Chapter 1 Svalbard

1997 ◽  
Vol 17 (1) ◽  
pp. 3-15 ◽  
Author(s):  
W. Brian Harland

An introduction to Svalbard is as necessary for a geoscientist as for any other student of the archipelago. The section on geographical nomenclature is illustrated by maps which are designed to locate many of the commonly used names. These and others are listed at the end of the volume where additional names used later are referred to. The regional context of Svalbard is shown in Fig. 1.1.The present-day physical environment is mentioned, but treated more fully in Chapters 21 and 22.The section on the present-day Svalbard biota is not by a specialist for specialists, but is intended to list those organisms commonly encountered in the field and of interest to most workers.The political and treaty considerations are interwoven and have sometimes left the Norwegian administration in an ambivalent position. Happily however the resources forthcoming from the petroleum industry to the nation has enabled the administration to fulfil its responsibility admirably and latterly without the pressures from the Cold War.Svalbard for its size has a small population, less than 4000 concentrated in relatively few settlements, but numbers are augmented by summer arrivals of construction/maintenance staff, tourists, students and scientists, while the residents often take their summer holidays on the mainland. The environmental threat from this expanding seasonal population presents one of the most serious challenges, while at the same time tourism is replacing coal mining as the principal economic resource. Provision of shipping facilities supplemented by air travel is transforming the economy, which however still requires substantial

Author(s):  
Phyllis Lassner

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.


2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.


Author(s):  
Peter D. McDonald

The section introduces Part II, which spans the period 1946 to 2014, by tracing the history of the debates about culture within UNESCO from 1947 to 2009. It considers the central part print literacy played in the early decades, and the gradual emergence of what came to be called ‘intangible heritage’; the political divisions of the Cold War that had a bearing not just on questions of the state and its role as a guardian of culture but on the idea of cultural expression as a commodity; the slow shift away from an exclusively intellectualist definition of culture to a more broadly anthropological one; and the realpolitik surrounding the debates about cultural diversity since the 1990s. The section concludes by showing how at the turn of the new millennium UNESCO caught up with the radical ways in which Tagore and Joyce thought about linguistic and cultural diversity.


2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.


2021 ◽  
Vol 19 (2) ◽  
pp. 81-98
Author(s):  
Mieczysław Szlachta ◽  
Andrzej Ciupiński

The paper presents the scope and scale of transformation of the defense industries of Central Eastern Europe (CEE) countries after the end of the Cold War and the collapse of the USSR. The starting point is the role and position of the armaments economy sector (armaments economy environment), embedded in the realities of the centrally planned economy, and its submission to the politics of the USSR. The turn of the centuries was a period of political and economic transformation conducted during the conditions of a deep economic recession. The defense industry was one of the economic sectors most affected by the crisis. The economic and defense policy of CEE countries was aimed at preserving the capabilities of the armaments sector. Restructuring activities initiated and forced by the change of the political and economic environment have already brought noticeable effects, even though the process has not yet been completed. Defense industry enterprises have become entities operating on the same terms and conditions as other companies on the competitive market. The method of comparative analysis and a case study supplemented with elements of descriptive statistics were used to evaluate the course of the processes. The study has been focused on the analysis of the course of the changes and examination of effects of the analyzed phenomena for the economy and defense of the CEE countries, taking into account primarily their scale and scope.


2018 ◽  
Vol 27 (4) ◽  
pp. 601-626 ◽  
Author(s):  
SARAH DAVIES

The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how far the tour succeeded in overcoming the symbolic iron curtain by examining what Hamlet meant for contemporaries on both sides of the political divide. It argues that the Hamlet tour served at once to perpetuate and undermine the divisions between East and West, confirming Iriye's observation that on one level the Cold War intensified antagonism between states, while on another it helped to foster the growth of internationalist sentiment.


2002 ◽  
Vol 37 (2) ◽  
pp. 151-172 ◽  
Author(s):  
Peter Lawler

Rather Than Signalling The End Of War, As Many Liberal Minds had hoped, the end of the cold war has seen ‘hot’ war moving firmly to centre-stage, while at the same time presaging a reclassification of its predominant forms and purposes. Since 1990 there has been a rash of what Kaldor calls ‘new wars’. Although often highly localized, they confound settled understandings of inter-state or civil war by virtue of the diverse range of protagonists involved, the issues over which they are fought, and their consistently brutal impact upon civilians. A virtual revolution in media technology has also made such wars publicly visible to an unprecedented degree. In spite of the fact that new wars are often fought without recourse to the most sophisticated or destructive of military technology, the horrific impact upon populations caught up in them has clearly assaulted public sensibilities worldwide and generated a chorus of demands that something should be done about them. Consequently, the political and ethical dimensions of going to war in response to such threats have also moved in from the periphery to the centre of public and intellectual debate. As Walzer has recently observed, the ‘chief dilemma of international politics is whether people in danger should be rescued by military forces from outside’. From the point of view of the key members of the international community at least, armed ‘humanitarian intervention’ is no longer just a form of war but has become virtually synonymous with permissible war itself.


2005 ◽  
Vol 17 (2) ◽  
pp. 241-255 ◽  
Author(s):  
Ron Formisano

During the 1980s and 1990s in countries across the globe, new populist protest movements and radical political organizations emerged to challenge traditional parties, ruling elites, and professional politicians, and even long-standing social norms. The revolts against politics-as-usual have arisen from many kinds of social groupings and from diverse points on the political spectrum. Through the 1980s, in Western and Eastern Europe, Latin America, Africa, Asia, and North America, populist discontent erupted intermittently. But the end of the Cold War, particularly in Europe, unleashed a torrent of popular movements and political parties opposed to what the discontented perceived as the corruption and deceitfulness of the political classes and their corporate patrons. Some protest movements promoted more democracy, pluralism, and economic opportunity; some expressed intolerance, bigotry, and xenophobic nationalism.


2020 ◽  
pp. 1-29
Author(s):  
Jay Scherer

In 1976, amidst a period of détente in the Cold War, the Government of Canada officially hosted an inaugural open-play invitational ice hockey tournament. A detailed narration of these events, pieced together from archival sources, allows scholars to understand the negotiations to prepare the political terrain for the event, including efforts to secure the official endorsement of the International Ice Hockey Federation for a tournament sponsored by the Government of Canada in exchange for Canada’s return to international competition in 1977; the participation of various countries and their respective hockey governing bodies, especially the Soviet Union, in an international tournament featuring professional players; and an agreement with the North American professional hockey cartels, especially the National Hockey League, to allow star players to participate in the event. The success of the 1976 Canada Cup accelerated the commodification and commercialization of hockey both in North America and globally—a process that was increasingly driven by the interests and aspirations of the National Hockey League. At the center of this history is one increasingly powerful—and avaricious—character: Alan Eagleson.


2021 ◽  
Vol 65 (2) ◽  
pp. 123-134
Author(s):  
Daniela Popescu

"The Escape to Turkey. Ways and Methods of Illegal Border Crossings into Turkey from the perspective of SSI documents (1945-1948). Romania`s first years after the communist regime took political power in Romania, concurrent with the onset of the Cold War, meant a reshuffle of the state institutions at first and later a dramatic impact on people`s lives. The political and institutional purges were the first signal that soon repression and terror will follow, thus prompting numerous Romanian citizens to leave the country. Yet, due to the strict surveillance of the Secret Police Services which did not easily allow traveling to Western countries, the only way to escape was through illicit border crossings. One of the most common destinations was Turkey, with documents issued between 1945 and 1948 by the Secret police services revealing an impressive number of such cases. Keywords: Illegal border crossings, escape, communism, Romania, Turkey. "


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