Choreography as Apparatus of Capture
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This second installment of TDR's continuing series on choreography and philosophy addresses dance and temporality. Paula Caspão describes the economy of movement and language as a stuttering, relational, affective field. Frédéric Pouillaude argues that contemporaneity links dance and scène, which in French means both an abstract place for an event and, more concretely, the stage. In a dialogue, Danielle Goldman and Deborah Hay follow up on Goldman's considerations of how improvisation offers “escape routes”—for and from dance, theory, and time.
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1999 ◽
Vol 173
◽
pp. 189-192
1973 ◽
Vol 31
◽
pp. 412-413
1979 ◽
Vol 10
(3)
◽
pp. 139-144
2020 ◽
Vol 29
(2)
◽
pp. 688-704
2019 ◽
Vol 28
(3)
◽
pp. 1039-1052
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