The Subordinate Theme in the First Movement of Schubert's "Unfinished" Symphony

2019 ◽  
Vol 6 (2) ◽  
pp. 223-230
Author(s):  
Steven Vande Moortele

This analytical vignette explores the internal formal organization of the subordinate theme in the first movement of Schubert's "Unfinished" Symphony, D. 759 (1822). Drawing both on Hepokoski and Darcy's sonata theory and on Caplin's theory of formal functions, it shows how the entire theme can be understood as a single large-scale sentence. It is further argued that the theme's specific formal organization, as well as the extent to which it does or does not open up to theories originally designed for the analysis of music from the classical era, is characteristic of works from this period in music history.

1964 ◽  

The final melisma on the word “caput” in the antiphon “Venit ad Petrum” for the ceremony of the washing of the feet on Maundy Thursday in the Sarum rite is the source of the cantus firmus for masses by Dufay, Ockeghem, and Obrecht. Guillaume Dufay's Missa Caput, probably composed between 1440 and 1450, is unified by motto beginnings, a structural similarity between the movements, and cyclic return of the cantus firmus. Johannes Ockeghem's mass, composed between 1460 and 1465, is closely modeled on Dufay. The mass by Jacob Obrecht was probably written between 1483 and 1485, when he was magister puerorum at Cambrai. Instead of the large-scale formal organization found in the Dufay mass, Obrecht's mass establishes a progression from movement to movement governed only by the successive shifts of the cantus firmus.


2010 ◽  
Vol 51 (3-4) ◽  
pp. 347-367
Author(s):  
Chadwick Jenkins

The first movement of Haydn’s Op. 33, no. 5 string quartet famously opens with a closing gesture — a move from dominant to tonic chord accompanying a rising tetrachord. This opening puts the entire notion of closure into question and threatens to eviscerate the cadence of its efficacy. Moreover, Haydn ratchets up the tension created by the tetrachord motive’s omnipresence by altering its intervallic structure during the development in order to include an augmented second. What generically would be considered an almost banal cadential gesture becomes an agent of disruption that promises to derail the sense of completion required by tonal musical discourse.By undermining the efficacy of harmonic closure, Haydn seemingly jeopardized the closural function of the recapitulation, which, according to Charles Rosen, relies upon the resolution of large-scale dissonance. However, Haydn demonstrates that the recapitulation is often more than the resolution of large-scale dissonance. In this piece the recapitulation serves as the “resolution” of a motivic process that might have unraveled the coherence of the movement altogether.This paper provides an analysis of the movement with special focus on the process of recapitulation. In this understanding, the recapitulation is not simply a procedural moment of inevitable necessity but rather a stage within what might be referred to as a recapitulatory process that involves the entire piece. This investigation intersects with both Schenkerian insights and the concept of “rotation” within Hepokoski and Darcy’s sonata theory while having important implications with respect to our understanding of the role of the recapitulation.


Author(s):  
Thomas Bierschenk ◽  
Jean-Pierre Olivier de Sardan

Anthropology is a latecomer to the study of bureaucracy. Nonetheless, the anthropological study of organizations—of which bureaucracies are a subtype, as larger organizations are always bureaucratically organized—was initiated by anthropologists as early as the 1920s. Since the 2010s, the anthropology of bureaucracy has slowly consolidated into a discernible subfield of the discipline. It brings to the study of public administrations a double added value: (a) a specific concern for the informal aspects of bureaucracy, (b) the emic views of bureaucratic actors and their pragmatic contexts, based on long-term immersion in the research field, as well as (c) a non-Eurocentric, global comparative perspective. Anthropologists have focused on bureaucratic actors (“bureaucrats”), the discursive, relational, and material contexts in which they work, the public policies they are supposed to implement or to comply with, and their interactions with the outside world, in particular ordinary citizens (“clients”). A foundational theorem of the anthropological study of bureaucracies has been that you cannot understand organizations on the basis of their official structures alone: the actual workings of an organization are largely based on informal practices and practical rules; there is always a gap between organizational norms and “real” practices; large-scale organizations are heterogeneous phenomena; and conflicts, negotiations, alliances, and power relations are their core components. Thus, one of the major methodological achievements of the anthropology of bureaucracy has been to focus on the dialectics of formal organization and real practices, official regulations, and informal norms in organizations “at work.”


Author(s):  
Drew Nobile

This book has presented both a methodology for analyzing form in rock songs and a theory of formal organization in the rock output of the 1960s, ’70s, and ’80s. The methodology grows out of the general concept of form as process described in the introduction, where rock songs are seen as cohesive entities unfolding through time. From this point of view, we approach a rock song by listening for broad trajectories, identifying points of stability and tension in small-scale phrases and sections as well as large-scale cycles and entire songs. More specifically, we focus first on a song’s harmonic trajectory, interpreting a prolongational progression through a functional circuit (or noting one’s absence), and then aligning that trajectory with the layout of formal functions. From this methodology comes the theory that the rock repertoire in question is based on a small set of conventional formal-harmonic patterns, what I have been calling rock’s ...


1999 ◽  
Vol 173 ◽  
pp. 243-248
Author(s):  
D. Kubáček ◽  
A. Galád ◽  
A. Pravda

AbstractUnusual short-period comet 29P/Schwassmann-Wachmann 1 inspired many observers to explain its unpredictable outbursts. In this paper large scale structures and features from the inner part of the coma in time periods around outbursts are studied. CCD images were taken at Whipple Observatory, Mt. Hopkins, in 1989 and at Astronomical Observatory, Modra, from 1995 to 1998. Photographic plates of the comet were taken at Harvard College Observatory, Oak Ridge, from 1974 to 1982. The latter were digitized at first to apply the same techniques of image processing for optimizing the visibility of features in the coma during outbursts. Outbursts and coma structures show various shapes.


1994 ◽  
Vol 144 ◽  
pp. 29-33
Author(s):  
P. Ambrož

AbstractThe large-scale coronal structures observed during the sporadically visible solar eclipses were compared with the numerically extrapolated field-line structures of coronal magnetic field. A characteristic relationship between the observed structures of coronal plasma and the magnetic field line configurations was determined. The long-term evolution of large scale coronal structures inferred from photospheric magnetic observations in the course of 11- and 22-year solar cycles is described.Some known parameters, such as the source surface radius, or coronal rotation rate are discussed and actually interpreted. A relation between the large-scale photospheric magnetic field evolution and the coronal structure rearrangement is demonstrated.


2000 ◽  
Vol 179 ◽  
pp. 205-208
Author(s):  
Pavel Ambrož ◽  
Alfred Schroll

AbstractPrecise measurements of heliographic position of solar filaments were used for determination of the proper motion of solar filaments on the time-scale of days. The filaments have a tendency to make a shaking or waving of the external structure and to make a general movement of whole filament body, coinciding with the transport of the magnetic flux in the photosphere. The velocity scatter of individual measured points is about one order higher than the accuracy of measurements.


Author(s):  
Simon Thomas

Trends in the technology development of very large scale integrated circuits (VLSI) have been in the direction of higher density of components with smaller dimensions. The scaling down of device dimensions has been not only laterally but also in depth. Such efforts in miniaturization bring with them new developments in materials and processing. Successful implementation of these efforts is, to a large extent, dependent on the proper understanding of the material properties, process technologies and reliability issues, through adequate analytical studies. The analytical instrumentation technology has, fortunately, kept pace with the basic requirements of devices with lateral dimensions in the micron/ submicron range and depths of the order of nonometers. Often, newer analytical techniques have emerged or the more conventional techniques have been adapted to meet the more stringent requirements. As such, a variety of analytical techniques are available today to aid an analyst in the efforts of VLSI process evaluation. Generally such analytical efforts are divided into the characterization of materials, evaluation of processing steps and the analysis of failures.


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