The English Kyrie

Author(s):  
Alejandro Planchart

This chapter discusses the history of the English Kyrie, an important prayer of Christian liturgy. More specifically, it examines both the suppression of the English Kyries on the Continent and the attempt, particularly in the later fifteenth century, to recover some of these Kyries in a different guise. It first provides an overview of the connection between the Eastern Kyrie litany and the Kyrie of the mass before discussing five “manners” of singing the Kyrie eleison in the early eleventh century. It then explores how the early Kyrie repertory of post-conquest England became almost entirely northern French in character and how a large repertory of English mass music was copied in northern Italy and southern Germany. It also considers the efforts of some scribes to salvage the English Kyries by transforming them into motets. Finally, it analyzes the surviving English fragments of the Kyrie as well as the manner in which English masses were transmitted in continental sources.

2018 ◽  
pp. 127-148
Author(s):  
Neguin Yavari

The focus in the fifth and final chapter is on the afterlife of Nizam al-Mulk, of his legacy as well as of his representations. By the late fifteenth century, in Timurid Iran, Nizam al-Mulk is already the stuff of legend. In one historian’s estimation, the vizier is a veritable eleventh-century avatar of the martyr par excellence of Shi’i lore Husayn b. ‘Ali (d. 680), and the progenitor of modern Iran. But the story of Nizam al-Mulk does not end with his metamorphosis into a crypto-Shi‘i and a proto-Iranian patriot. In the 2010s, it is Nizam al-Mulk who is the most regularly invoked exemplar of legitimate Islamic governance, exhorting prudence and expedience to guide the Iranian polity through the treacherous waters of nuclear negotiations with the West, and to domesticate outlier and extremist fervor. The Iranian invocation of Nizam al-Mulk differs radically from his depiction in modern Sunni—Arab or Turkish—historiography. That living legacy is the true history of the laureled vizier.


1982 ◽  
Vol 2 ◽  
pp. 161-235 ◽  
Author(s):  
Ian Rumbold

The manuscript Munich, Bayerische Staatsbibliothek, Clm 14274 (now also ‘Tresorhandschrift l’) is a large collection of mensural polyphonic music, mostly composed in the first half of the fifteenth century, although a few pieces date back to the late fourteenth. Apart from its importance as a musical source (more than half the compositions it contains are unknown from other sources), Clm 14274 is the geographically northernmost representative of the small group of manuscripts from northern Italy and southern Germany which contain the core of the surviving repertory of early-fifteenth-century polyphony, and, as such, provides potentially vital documentary material for the study of this repertory.


2021 ◽  
Vol 9 (3) ◽  
Author(s):  
Anna Joukovskaia

A wide circle of historians, lawyers, and secondary school teachers are interested in the Pravda Russkaia. This review analyses the historiographical situation around the study of this important artefact after the publication of The Short Pravda: The Origin of the Text (2009) by Oleksiy Tolochko, in which the author develops the opinion that the Short Pravda appeared later than the Expanded Pravda, which was expressed by prominent linguists and historians (E. F. Karskii, S. P. Obnorskii, A. I. Sobolevskii, etc.) in the first half of the twentieth century but later discarded by Soviet scholarship. By combining various methods from source studies, the author proves that the Short Pravda did not originate as a legal document in the eleventh century, but as a fragment of The Chronicle of Novgorod in the early fifteenth century. The review shows that specialists’ responses to Tolochko’s book are limited to a few journal publications, each of which criticises one or two of separate arguments but does not systematically consider the proposed holistic theory of the artefact’s origin (articles by K. Zukerman, P. V. Lukin, A. A. Gorskii, A. Y. Degtyarev, etc.). Any attempt at summarising the results of the controversy leads to the belief that the discussion is methodologically unsound. The analysis of an article from the Pravda that is taken out of context can lead to opposing interpretations depending on the choice of the parameters preferred by a given author at a given time. Considering the fundamental nature of the Pravda Russkaia for the history of medieval Russia, the reviewer concludes that it is necessary to make an effort (probably a collective effort) towards a systematic analysis of Tolochko’s hypothesis: the traditional isolated study of this most important legal document should be placed within the broader framework of a comprehensive study of the collections in which the short and expanded versions of the Pravda have been preserved.


1966 ◽  
Vol 7 (2) ◽  
pp. 189-195 ◽  
Author(s):  
A. J. E. Jaffey

The suggestions put forward in this paper may be summarized as follows. The linguistic, cultural and to some extent physical ancestors of the modern Bantu people south of the Zambezi, including the Shona, arrived in Rhodesia in the early part of the first millennium a.d. The B1 culture was not introduced by Shona migrants arriving in the eleventh century, but was a local development of the already existing Shona Iron Age A, attributable perhaps to prosperity gained from the gold trade. The B1 culture should not in fact be regarded as a separate culture from the A, that later fused with it, but as a variant of it, which because of the power and influence of those who developed and practised it eventually spread over a large area and became a common factor in the various local Shona cultures that had diverged, and continued to diverge, in the course of time.


1998 ◽  
Vol 7 (2) ◽  
pp. 129-140
Author(s):  
Joan Malcolm

The fragments of liturgical music held in the monastic library of Ampleforth Abbey, Yorkshire, consist of thirty-three manuscript parchment leaves of varying sizes, most of which appear to have been used as strengtheners for book bindings.1 It is difficult to determine their provenance but some clues may be found in the variety of their neume styles. Six of the fragments are written with staffless neumes, the rest have staff notation, including eleven leaves from an Office antiphoner. There are also several fragments with square notation in a mensural form. The neume styles indicate a wide time-span, probably from the eleventh century to the mid-fifteenth century. The geographical region suggested by the notation is, for the most part, that of Lorraine and of southern Germany.


Author(s):  
George Garnett

Chapter 5 analyses three genres of historical writing about England in the later middle ages: histories of individual churches, universal histories, and histories of the kingdom. It confirms the provisional judgement reached in Chapter 4: that with respect to the Conquest and earlier England, historical writing fossilized. There were, however, exceptions, most of which could be categorized in the first genre. These are examined in great detail, and follow on from the treatment of the unusual episodes recorded during the thirteenth century at St Augustine’s, Canterbury and Burton Abbey which were considered in Chapter 4. The first is the problematic, neglected Historia Croylandensis attributed to (Pseudo-)Ingulf, which is for the most part a fabrication of the fourteenth or fifteenth century, but which masquerades as the work of the abbot at Crowland at the end of the eleventh century, and therefore as contemporaneous with the great post-Conquest histories of England. The second is the early fourteenth-century Lichfield Chronicle, written by Alan of Ashbourn. The third is a general history of England conventionally attributed to John Brompton, abbot of Jervaulx in the early fifteenth century, and perhaps written at the abbey. All three pay a great deal of attention to (different) twelfth-century compilations of Old English and immediately post-Conquest law. This unusual characteristic accounts for their exceptional interest in the Conquest. The chapter also includes a briefer discussion of the more conventional histories into which condensed earlier discussions of the Conquest were inserted.


2001 ◽  
Vol 120 (5) ◽  
pp. A366-A366
Author(s):  
C MAZZEO ◽  
F AZZAROLI ◽  
A COLECCHIA ◽  
S DISILVIO ◽  
A DORMI ◽  
...  

1999 ◽  
Vol 16 (2) ◽  
pp. 1-26
Author(s):  
Omar Khaleefa

The study is an investigation of the origins of psychophysics and experimentalpsychology. According to historians of psychology. FrancisBacon had the most crucial influence in the history of the experimentalmethod, because he emphasized the importance of induction, skepticism,quantification, and observation. The present study, however,attempts to show that Ibn al-Haytham laid the foundations of the aboveaspects of the experimental method. Furthermore, a number of historiansof psychology believe that Fechner was the founder of psychophysicswith his application “Filements of Psychophysics” in 1860.This study shows that in the eleventh century, Ibn al-Haytham made anoriginal contribution to the study of vision, wherein his psychophysicsborrowed its structure from physics and its spirit from psychology.Several aspects of visual perception were investigated by him, includingsensation (which occupies a central place in psychophysics), variationsin sensitivity, perception of colors. sensation of touch, perceptionof darkness, the psychological explanation of moon illusion, and binocularvision. This study presents five experiments by Ibn al-Haythamregarding the errors of vision, which is called in contemporary psychology“visual illusion.” These experiments have been applied andverified in Bahrain from both the physical and psychological perspectives.Finally, the study concludes that Ibn al-Haytham deserves the title“founder” of psychophysics as wellp the “founder” of experimentalpsychology. In this respect. Kitab ul-Manazir by Ibn al-Haytham.which appeared in the fmt half of the eleventh century, and not the“Elements of Psychophysics” by Fechner. which was published in thenineteenth century, marks the official “founding” of psychology,because it provides not only new concepts and theories but new methodsof measurement in psychology.


Author(s):  
Maurizio Peleggi

Monastery, Monument, Museum examines cultural sites, artifacts, and institutions of Thailand as both products and vehicles of cultural memory. From rock caves to reliquaries, from cultic images to temple murals, from museums and modern monuments to contemporary artworks, cultural sites and artifacts are considered in relation to the transmission of religious beliefs and political ideologies, as well as manual and intellectual knowledge, throughout thelongue durée of Thailand’s cultural history. Sequenced by and large chronologically along a period of time spanning the eleventh century through to the start of the twenty-first, the eight chapters in this book are grouped into three sections that surface distinct themes and analytical concerns: devotional art in Part I, museology and art history in Part II, and political art in Part III. The chapters can even be read as self-contained essays, each supplied with extensive bibliographic references.By examining the interplay between cultural sites and artifacts, their popular and scholarly appreciation, and the institutional configuration of a cultural legacy, Monastery, Monument, Museum makes a contribution to the literature on memory studies. A second area of scholarship this book engages is the art history of Thailand by shifting focus from the chronological and stylistic analysis of artifacts to their social life—and afterlife. Monastery, Monument, Museum brings together in one volume a millennium of art and cultural history of Thailand. Its novel analysis and thought-provoking re-interpretation of a variety of artifacts and source materials will be of interest to both the specialist and the general reader.


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