Hearing Survey at the New York and San Francisco World's Fairs

1940 ◽  
Vol 11 (3) ◽  
pp. 378-378 ◽  
Author(s):  
H. C. Montgomery
2021 ◽  
pp. 135-139
Author(s):  
Stephen R. Wilk

In order to publicize the capabilities of General Electric’s lighting department and to solicit more contracts, lead engineer Walter Darcy Ryan came up with a spectacular lighting effect. He called it the “Scintillator.” It was showcased at Wonderland, a local amusement park and to illuminate Niagara Falls, and then appeared at international exhibitions and World’s Fairs in New York, Chicago, San Francisco, and elsewhere for the next quarter of a century. It was also used atop some buildings, and helped inspire the “searchlight” motif in Art Deco depictions of cities. Wanter Darcy Ryan had effectively invented the light show.


2018 ◽  
Vol 17 (03) ◽  
pp. A04 ◽  
Author(s):  
Susana Herrera-Lima ◽  
Daniela Martin

World’s Fairs and scientific-technological theme parks have been propitious places for the communication of science and technology through modernity. This work addresses the issue of the construction of public discourse about the future within these sites, as well as the changing role attributed to science and technology as mediators in the relationships between nature and society. In both fairs and parks, science and technology play a leading role in the construction of the discourse about the desirable and achievable future. The practices of science communication and technology have specific forms, strategies and objectives, depending on the purposes of the discourse enunciators at different historical moments. This is exemplified through two cases: the 1939 New York World’s Fair and the EPCOT center in the U.S.


2020 ◽  
pp. 1-17
Author(s):  
Nikolas Glover ◽  
Andreas Mørkved Hellenes

While recent scholarship has highlighted how participating countries at the interwar world's fairs competed by displaying ideological versions of modernity, the alternative national projections of smaller states have received less attention. This study of the Swedish national pavilions from Brussels 1935 via Paris 1937 to New York 1939 analyses how a loose but well-connected network of communicators over the course of three fairs responded to, and used, the evolving trends at these international mega-events. In the threatening international atmosphere of the late 1930s, the network convinced the Swedish government to seize the opportunities opened up by the crises of capitalism and democracy. The 1937 and 1939 pavilions showcased Sweden at the world's fairs as an example of the successful handling of economic and socio-political crisis, and the experience had a formative impact on the post-war institutionalisation of Swedish cultural diplomacy.


2016 ◽  
pp. 251-257
Author(s):  
Katarzyna Wrzesińska

Are we "human zoo"?Review: The Invention of Race. Scientific and Popular Representation, N. Bancel, T. David, D. Thomas (ed.), Routlege: New York-Abington, 2014, ss. 320.The book under review is a collection of articles presenting the functioning of the idea of the human race in the scientific, social and cultural backgrounds. The main purpose is to demonstrate how the concept of race have circulated from the late 18th century in scholarship as well as in popular reception. Thus the authors focus their attention on the so-called ethnological expositions (such as Negro or Eskimo Villages) organized on the occasion of world‘s fairs, today known as “human zoo.” On the social level, this helped support the conviction of the supremacy of the white race.  Czy jesteśmy  „ludzkim zoo”?Recenzja: The Invention of Race. Scientific and Popular Representation, N. Bancel, T. David, D. Thomas (ed.), Routlege: New York-Abington, 2014, ss. 320.Recenzowana praca zawiera zbiór artykułów poświęconych przedstawieniu funkcjonowania koncepcji podziału ludzkości na rasy na szerokim tle: naukowym, społecznym i kulturowym. Główny cel stanowi zobrazowanie procesu cyrkulacji idei rasy – od ujęć naukowych począwszy od końca XVIII w. aż do ukazania problemu na płaszczyźnie odbioru masowego. Tu obiektem zainteresowań badawczych stały się tzw. ekspozycje etnologiczne (np. wioski murzyńskie, eskimoskie) organizowane przy okazji wystaw światowych, określane dzisiaj mianem „ludzkich zoo”. Płaszczyzna ta przyczyniła się do utrwalenia w świadomości społecznej poczucia supremacji białej rasy.


2019 ◽  
Vol 25 (2) ◽  
pp. 67-82
Author(s):  
Apolonia Filonik

Poland’s presence at World’s Fairs between the World Wars is a spe­cial issue in that, after a long absence on the map of Europe, the coun­try had the opportunity to show its industrial and cultural achieve­ments in the international arena as an independent exhibitor for the first time. Thus, this event always had a very important political di­mension. Its symbol was the Polish pavilion presented in Paris in 1925, but no less important was the pavilion at the New York World’s Fair in 1939. Although it was a success at the world expo, it was overshadowed by the tragic consequences of the outbreak of World War II almost from the beginning. From today’s perspective, it is worth looking at this object, to evaluate its foundation and ultimate significance, as well as to reflect on the difficult concept of national art, in addition to trac­ing the fate of the pavilion.


2016 ◽  
pp. 251-257
Author(s):  
Katarzyna Wrzesińska

Are we "human zoo"?Review: The Invention of Race. Scientific and Popular Representation, N. Bancel, T. David, D. Thomas (ed.), Routlege: New York-Abington, 2014, ss. 320.The book under review is a collection of articles presenting the functioning of the idea of the human race in the scientific, social and cultural backgrounds. The main purpose is to demonstrate how the concept of race have circulated from the late 18th century in scholarship as well as in popular reception. Thus the authors focus their attention on the so-called ethnological expositions (such as Negro or Eskimo Villages) organized on the occasion of world‘s fairs, today known as “human zoo.” On the social level, this helped support the conviction of the supremacy of the white race.  Czy jesteśmy  „ludzkim zoo”?Recenzja: The Invention of Race. Scientific and Popular Representation, N. Bancel, T. David, D. Thomas (ed.), Routlege: New York-Abington, 2014, ss. 320.Recenzowana praca zawiera zbiór artykułów poświęconych przedstawieniu funkcjonowania koncepcji podziału ludzkości na rasy na szerokim tle: naukowym, społecznym i kulturowym. Główny cel stanowi zobrazowanie procesu cyrkulacji idei rasy – od ujęć naukowych począwszy od końca XVIII w. aż do ukazania problemu na płaszczyźnie odbioru masowego. Tu obiektem zainteresowań badawczych stały się tzw. ekspozycje etnologiczne (np. wioski murzyńskie, eskimoskie) organizowane przy okazji wystaw światowych, określane dzisiaj mianem „ludzkich zoo”. Płaszczyzna ta przyczyniła się do utrwalenia w świadomości społecznej poczucia supremacji białej rasy.


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