5 Defining Community in the Upper Belize River Valley during the Late Classic Period: A Micro-regional Bioarchaeological Approach

2017 ◽  
Vol 28 (1) ◽  
pp. 54-65 ◽  
Author(s):  
Anna C. Novotny
2018 ◽  
Vol 29 (4) ◽  
pp. 641-659 ◽  
Author(s):  
Anna C. Novotny ◽  
Jaime J. Awe ◽  
Catharina E. Santasilia ◽  
Kelly J. Knudson

In this study, we employ multiple lines of evidence to elucidate the use of mortuary ritual by the ruling elite at the ancient Maya site of Cahal Pech, Belize, during the Early Classic and early Late Classic periods (AD 250–630). The interments of multiple individuals in Burial 7 of Structure B1, the central structure of an Eastern Triadic Assemblage or “E-group” style architectural complex, were in a manner not consistent with the greater Belize River Valley, the only multiple individual human burial yet encountered at Cahal Pech. The sequential interments contained a suggestive quantity of high-quality artifacts, further setting them apart from their contemporaries. Among these artifacts were a set of bone rings and a hairpin inscribed with hieroglyphs, some of the few inscriptions ever found at Cahal Pech. We analyzed regional mortuary patterns, radiogenic strontium values, and radiocarbon data to test hypotheses about who these individuals were in life, why they were treated differently in death, and to reconstruct the sequence of events of this complex mortuary deposit. We contend that the mortuary practices in Burial 7 indicate an attempt by the Cahal Pech elite to identify with cities or regions outside the Belize River Valley area.


2002 ◽  
Vol 13 (1) ◽  
pp. 41-63 ◽  
Author(s):  
Lisa J. LeCount ◽  
Jason Yaeger ◽  
Richard M. Leventhal ◽  
Wendy Ashmore

This article presents the chronological framework used to reconstruct the political history of the ancient Lowland Maya site of Xunantunich in the upper Belize River valley. Extensive excavations from 1991 to 1997 by the Xunantunich Archaeological Project produced the ceramic, architectural, and epigraphic data needed to place the site within a temporal context. Refinement of the Barton Ramie ceramic chronology was the first step toward clarifying the Xunantunich chronology. Seriation of well-known Spanish Lookout types and modes from stratified deposits established a framework for understanding Late and Terminal Classic assemblages. Twenty-two radiocarbon samples place these ceramic complexes in absolute time. Obsidian hydration and masonry techniques were found to be less reliable chronological markers. The results indicate that Xunantunich emerged as a regional center during the Samal (A.D. 600–670) and Hats' Chaak (A.D. 670–780) phases of the Late Classic period. Arguably, this rapid growth and florescence was initiated under the auspices of nearby Naranjo. Although the polity achieved political autonomy in the following Tsak' phase (A.D. 780–890) of the Terminal Classic period, civic construction diminished and rural populations declined until the site collapsed sometime during the late ninth or early tenth century.


2020 ◽  
Vol 31 (1) ◽  
pp. 175-187 ◽  
Author(s):  
Jaime J. Awe ◽  
Claire E. Ebert ◽  
Julie A. Hoggarth ◽  
James J. Aimers ◽  
Christophe Helmke ◽  
...  

AbstractArchaeological investigations by the Belize Valley Archaeological Reconnaissance Project at Cahal Pech uncovered several Terminal Classic (a.d. 750–900) peri-abandonment deposits and activity areas at this Belize River Valley center. The deposits contained a diverse assemblage of cultural remains located above and between collapsed architecture, associated with evidence for burning activities. In the past, archaeologists have generally interpreted similar assemblages as “problematic deposits”—“de facto” refuse (garbage)—as associated with building termination and desecration, or as evidence for rapid abandonment during the violent destruction of these ancient cities. It is argued here that the microstratigraphic excavation and contextual analysis of these features provide limited support for these explanations. Alternatively, we suggest that the deposits are more likely associated with peri-abandonment rituals that were conducted by a reduced remnant population at Cahal Pech, or by small groups who continued to reside in the site's periphery during the last stages of the Terminal Classic period.


2012 ◽  
Vol 23 (1) ◽  
pp. 93-119 ◽  
Author(s):  
Brent K.S. Woodfill ◽  
Stanley Guenter ◽  
Mirza Monterroso

AbstractThe Cave of Hun Nal Ye, located in central Guatemala, was discovered unlooted by a local landowner in 2005 and was immediately subject to investigation by the authors. The cave contained ritual remains dating to between the Terminal Pre-classic and Terminal Classic. In addition to allowing a detailed reconstruction of ritual activity in the northern highlands, its presence along the Great Western Trade Route allows archaeologists to examine hypotheses about interregional trade during the Classic period. In particular, changes in the ritual assemblage between the Early and Late Classic indicate that the cave was an important trade shrine for merchants and travelers passing between the highlands and lowlands until ca. A.D. 550, at which point it became a local shrine used to reinforce elite power. These changes are then linked to larger patterns occurring in other parts of the trade route, especially to Tikal and the kingdoms along the Pasión and Usumacinta rivers.


2014 ◽  
Vol 25 (1) ◽  
pp. 82-100 ◽  
Author(s):  
E. Christian Wells ◽  
Karla L. Davis-Salazar ◽  
José E. Moreno-Cortes ◽  
Glenn S. L. Stuart ◽  
Anna C. Novotny

Ulúa-style marble vases played important social, political, economic, and religious roles in southern Mesoamerica during the seventh through eleventh centuries A.D. However, most such vessels known to archaeologists are part of looted collections or else were unearthed before the advent of modern archaeological practices. As a result, little is known about the context, use, and chronology of these objects. Recent investigations at the site of Palos Blancos in northwest Honduras discovered an Ulúa-style marble vase in an undisturbed mortuary context. Excavation of the burial context, along with bioarchaeological and stable isotope analysis of the human remains, suggests that the vase was placed as an offering, possibly to an ancestor of the residential group. Phosphate and pollen studies indicate that the vase once held a corn-based beverage . Radiocarbon dating of four charcoal samples from immediately below and adjacent to the vase yielded a range of dates from the beginning of the Late Classic period, ca.A.D. 600-800. Through analyses of the context and contents of the vase, this research contributes to a more holistic understanding of the use and meaning of Ulúa-style marble vases in southern Mesoamerica.


2001 ◽  
Vol 12 (2) ◽  
pp. 175-197 ◽  
Author(s):  
Donald McVicker ◽  
Joel W. Palka

In the early 1880s, a finely carved Maya shell picture plaque was found at the Toltec capital of Tula, central Mexico, and was subsequently acquired by The Field Museum in Chicago. The shell was probably re-carved in the Terminal Classic period and depicts a seated lord with associated Maya hieroglyphs on the front and back. Here the iconography and glyphic text of this unique artifact are examined, the species and habitat of the shell are described, and its archaeological and social context are interpreted. The Tula plaque is then compared with Maya carved jade picture plaques of similar size and design that were widely distributed throughout Mesoamerica, but were later concentrated in the sacred cenote at Chichen Itza. It is concluded that during the Late Classic period, these plaques played an important role in establishing contact between Maya lords and their counterparts representing peripheral and non-Maya domains. The picture plaques may have been elite Maya gifts establishing royal alliances with non-local polities and may have become prestige objects used in caches and termination rituals.


1987 ◽  
Vol 52 (2) ◽  
pp. 367-382 ◽  
Author(s):  
Bruce H. Dahlin ◽  
Robin Quizar ◽  
Andrea Dahlin

Based on published lexicostatistical dates, two intervals in the prehistory of southern Mesoamerica stand out as fertile periods in terms of the generation of new languages: the Terminal Preclassic/early Early Classic Periods, and the Early Postclassic Period. After comparing archaeological evidence with language distributions within the subregions of southern Mesoamerica during the first of these periods, we conclude that the cultural processes during both periods had the same potential for producing rapid rates of linguistic divergences. Just as rapid proliferation of linguistic divisions was symptomatic of the well-known collapse of Late Classic Maya civilization, so it can be taken as a sign of a collapse of Terminal Preclassic civilization. Both collapses were characterized by severe population reductions, site abandonments, an increasing balkanization in material culture, and disruption of interregional communication networks, conditions that were contributory to the kind of linguistic isolation that allows language divergences. Unlike in the Terminal Classic collapse episode, small refuge zones persisted in the Early Classic Period that served as sources of an evolving classicism; these refuge zones were exceptions, however, not the rule. Although the collapse of each site had its own proximate cause, we suggest that the enormous geographical range covered by these Early Classic Period site failures points to a single ultimate cause affecting the area as a whole, such as the onset of a prolonged and devastating climatic change.


2010 ◽  
Vol 21 (2) ◽  
pp. 209-227 ◽  
Author(s):  
Cherra Wyllie

AbstractDuring the 1970s, excavations at El Zapotal revealed a Late Classic period ossuary with multiple burials, sumptuous funerary offerings, and life-sized terracotta sculpture individually on a par with the Chinese national treasures from Xi'an. Less known are murals adorning a U-shaped banquette centering on the monumental clay sculpture of a skeletal Death God.Wyllie, through the assistance of Instituto Nacional de Antropología e Historia, Veracruz, produced drawings of the now deteriorating paintings. The murals form part of a larger narrative program integrating sculpture, architectural elements, burial offerings, and human osteological remains connected with Mesoamerican underworld stories of creation.


Sign in / Sign up

Export Citation Format

Share Document