BRIAN P. CLARKE, Piety and Nationalism: Lay Voluntary Associations and the Creation of an Irish-Catholic Community in Toronto, 1850-1895 (McGill-Queen's Studies in the History of Religion no. 12)—Montreal & Kingston, London, Buffalo: McGill-Queens University Press, 1993, XII + 340 p., ISBN 0-7735-1130 (cloth), $33.95.

Numen ◽  
1996 ◽  
Vol 43 (1) ◽  
pp. 114-115
Author(s):  
Norbert Borengässer
Author(s):  
Erin Nourse

In the history of religion in Africa, women have contributed richly to the diversity of indigenous, Christian, and Islamic spiritual practices prevalent within their communities. As mediums, healer-diviners, ministers, mystics, prophets, poets, priestesses, theologians, and spiritual advisors, they are integral to the creation and maintenance of possession cults and other indigenous religious societies, Islamic Sufi orders, mainline and African-initiated churches, as well as new and emerging Christian and Islamic movements. Often inhabiting pluralistic worlds, women weave together creative and dynamic spiritual tapestries that give their lives coherence. An investigation into the experiences of women reveals spaces of agency and constraint, portraits of women’s intimate encounters with the divine, accounts of women’s indigenization of Christianity and reform of Islam, stories of discrimination and of healing, struggles to create more liberating theologies, and stories of extraordinary women shaping religious life and practice on the African continent in irrepressible ways.


1969 ◽  
Vol 3 (1) ◽  
pp. 37-52 ◽  
Author(s):  
Elizabeth Harvey

This article looks at the intersection of modern Chinese and traditional Chinese sacred spaces through the analysis of two case studies: Yuyuan Garden and Tourist Area and Huanglong Scenic and Historic Interest Area. The article lays out a brief history of religion in China, the effects of modernization and globalization in China, the creation of sacred space within China, and the role tourism has played in preserving sacred spaces. Furthermore, this article examines how both sites dealt with and continue to deal with the question of religion in China, and how each has been worked into the tourist industry of China, either through choice or design. By becoming a part of the tourist industry, these sites have gained renown and interest because of what they offer, and thus illustrate that the blending of the sacred with the secular can be positive, especially within the context of modern China.


2018 ◽  
Vol 7 (2) ◽  
pp. 145-165
Author(s):  
James Mark Shields

AbstractTsuji Zennosuke 辻善之助 (1877–1955), the dominant figure in Buddhist historical scholarship in Japan from the 1930s until the mid-1950s, is known to have employed a broad range of sources in order to provide a comprehensive analysis of his subject. This essay examines Tsuji’s conception of Buddhist history in relation to the emergence of both National Historical Studies (kokushigaku 国史学) and so-called State Shintō (kokka shintō 国家神道) and argues against the image of Tsuji as an “objective historian” resistant to nationalist trends in historical scholarship. In fact, Tsuji was involved in the creation of an alternative, “Buddhistic” national history, or bukkyōshugi kokushi 仏教主義国史的. In particular, comparisons are drawn between Tsuji’s conception of Buddhism and the earlier arguments of New Buddhism (shin bukkyō 新仏教) and the Daijō hi-bussetsuron 大乗非仏説論, in addition to his more general conception of the contributions of Buddhism to the humanitarian spirit of Japanese leaders—both emperors and military warlords. Can there be—should there be—an objective history of religion? What is the significance of sacred history—and the history of Buddhism more particularly—to the still-emerging “modern” nation of Japan? How does Buddhism, a pan-Asian and “borrowed religion,” fit with the “Japanist” ideology of national uniqueness? These are some of the questions posed by Tsuji in his writings.


1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.


2020 ◽  
Vol 9 (1) ◽  
pp. 396-411
Author(s):  
Petrônio José Domingues

This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itself a place of resistance and struggle for social inclusion, recognition, and citizens’ rights.


2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.


2019 ◽  
Vol 2019 (09) ◽  
pp. 108-113
Author(s):  
Alexander Begichev ◽  
Alexander Galushkin ◽  
Andrey Zvonaryev ◽  
Victor Shestak

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.


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