The theme of nationalism in the works of Premchand, the pre-eminent Urdu–Hindi writer of the 1920s and 1930s, not only serves as an organising principle but also constitutes a protean and contentious field of study, which has resulted in conflicting interpretations. On the one hand, his nationalist narratives are categorically denounced for their apparent lack of radicalism, while on the other hand, they are unequivocally valorised for their so-called subversive content. Both these diametrically opposed schools of criticism, however, share a common lacuna, that is, both of them tend to conflate the writer’s nationalist narratives with his peasant discourse, thereby precluding the possibility of different themes yielding different interpretations. This article examines the theme of nationalism in Premchand’s works, in general, and the question of civil resistance in particular, in order to demonstrate how the writer’s politics of representation in his nationalist writings differs from the one that we find in his peasant narratives. It argues that as opposed to the authorial valorisation of the fictive peasant’s conformity to the exploitative status quo, civil resistance in Premchand’s nationalist narratives is not only necessary and desirable but also synonymous with dharma (moral duty) itself.
Is it my moral duty to cover shifts in the absence of staff?
