Religious Violence and Hagiography in Late Antiquity

Numen ◽  
2015 ◽  
Vol 62 (2-3) ◽  
pp. 169-196 ◽  
Author(s):  
Mar Marcos

Sanctity is in many ways a social construct, and hence the profile of saints and the practices that qualify them as such change with the passing of time. The destruction of temples and idols as a way to signal sanctity is a good example of this. The subject came to form part of hagiography in the late fourth century, reached its peak in the Theodosian period, and fell off in the sixth century when Christianization was believed to be complete. Hagiography made iconoclasm one of the most extraordinary expressions of divine power, adding it to the saint’s repertoire of miracles and ascetic virtues. The aim of this article is to study the origins and early development of this motif, which legitimated — and subtly encouraged — the use of violence in the conversion process. It is within apologetic and polemical contexts that the episodes of the violent destruction of late antique paganism have to be assessed.

2020 ◽  
Vol 117 (33) ◽  
pp. 19780-19791 ◽  
Author(s):  
Daniel Fuks ◽  
Guy Bar-Oz ◽  
Yotam Tepper ◽  
Tali Erickson-Gini ◽  
Dafna Langgut ◽  
...  

The international scope of the Mediterranean wine trade in Late Antiquity raises important questions concerning sustainability in an ancient international economy and offers a valuable historical precedent to modern globalization. Such questions involve the role of intercontinental commerce in maintaining sustainable production within important supply regions and the vulnerability of peripheral regions believed to have been especially sensitive to environmental and political disturbances. We provide archaeobotanical evidence from trash mounds at three sites in the central Negev Desert, Israel, unraveling the rise and fall of viticulture over the second to eighth centuries of the common era (CE). Using quantitative ceramic data obtained in the same archaeological contexts, we further investigate connections between Negev viticulture and circum-Mediterranean trade. Our findings demonstrate interrelated growth in viticulture and involvement in Mediterranean trade reaching what appears to be a commercial scale in the fourth to mid-sixth centuries. Following a mid-sixth century peak, decline of this system is evident in the mid- to late sixth century, nearly a century before the Islamic conquest. These findings closely correspond with other archaeological evidence for social, economic, and urban growth in the fourth century and decline centered on the mid-sixth century. Contracting markets were a likely proximate cause for the decline; possible triggers include climate change, plague, and wider sociopolitical developments. In long-term historical perspective, the unprecedented commercial florescence of the Late Antique Negev appears to have been unsustainable, reverting to an age-old pattern of smaller-scale settlement and survival–subsistence strategies within a time frame of about two centuries.


2006 ◽  
Vol 53 (1) ◽  
pp. 92-109 ◽  
Author(s):  
MARICE E. ROSE

The fourth-century painted ceiling at Trier, Germany was destroyed less than two decades after it was decorated, yet today it is one of the best-known monuments of Late Antique Gaul (figure 1). In excavations begun by Theodor Kempf in 1945, archaeologists collected the ceiling's fragments from the ruins of a Roman house beneath the city's Romanesque cathedral. Painstaking assembly of the plaster fragments into their original form was completed in 1980. Now displayed in the Trier Episcopal Museum, the ceiling is a rare example of Late Antique domestic painting. It comprises fifteen trompe l'oeil coffers which are outlined by red and green borders and a yellow guilloche. Each coffer contains an image of a different subject; bust-length female and male single figures alternate with pairs of putti in various active poses.The ceiling's rarity, its mysterious, unidentified figures, and the possibility proposed by Kempf that it belonged to a palace built by the emperor Constantine have made it the subject of extensive scholarship. Because conservators assembled the ceiling over a thirty-five year span and individual scenes were published as they were completed, the first scholars of the ceiling studied sections in isolation from the whole monument. Attention first focused on the depictions of the woman with the mirror and the woman with the jewel box, because they were the first single figures to be restored and published. Many archaeologists and art historians concentrated on identifying the women as portraits of Constantine's family. Irving Lavin took a different approach and carefully addressed the painting's classicizing style. Scholars in the 1980s, with the advantage of the ceiling's completed restoration, have considered the ceiling as a thematic whole.


Author(s):  
Maijastina Kahlos

Religious Dissent in Late Antiquity reconsiders the religious history of the late Roman Empire, focusing on the shifting position of dissenting religious groups. The groups under consideration are non-Christians (‘pagans’) and deviant Christians (‘heretics’). The period from the mid-fourth century until the mid-fifth century CE witnessed a significant transformation of late Roman society and a gradual shift from the world of polytheistic religions into the Christian Empire. This book demonstrates that the narrative is much more nuanced than the simple Christian triumph over the classical world. It looks at everyday life, economic aspects, day-to-day practices, and conflicts of interest in the relations of religious groups. The book addresses two aspects: rhetoric and realities, and consequently delves into the interplay between the manifest ideologies and daily life found in late antique sources. We perceive constant flux between moderation and coercion that marked the relations of religious groups, both majorities and minorities, as well as the imperial government and religious communities. Religious Dissent in Late Antiquity is a detailed analysis of selected themes and a close reading of selected texts, tracing key elements and developments in the treatment of dissident religious groups. The book focuses on specific themes, such as the limits of imperial legislation and ecclesiastical control, the end of sacrifices, and the label of magic. It also examines the ways in which dissident religious groups were construed as religious outsiders in late Roman society.


Author(s):  
Ross Shepard Kraemer

The alliance of the Roman Empire with the emerging orthodox Christian church in the early fourth century had profound consequences for the large population of Greek- (and Latin-)speaking Jews living across the Mediterranean diaspora. No known writings survive from diaspora Jews. Their experiences must be gleaned from unreliable accounts of Christian bishops and historiographers, surviving laws, and limited material evidence—synagogue sites, inscriptions, a few papyrus documents. Long neglected by historians, the diaspora population, together with its distinctive cultural forms, appears in decline by the early seventh century. This book explores why. In part, diaspora Jews suffered from disasters that affected the whole late antique Mediterranean population—continuing warfare, earthquakes, and plague. But, like all other non-orthodox Christians, Jews were subject to extensive pressures to become orthodox Christian, which increased over time. Late Roman laws, sometimes drafted by Christian lobbyists, imposed legal disabilities on Jews that were relieved if they became Christians. Fueled by malicious sermons of Christian bishops, Christian mobs attacked synagogues and sometimes Jews themselves. Significantly, Jews retained many of their earlier legal rights while other non-orthodox Christians lost theirs. In response, some Jews became Christians, voluntarily or under duress. Some probably emigrated to escape orthodox Christian pressures. Some leveraged political and social networks to their advantage. Some violently resisted their Christian antagonists. Jews may occasionally have entertained the possibility of divine messianic intervention or embraced forms of Jewish practice that constructed tighter social boundaries around them—an increased use of Hebrew, and heightened interest, perhaps, in rabbinic practices.


Author(s):  
Panagiotis A. Agapitos

The aim of the paper is twofold. On the one hand, it examines the epistemological reasons behind the shifting beginnings of Byzantine literature, a shift that covers a period of four centuries (AD 300-700), as well as the methodological problems for the study of Byzantine literature resulting from the rise of Late Antiquity as a new historical period and a new field of studies. On the other hand, the paper proposes a series of four textually immanent criteria and seven internal operative principles by means of which a different methodological approach to the «beginning» of Byzantine literature can be reached. For this purpose Eusebios of Caesarea and Lactantius will be used as the textual basis for establishing a structural break in literary production in the first two decades of the fourth century. For the purpose of controlling this proposal a comparison with an important but highly debated monument (the Arch of Constantine in Rome) will be made and some final conclusions as to the course of Greek literature in early Byzantine times will be made.


2019 ◽  
Vol 30 ◽  
pp. 115-137
Author(s):  
Cristina Murer

Archaeological evidence demonstrates that funerary spoil (e.g. sarcophagus lids, funerary altars, epitaphs, reliefs, and statues) were frequently reused to decorate the interiors of public and private buildings from the third to the sixth century. Therefore, the marble revetments of high imperial tombs must have been spoliated. Imperial edicts, which tried to stamp part the overly common practice of tomb plundering, confirm that the social practice of tomb plundering must have been far more frequent in late antiquity than in previous periods. This paper discusses the reuse of funerary spoil in privet and public buildings from Latium and Campania and contextualizes them by examining legal sources addressing tomb violation. Furthermore, this study considers the extent to which the social practice of tomb plundering and the reuse of funerary material in late antiquity can be connected with larger urbanist, sociohistorical, and political transformations of Italian cityscapes from the third to the sixth century.


2021 ◽  
pp. 69-84
Author(s):  
Thomas E. Hunt

AbstractUsing sources from the fourth century CE, Thomas E. Hunt analyses how people imagined breath in late antiquity. Breathing was a way to mark out and understand human difference in the complex social world of the late Roman Empire. In this context, a person’s breath was used to judge the quality of their social relationships. Breath also held cosmic import, for when a person drew in air they participated in the wider structure of the universe. Christian writers described the inner life of God by referring to these models of breath and breathing. In this essay, Hunt shows how social and theological accounts of breathy relation reinforced each other.


Author(s):  
Judith Herrin

During the period of Late Antiquity (AD c. 300-600) few texts are preserved that were intended to make the reader laugh. The Greek Anthology, however, provides an unusually rich source for late antique attitudes to both laughter and tears. As Agathias, a lawyer and historian, explains when putting together his Garland of epigrams he followed and quoted the wise model of the ancients, and added sixth-century topics that illustrate ‘the devious paths of life’, ‘scurrilous rhyme’, ‘sweet love’ and ‘the joys of Bacchus’. He also describes the collection as a literary feast with different new flavourings, the kneading of fresh poetical dough by many skilled cooks. Their ‘dishes’, read aloud at real banquets, reveal a persistent devotion to Aphrodite/Cypris and all the passions that love brings. Yet the ancient gods and the wheel of Fortune that frustrates human endeavour appear side by side with Christian heroes, the martyrs of the early church, bishops and pious virgins, who overcame pagan disdain and persecution. The collection therefore captures the representation of emotions between two distinct worlds: the inheritance of Greek antiquity as it was being accommodated and restricted in the emergent world of Christian dominion.


2018 ◽  
Vol 22 (2) ◽  
pp. 219-246
Author(s):  
Sergey Trostyanskiy

Basil the Great’s theory of time is a fascinating testimony to the metaphysics and philosophy of nature of the fourth century AD. In his treatises Basil sought to tackle such foundational issues of philosophy as God’s being, its hypostatic instantiations, and God’s creative acts. In order to properly address these issues he had to scrutinize the notion of time, thus turning the discussion of time into one of the key philosophical threads of his treatises. Basil’s works unequivocally exhibited his careful approach to and respect for philosophical tradition, along with his innovative brilliance. Moreover, Basil’s oeuvre clearly indicates that he was well acquainted with the then current philosophical literature on the subject. This article aims to shed light on various aspects of Basil’s theory and its conceptual underpinnings. It endeavors to demonstrate that Basil’s theory, at its highest point, cannot be understood apart from its protological and eschatological premises. It also argues that Basil was not merely an eclectic thinker, in that he used various concepts inherited from the late antique philosophical tradition to arrive at a uniquely Christian theological and eschatological synthesis. It concludes with an affirmation of Basil’s theory of time as a valuable extension to our understanding of the topic.


2019 ◽  
pp. 122-144
Author(s):  
Derek Attridge

The fourth to sixth centuries AD witnessed considerable poetic activity, which is the subject of this chapter. Itinerant poets gave performances, and festivals flourished. Poetry in both Latin and Greek was composed, and the reading of poems remained both a public and a private activity. This chapter pays particular attention to two poets: Ausonius, as an example of a poet who wrote for private consumption, and Claudian, whose poetry was performed in public for political ends. The rise of Christianity produced a more popular body of verse derived from Jewish psalmody: hymns in Latin metres that evolved from quantitative to accentual, reflecting the loss of quantitative distinctions in the language. The same loss occurred in Greek, the language of the eastern Empire centred on Constantinople, where one verse composer of particular interest in the sixth century was Romanos the Melodist.


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