◽  
Early Twentieth Century ◽  
Late Nineteenth

ABSTRACTDetails are provided of a sledge, possibly of late nineteenth/early twentieth century provenance, discovered on Byers Peninsula, Livingston Island, South Shetland Islands, in 2007.

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