scholarly journals Oleksiy Tolochko’s Concept and the Origin of the Short Pravda Russkaia

2021 ◽  
Vol 9 (3) ◽  
Author(s):  
Anna Joukovskaia
Keyword(s):  
Fifteenth Century ◽  
Eleventh Century ◽  
Secondary School Teachers ◽  
Systematic Analysis ◽  
Collective Effort ◽  
Wide Circle ◽  
Source Studies ◽  
History Of ◽  
Legal Document ◽  
Holistic Theory

A wide circle of historians, lawyers, and secondary school teachers are interested in the Pravda Russkaia. This review analyses the historiographical situation around the study of this important artefact after the publication of The Short Pravda: The Origin of the Text (2009) by Oleksiy Tolochko, in which the author develops the opinion that the Short Pravda appeared later than the Expanded Pravda, which was expressed by prominent linguists and historians (E. F. Karskii, S. P. Obnorskii, A. I. Sobolevskii, etc.) in the first half of the twentieth century but later discarded by Soviet scholarship. By combining various methods from source studies, the author proves that the Short Pravda did not originate as a legal document in the eleventh century, but as a fragment of The Chronicle of Novgorod in the early fifteenth century. The review shows that specialists’ responses to Tolochko’s book are limited to a few journal publications, each of which criticises one or two of separate arguments but does not systematically consider the proposed holistic theory of the artefact’s origin (articles by K. Zukerman, P. V. Lukin, A. A. Gorskii, A. Y. Degtyarev, etc.). Any attempt at summarising the results of the controversy leads to the belief that the discussion is methodologically unsound. The analysis of an article from the Pravda that is taken out of context can lead to opposing interpretations depending on the choice of the parameters preferred by a given author at a given time. Considering the fundamental nature of the Pravda Russkaia for the history of medieval Russia, the reviewer concludes that it is necessary to make an effort (probably a collective effort) towards a systematic analysis of Tolochko’s hypothesis: the traditional isolated study of this most important legal document should be placed within the broader framework of a comprehensive study of the collections in which the short and expanded versions of the Pravda have been preserved.

Nizam al-Mulk Remembered

2018 ◽  
pp. 127-148
Author(s):  
Neguin Yavari
Keyword(s):  
Fifteenth Century ◽  
Eleventh Century ◽  
The West ◽  
History Of ◽  
Late Fifteenth

The focus in the fifth and final chapter is on the afterlife of Nizam al-Mulk, of his legacy as well as of his representations. By the late fifteenth century, in Timurid Iran, Nizam al-Mulk is already the stuff of legend. In one historian’s estimation, the vizier is a veritable eleventh-century avatar of the martyr par excellence of Shi’i lore Husayn b. ‘Ali (d. 680), and the progenitor of modern Iran. But the story of Nizam al-Mulk does not end with his metamorphosis into a crypto-Shi‘i and a proto-Iranian patriot. In the 2010s, it is Nizam al-Mulk who is the most regularly invoked exemplar of legitimate Islamic governance, exhorting prudence and expedience to guide the Iranian polity through the treacherous waters of nuclear negotiations with the West, and to domesticate outlier and extremist fervor. The Iranian invocation of Nizam al-Mulk differs radically from his depiction in modern Sunni—Arab or Turkish—historiography. That living legacy is the true history of the laureled vizier.

The English Kyrie

2016 ◽  
Author(s):  
Alejandro Planchart
Keyword(s):  
Fifteenth Century ◽  
Eleventh Century ◽  
Northern Italy ◽  
Southern Germany ◽  
History Of

This chapter discusses the history of the English Kyrie, an important prayer of Christian liturgy. More specifically, it examines both the suppression of the English Kyries on the Continent and the attempt, particularly in the later fifteenth century, to recover some of these Kyries in a different guise. It first provides an overview of the connection between the Eastern Kyrie litany and the Kyrie of the mass before discussing five “manners” of singing the Kyrie eleison in the early eleventh century. It then explores how the early Kyrie repertory of post-conquest England became almost entirely northern French in character and how a large repertory of English mass music was copied in northern Italy and southern Germany. It also considers the efforts of some scribes to salvage the English Kyries by transforming them into motets. Finally, it analyzes the surviving English fragments of the Kyrie as well as the manner in which English masses were transmitted in continental sources.

A Reappraisal of the History of the Rhodesian Iron Age Up to the Fifteenth Century

1966 ◽  
Vol 7 (2) ◽  
pp. 189-195 ◽  
Author(s):  
A. J. E. Jaffey
Keyword(s):  
Fifteenth Century ◽  
Iron Age ◽  
Eleventh Century ◽  
Local Development ◽  
Common Factor ◽  
Large Area ◽  
History Of ◽  
First Millennium ◽  
Power And Influence

The suggestions put forward in this paper may be summarized as follows. The linguistic, cultural and to some extent physical ancestors of the modern Bantu people south of the Zambezi, including the Shona, arrived in Rhodesia in the early part of the first millennium a.d. The B1 culture was not introduced by Shona migrants arriving in the eleventh century, but was a local development of the already existing Shona Iron Age A, attributable perhaps to prosperity gained from the gold trade. The B1 culture should not in fact be regarded as a separate culture from the A, that later fused with it, but as a variant of it, which because of the power and influence of those who developed and practised it eventually spread over a large area and became a common factor in the various local Shona cultures that had diverged, and continued to diverge, in the course of time.

The Conquest in Historical Writing from the Late Thirteenth Century

2020 ◽  
pp. 173-208
Author(s):  
George Garnett
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Old English ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Historical Writing ◽  
The Third ◽  
History Of

Chapter 5 analyses three genres of historical writing about England in the later middle ages: histories of individual churches, universal histories, and histories of the kingdom. It confirms the provisional judgement reached in Chapter 4: that with respect to the Conquest and earlier England, historical writing fossilized. There were, however, exceptions, most of which could be categorized in the first genre. These are examined in great detail, and follow on from the treatment of the unusual episodes recorded during the thirteenth century at St Augustine’s, Canterbury and Burton Abbey which were considered in Chapter 4. The first is the problematic, neglected Historia Croylandensis attributed to (Pseudo-)Ingulf, which is for the most part a fabrication of the fourteenth or fifteenth century, but which masquerades as the work of the abbot at Crowland at the end of the eleventh century, and therefore as contemporaneous with the great post-Conquest histories of England. The second is the early fourteenth-century Lichfield Chronicle, written by Alan of Ashbourn. The third is a general history of England conventionally attributed to John Brompton, abbot of Jervaulx in the early fifteenth century, and perhaps written at the abbey. All three pay a great deal of attention to (different) twelfth-century compilations of Old English and immediately post-Conquest law. This unusual characteristic accounts for their exceptional interest in the Conquest. The chapter also includes a briefer discussion of the more conventional histories into which condensed earlier discussions of the Conquest were inserted.

History of Tour de France from the Geographical Point of View

2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník
Keyword(s):  
Point Of View ◽  
The Past ◽  
Advanced Technologies ◽  
The World ◽  
Spatial Dimensions ◽  
Tour De France ◽  
Wide Circle ◽  
History Of ◽  
Expert Community ◽  
Geographical Point

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.

Who Is the Founder of Psychophysics and Experimental Psychology?

1999 ◽  
Vol 16 (2) ◽  
pp. 1-26
Author(s):  
Omar Khaleefa
Keyword(s):  
Visual Perception ◽  
Experimental Method ◽  
Experimental Psychology ◽  
Visual Illusion ◽  
Eleventh Century ◽  
Central Place ◽  
Psychological Explanation ◽  
Moon Illusion ◽  
New Concepts ◽  
History Of

The study is an investigation of the origins of psychophysics and experimentalpsychology. According to historians of psychology. FrancisBacon had the most crucial influence in the history of the experimentalmethod, because he emphasized the importance of induction, skepticism,quantification, and observation. The present study, however,attempts to show that Ibn al-Haytham laid the foundations of the aboveaspects of the experimental method. Furthermore, a number of historiansof psychology believe that Fechner was the founder of psychophysicswith his application “Filements of Psychophysics” in 1860.This study shows that in the eleventh century, Ibn al-Haytham made anoriginal contribution to the study of vision, wherein his psychophysicsborrowed its structure from physics and its spirit from psychology.Several aspects of visual perception were investigated by him, includingsensation (which occupies a central place in psychophysics), variationsin sensitivity, perception of colors. sensation of touch, perceptionof darkness, the psychological explanation of moon illusion, and binocularvision. This study presents five experiments by Ibn al-Haythamregarding the errors of vision, which is called in contemporary psychology“visual illusion.” These experiments have been applied andverified in Bahrain from both the physical and psychological perspectives.Finally, the study concludes that Ibn al-Haytham deserves the title“founder” of psychophysics as wellp the “founder” of experimentalpsychology. In this respect. Kitab ul-Manazir by Ibn al-Haytham.which appeared in the fmt half of the eleventh century, and not the“Elements of Psychophysics” by Fechner. which was published in thenineteenth century, marks the official “founding” of psychology,because it provides not only new concepts and theories but new methodsof measurement in psychology.

Anna Russakoff, Imagining the Miraculous: Miraculous Images of the Virgin Mary in French Illuminated Manuscripts, ca. 1250-ca. 1450. Studies and Texts, 215; Text Image Context: Studies in Medieval Manuscript Illumination, 7. Toronto: Pontifical Institute of Mediaeval Studies, 2019, xviii, 194 pp., ill.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 541-544
Author(s):  
Juan Carlos Bayo
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Old French ◽  
Illuminated Manuscripts ◽  
Virgin Mary ◽  
Systematic Analysis ◽  
Medieval Manuscript ◽  
French Speaking ◽  
Image Context ◽  
Panel Paintings

This monograph deals with illuminated manuscripts created in French-speaking regions from the mid-thirteenth to the mid-fifteenth century, i.e., from the earliest narratives of Marian miracles written in <?page nr="542"?>Old French to the codices produced at the Burgundian court at the waning of the Middle Ages. Its focus, however, is very specific: it is a systematic analysis of the miniatures depicting both material representations of the Virgin (mainly sculptures, but also icons, panel paintings, altarpieces or reliquaries) and the miracles performed by them, usually as Mary’s reaction to a prayer (or an insult) to one of Her images.

Monastery, Monument, Museum

2017 ◽  
Author(s):  
Maurizio Peleggi
Keyword(s):  
Cultural History ◽  
Art History ◽  
Social Life ◽  
Eleventh Century ◽  
Devotional Art ◽  
Cultural Legacy ◽  
Political Ideologies ◽  
Cultural Sites ◽  
History Of ◽  
Intellectual Knowledge

Monastery, Monument, Museum examines cultural sites, artifacts, and institutions of Thailand as both products and vehicles of cultural memory. From rock caves to reliquaries, from cultic images to temple murals, from museums and modern monuments to contemporary artworks, cultural sites and artifacts are considered in relation to the transmission of religious beliefs and political ideologies, as well as manual and intellectual knowledge, throughout thelongue durée of Thailand’s cultural history. Sequenced by and large chronologically along a period of time spanning the eleventh century through to the start of the twenty-first, the eight chapters in this book are grouped into three sections that surface distinct themes and analytical concerns: devotional art in Part I, museology and art history in Part II, and political art in Part III. The chapters can even be read as self-contained essays, each supplied with extensive bibliographic references.By examining the interplay between cultural sites and artifacts, their popular and scholarly appreciation, and the institutional configuration of a cultural legacy, Monastery, Monument, Museum makes a contribution to the literature on memory studies. A second area of scholarship this book engages is the art history of Thailand by shifting focus from the chronological and stylistic analysis of artifacts to their social life—and afterlife. Monastery, Monument, Museum brings together in one volume a millennium of art and cultural history of Thailand. Its novel analysis and thought-provoking re-interpretation of a variety of artifacts and source materials will be of interest to both the specialist and the general reader.

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