The Subordinate Theme in the First Movement of Schubert's "Unfinished" Symphony
This analytical vignette explores the internal formal organization of the subordinate theme in the first movement of Schubert's "Unfinished" Symphony, D. 759 (1822). Drawing both on Hepokoski and Darcy's sonata theory and on Caplin's theory of formal functions, it shows how the entire theme can be understood as a single large-scale sentence. It is further argued that the theme's specific formal organization, as well as the extent to which it does or does not open up to theories originally designed for the analysis of music from the classical era, is characteristic of works from this period in music history.
1964 ◽
Keyword(s):
1999 ◽
Vol 30
(3)
◽
pp. 191-205
◽
1999 ◽
Vol 173
◽
pp. 243-248
1994 ◽
Vol 144
◽
pp. 29-33
2000 ◽
Vol 179
◽
pp. 205-208
Keyword(s):
1983 ◽
Vol 41
◽
pp. 160-161