Longing for “Normal” Post-Fordism: Cape Verdean Labor-Power on a Lisbon Periphery in Crisis

2015 ◽  
Vol 36 (1) ◽  
pp. 13-25 ◽  
Author(s):  
Samuel Weeks
Keyword(s):  

2014 ◽  
Vol 4 (1) ◽  
pp. 29-39
Author(s):  
Wendy Pojmann

Migrant women’s associations in Italy did not simply emerge from informal networks. The Filipino and Cape Verdean women’s associations in Rome are examples of the results of multiple factors that contributed to the strategy of self-organization established by migrant women with the intention of empowering themselves. An awareness of their unique position as women from mostly-female migrant groups, a lack of institutional bodies prepared to assist them, and the leadership of individual women were key aspects in the formation of the first migrant women’s associations in Rome. Gender and nationality were the main components of migrant women’s organizing in the first mostly-female migrant groups. 



Resonance ◽  
2020 ◽  
Vol 1 (2) ◽  
pp. 191-210
Author(s):  
Joshua Hudelson

Over the past decade, ASMR (Autonomous Sensory Meridian Response) has emerged from whisper-quiet corners of the Internet to become a bullhorn of speculation on the human sensorium. Many consider its sonically induced “tingling” to be an entirely novel, and potentially revolutionary, form of human corporeality—one surprisingly effective in combating the maladies of a digitally networked life: insomnia, anxiety, panic attacks, and depression. Complicating these claims, this article argues that ASMR is also neoliberal repackaging of what Marx called the reproduction of labor power. Units of these restorative “tingles” are exchanged for micro-units of attention, which YouTube converts to actual currency based on per-1,000-view equations. True to the claims of Silvia Federici and Leopoldina Fortunati, this reproductive labor remains largely the domain of women. From sweet-voiced receptionists to fawning sales clerks (both of whom are regularly role-played by ASMRtists), sonic labor has long been a force in greasing the gears of capital. That it plays a role in production is a matter that ASMRtists are often at pains to obscure. The second half of this article performs a close reading of what might be considered the very first ASMR film: Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. Through this film, the exploitative dimensions of ASMR can be contrasted with its potential for creating protected spaces of financial independence and nonnormative corporeal practices.



2018 ◽  
Author(s):  
SHAUNA BARBOSA
Keyword(s):  


Languages ◽  
2021 ◽  
Vol 6 (2) ◽  
pp. 99
Author(s):  
Nicola Bermingham

Changes to the global infrastructure have contributed to the growing (linguistic) diversity of large metropolises. However, there have been calls from scholars to explore “emerging superdiversity” (DePalma and Pérez-Caramés 2018) in peripheral regions in order to fully understand the complexities and nuances of the sociolinguistics of globalisation (Wang et al. 2014; Pietikäinen et al. 2016). This article, therefore, explores language ideologies among a purposive sample of five young adults of Cape Verdean origin living in the peripheral region of Galicia, Spain, and draws on interview data to examine the ways in which multilingual migrants engage with the language varieties in their linguistic repertoire. In studying immigration from a former African colony to a bilingual European context, we can see how language ideologies from the migrant community are reflected in local ones. The sociolinguistic dynamics of Cape Verde and Galicia share many similarities: both contexts are officially bilingual (Galician and Spanish in Galicia, Kriolu and Portuguese in Cape Verde), and questions regarding the hierarchisation of languages remain pertinent in both cases. The ideologies about the value and prestige of (minority) languages that Cape Verdean migrants arrive with are thus accommodated by local linguistic ideologies in Galicia, a region which has a history of linguistic minoritisation. This has important implications for the ways in which language, as a symbolic resource, is mobilised by migrants in contexts of transnational migration. The findings of this study show how migrants are key actors in (re)shaping the linguistic dynamics of their host society and how, through their practices and discourses, they challenge long-standing assumptions about language, identity and linguistic legitimacy, and call into question ethno-linguistic boundaries.



2021 ◽  
pp. 100184
Author(s):  
Maria de Fátima Carvalho Alves ◽  
Maria da Luz Lima Mendonça ◽  
Janice de Jesus Xavier Soares ◽  
Silvânia Leal ◽  
Menilita dos Santos ◽  
...  


Itinerario ◽  
2020 ◽  
Vol 44 (1) ◽  
pp. 80-104 ◽  
Author(s):  
Alexander Keese

AbstractHow did the populations of a remote Cape Verdean island—Santo Antão—construct and formulate their goals of emancipation and social reform in the late colonial period? This article revisits the experiences of anti-colonial mobilisation in the island in the late 1960s, bringing them together with other narratives of social needs formulated by Santo Antão's populations. Those include the fears of being recruited for plantation labour in São Tomé e Príncipe, the objective of obtaining the improvement of social infrastructure, and the local struggles for water that became again more acute between 1945 and independence. The article shows that local experiences of Cape Verdean populations, of both the islands’ elite and local peasants, sharecroppers and fishermen, were much more complex than a simple, straightforward narrative of nationalist sympathies and activity. The internal conflicts outlined here also point to the numerous struggles that would shake Santo Antão's society after independence.



2018 ◽  
Vol 18 (1) ◽  
Author(s):  
Diana D. van Bergen ◽  
Merijn Eikelenboom ◽  
Petra P. van de Looij-Jansen


2011 ◽  
Vol 28 (1) ◽  
pp. 39-54 ◽  
Author(s):  
Marie Louise Stig Sørensen ◽  
Christopher Evans




2008 ◽  
Vol 33 (1) ◽  
pp. 20-39 ◽  
Author(s):  
CHRISTINA S. MCMAHON

This article examines what is at stake when performers and playwright critically transfigure oral histories when staging them theatrically. Representations of race and colonial history are integral to a nation's conception of its own cultural identity. These issues are at the forefront of many theatre productions in Cape Verde, an intensely creolized West African nation whose islands bear traces of the Europeans and Africans who have commingled there for centuries. The article examines two performances rooted in Cape Verdean history that challenge existing theoretical paradigms for the mimetic relationship between actors and the historical personae they portray onstage. Proposing the concept of the ‘historical imagination’, it explores how theatre artists self-consciously alter the local history they circulate to an international theatre festival stage and, concomitantly, how the theatre festival context and media coverage profoundly impact how national history is told within a global performance arena.



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