The Escape to Turkey. Ways and Methods of Illegal Border Crossings into Turkey from the perspective of SSI documents (1945-1948)

2021 ◽  
Vol 65 (2) ◽  
pp. 123-134
Author(s):  
Daniela Popescu
Keyword(s):  
Cold War ◽  
Political Power ◽  
The State ◽  
Communist Regime ◽  
The Political ◽  
Border Crossings ◽  
Secret Police ◽  
State Institutions ◽  
Police Services ◽  
The Cold War

"The Escape to Turkey. Ways and Methods of Illegal Border Crossings into Turkey from the perspective of SSI documents (1945-1948). Romania`s first years after the communist regime took political power in Romania, concurrent with the onset of the Cold War, meant a reshuffle of the state institutions at first and later a dramatic impact on people`s lives. The political and institutional purges were the first signal that soon repression and terror will follow, thus prompting numerous Romanian citizens to leave the country. Yet, due to the strict surveillance of the Secret Police Services which did not easily allow traveling to Western countries, the only way to escape was through illicit border crossings. One of the most common destinations was Turkey, with documents issued between 1945 and 1948 by the Secret police services revealing an impressive number of such cases. Keywords: Illegal border crossings, escape, communism, Romania, Turkey. "

Prologue

2017 ◽  
Author(s):  
Peter D. McDonald
Keyword(s):  
Cold War ◽  
Cultural Diversity ◽  
The State ◽  
The Political ◽  
Cultural Expression ◽  
Intangible Heritage ◽  
History Of ◽  
Definition Of ◽  
The Cold War ◽  
Print Literacy

The section introduces Part II, which spans the period 1946 to 2014, by tracing the history of the debates about culture within UNESCO from 1947 to 2009. It considers the central part print literacy played in the early decades, and the gradual emergence of what came to be called ‘intangible heritage’; the political divisions of the Cold War that had a bearing not just on questions of the state and its role as a guardian of culture but on the idea of cultural expression as a commodity; the slow shift away from an exclusively intellectualist definition of culture to a more broadly anthropological one; and the realpolitik surrounding the debates about cultural diversity since the 1990s. The section concludes by showing how at the turn of the new millennium UNESCO caught up with the radical ways in which Tagore and Joyce thought about linguistic and cultural diversity.

scholarly journals The Actuality of Some Principles and Ideas of Law Philosophy Issued by Mircea Djuvara

2018 ◽  
Vol 21 (35) ◽  
pp. 38-51
Author(s):  
Marţian Iovan
Keyword(s):  
European Union ◽  
Political Power ◽  
National Level ◽  
The State ◽  
The Political ◽  
Philosophy Of Law ◽  
State Institutions ◽  
The Law

Abstract The author analyzes in this paper principles and ides of philosophy of law issued by Mircea Djuvara, which preserve their contemporaneity, being useful for the perfecting of the state institutions and of the democracy not only at national level, but also at European Union one. His ideas and logical demonstration on the rational fundamentals of law, the autonomy of the moral and legal conscience, the specificity of truth and of juridical knowledge, the philosophical substantiation of power and Constitution, the principles of the democracy and the connections between the political power and the law are just few of the original elements due to which Djuvara became an acknowledged and respected personality not only in Romania, but also in the experts clubs of the Europe between the two World Wars.

Turf Wars in Colombia’s Red Corner

2020 ◽  
pp. 35-58
Author(s):  
Teo Ballvé
Keyword(s):  
Cold War ◽  
Political Violence ◽  
Social Space ◽  
The State ◽  
The Political ◽  
Powerful Effect ◽  
Political Struggles ◽  
The Cold War ◽  
State Projects ◽  
Turf Wars

This chapter shows how, in the 1970s and 1980s, the Cold War drew Urabá's economies of violence into the vortex of insurgency and counterinsurgency, reinforcing the region's reputation as a stateless frontier. The political violence wracking Urabá had clinched its position in the minds of locals and outsiders alike as a lawless, stateless frontier zone. While critical of these discourses of statelessness, the chapter demonstrates how they had a powerful effect on local political struggles. The frontier effect enabled the proliferation of competing state projects, turning the region into an even more fractious social space—a jagged mosaic of rival territorialities. But the violent clashes between insurgency and counterinsurgency that made Urabá into the “red corner” of Colombia were not caused by the absence of the state; they were conflicts over the form and content of statehood itself. None of these struggles played out in the absence of governmental structures and practices.

Soccer Artistry and the Secret Police

2019 ◽  
pp. 85-98
Author(s):  
Erik R. Scott
Keyword(s):  
Cold War ◽  
The State ◽  
South American ◽  
Secret Police ◽  
National Team ◽  
Soviet State ◽  
The Cold War

Among Soviet footballers, Georgians were known to represent a flamboyant, artistic, and ethnic style likened to the “beautiful game” played by successful South American teams. Georgian football and the mythology surrounding it emerged from the encounter between a centralizing imperial Soviet state and an assertive Georgian republic. The republic’s footballers gained global recognition during the Cold War, both as stars of the Soviet national team and the dominant Dinamo Tbilisi side that defeated top European clubs. Moscow sought to ensure that Georgian difference on the pitch served the needs of the state by showcasing multiethnic Socialist harmony for international audiences. Simultaneously, the Soviet promotion of Georgian soccer backfired, as supporters in Georgia claimed its successes as evidence of their own national triumph.

scholarly journals POLITICAL AND ECONOMIC DEVELOPMENT IN CHINA AND RUSSIA DURING THE COLD WAR

2017 ◽  
Vol 56 (2) ◽  
pp. 53-65
Author(s):  
Samra Sarfaraz Khan
Keyword(s):  
Economic Development ◽  
Cold War ◽  
Critical Analysis ◽  
Economic Condition ◽  
The State ◽  
The Political ◽  
Economic Policies ◽  
Political Issues ◽  
Republic Of China ◽  
The Cold War

The research paper entitled “Political and Economic Development in China and Russia During the Cold War,” focuses on the struggles made by the Chinese and Russian governments during the Cold War years for the improvement of economic situation of the two countries. By addressing such questions as the viability of the economic policies of Russia and China, the paper aims to bring to light the various methods used by the two governments to ensure improvement of the economic condition of the state, as well as of its people. Effort has also been made to draw a critical analysis of the power struggles and confrontations within the two regimes and the influence of the same on the political and economic graph of the two states. The paper, therefore, discusses the political issues within the People’s Republic of China and Russia and the effects of these frictions on the overall political and economic condition of the country. Moreover, the paper is also an attempt to analyze the reasons why Chinese attempts at economic development were more fruitful than the efforts made by their Russian counterparts.

Responding to ‘Order Without Life’? Living Under Communism

2012 ◽  
Author(s):  
Dan Stone
Keyword(s):  
Cold War ◽  
Communist Regime ◽  
Structural Defects ◽  
The Political ◽  
Contributory Factor ◽  
State Security ◽  
Long Period ◽  
East German ◽  
Collapse Of Communism ◽  
The Cold War

Both during the Cold War, with the 1950s theories of ‘red fascism’ and ‘totalitarianism’, and after 1989, when debates have been no less emotive, scholars and other political commentators have condemned communism for its bloody murderousness. However, the long period of communist rule in Europe cannot be summarised as no more than sustained and untrammelled violence. It helps to explain why communism collapsed, in a way that an emphasis solely on state security and terror cannot. One way that the communist regime tried to legitimise itself was through encouraging consumerism, particularly after the death of Joseph Stalin and the East German uprising of June 1953. Consumerism in Eastern Europe meant consumerism controlled by the Communist Party for the purpose of developing communism. It is often assumed that nationalism emerged after 1989 to fill the political vacuum opened up by the demise of communism. In fact, the opposite is the case: nationalism did not cause the collapse of communism (which owed more to structural defects in the system), but it was one contributory factor.

scholarly journals Rethinking the state-market relations in the New Age of development

2018 ◽  
Vol 13 (4) ◽  
pp. 1276-1288
Author(s):  
Paul Dobrescu ◽  
Flavia Durach
Keyword(s):  
Cold War ◽  
Theoretical Perspective ◽  
National Development ◽  
The State ◽  
Communist Regime ◽  
The Moment ◽  
The Cold War ◽  
Market Relations ◽  
The Relationship ◽  
The Way

Abstract This paper discusses, from a conceptual and theoretical perspective, the recent debates on the relation between the state and the market as drivers of national development. Since the end of the Cold War, three periods are distinguishable according to the way in which development is discussed, envisaged, and designed through state policies. The first one starts from the end of the Cold War and leads to the 2008-2009 crisis, the second includes the ten years of recovery, while the last is unfolding at the moment. The argument takes globalization into account as the background for development, during the three decades observed. The paper analyses the way in which the state-market relationship was envisaged during each period, both in the developed and emerging economies. The paper identifies the factors that ensure steady development, with an emphasis on current challenges. Lastly, the paper presents the particular experience of Central and Eastern Europe during its transition from the communist regime to democracy. The conclusion is that the better understanding of the relationship between globalization and development, the faster their evolution for a given country.

Espionage and Exile

2016 ◽  
Author(s):  
Phyllis Lassner
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Cold War ◽  
Literary History ◽  
Political Engagement ◽  
The Political ◽  
International Crises ◽  
Popular Entertainment ◽  
John Le Carre ◽  
The Cold War

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.

State Failure and the Political Violence Phenomenon: A Comparative Analysis of Iraq and Syria Cases

2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle
Keyword(s):  
Cold War ◽  
Political Violence ◽  
State Failure ◽  
The Political ◽  
Collective Violence ◽  
Short Run ◽  
Definition Of ◽  
The Cold War

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

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