Evangelical Worship: A Conversation with Three Publics

2018 ◽  
Vol 12 (2) ◽  
pp. 178-194
Author(s):  
Melanie Ross
Keyword(s):  
Public Theology ◽  
The Third ◽  
Public Media ◽  
Congregational Worship ◽  
Worship Practices

Abstract In this article the author makes an argument for evangelical worship as a form of public theology. The analysis proceeds in three parts. The first section examines depictions of evangelicals in American public media in order to show how evangelicalism and worship are closely linked in society’s imagination. The second section draws on debates between David Tracy and George Lindbeck to explain evangelicals’ distinctive approach to worship and witness. The third section presents a case study of a Sunday service at an evangelical megachurch, and suggests that increased attention to congregational worship practices can mitigate tensions between populist and academic understandings of public theology.

scholarly journals Whose Justice? Which Democracy? Justice, Reconciliation and Democracy in Post-Genocide Rwanda—Challenges to Public Theology

2018 ◽  
Vol 12 (1) ◽  
pp. 24-37
Author(s):  
Christine Schliesser
Keyword(s):  
Violent Conflict ◽  
Historical Background ◽  
Public Theology ◽  
Rwandan Genocide ◽  
Presbyterian Church ◽  
The Third ◽  
Christian Churches ◽  
Reconciliation Process ◽  
A Current

Abstract How can a public theology advance the task of democracy in order to bring forth justice for all? This article focuses on post-genocide Rwanda as a current example of a country’s quest for justice, reconciliation and democratization after severe violent conflict. The first part traces the historical background of the Rwandan genocide with specific attention on the lack of just and democratic structures in pre-genocide Rwanda and the roles of the Christian churches therein. The second part explores the Christian churches’ involvement in the country’s current reconciliation process. Here, the Presbyterian Church of Rwanda (EPR) serves as a case study. The third part critically assesses the churches’ contribution to reconciliation with regards to how it serves to enhance—or hinder—the implementation of just and democratic structures.

Editorial

2018 ◽  
Vol 6 (1) ◽  
pp. 1-2
Author(s):  
Ibrahim Sirkeci
Keyword(s):  
Qualitative Study ◽  
Cultural Dimensions ◽  
Mobile Marketing ◽  
Negative Attitudes ◽  
The Third ◽  
Cross Border ◽  
Local Characteristics ◽  
Critical Account

Transnational Marketing Journal is dedicated to disseminate scholarship on cross-border phenomena in marketing by acknowledging the importance of local and global or in other words, underlining the transnational practices marked by national and local characteristics in a fluid fashion spreading over more than one national territory. The first article by Paulette Schuster looks into “falafel” and “shwarma” in Mexico and discusses the perception of Israeli food in Mexico. The second article is a case study illustrating a critical account of cultural dimensions formulated by Schwarz using the value surveys data. The third article in the issue is a qualitative study of the negative attitudes of millennials torwards mobile marketing. 

“Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse

2017 ◽  
Vol 24 (2) ◽  
pp. 187-204
Author(s):  
Charles Cathcart
Keyword(s):  
Ben Jonson ◽  
Advanced Head ◽  
Knock Out ◽  
The Third ◽  
Biblical Commentary

Sejanus His Fall has always been a succès d'estime rather than a popular triumph. Neverthless, there was an odd and pervasive valency for the speech that opens the play's fifth act, a speech that starts, “Swell, swell, my joys,” and which includes the boast, “I feel my advancèd head/Knock out a star in heav'n.” The soliloquy has an afterlife in printed miscellanies; it was blended with lines from Volpone's first speech; the phrase “knock out a star in heav'n” was turned to by preachers warning of the sin of pride; John Trapp's use of the speech for his biblical commentary was plundered by John Price, Citizen, for the polemic of 1654, Tyrants and Protectors Set Forth in their Colours; and in the year between the Jonson Folio of 1616 and the playwright's journey to Scotland, William Drummond of Hawthornden borrowed directly from the speech for his verse tribute to King James. For all Jonson's punctilious itemising of his tragedy's classical sources, his lines were themselves shaped by a contemporary model: John Marston's Antonio and Mellida. What are we undertaking when we examine an intertextual journey such as this? Is it a case study in Jonson's influence? Is it a meditation upon the fortunes of a single textual item? Alternatively, is it a study of appropriation? The resting place for this essay is the speech's appearance in the third and final edition of Leonard Becket's publication, A Help to Memory and Discourse (1630), an appearance seemingly unique within the Becket canon and one that suggests that Jonson's verse gained an afterlife as a poem.

Somethin’ about Scandinavia: Danish Shorts on the Post-war International Scene

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
United Nations ◽  
International Collaboration ◽  
Marshall Plan ◽  
The Third ◽  
Animated Film ◽  
International Audience ◽  
Post War ◽  
Nordic Cooperation

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.

Case Study #4: Star Trek by Gene Roddenberry

Public Voices ◽  
2016 ◽  
Vol 13 (2) ◽  
pp. 143
Author(s):  
Ken Nichols
Keyword(s):  
Public Administration ◽  
Public Interest ◽  
World Wide ◽  
Star Trek ◽  
Government Organization ◽  
The Public ◽  
The Third ◽  
Gene Roddenberry ◽  
Common Goals

Star Trek began as a 1960s television series led by a swashbuckling starship Captain, an intellectual off-world first officer, and a multicultural, heart-of-gold crew. In the third of a century since its appearance on our home screens, the series Gene Roddenberry created has become a world-wide phenomenon.Star Trek is also a rich treasure trove of administrative literature: The setting — usually a starship, sometimes a planetary government organization. The characters are clearly delineated, colorful, share common goals, distinguish between their personal and professional roles and concerns, and serve well as archetypes for distinct organizational personalities. And the missions are clear, benevolent, in the public interest, and frequently controversial.As you watch an episode of one of the four Star Trek series, how many of these facets can you observe?That’s public administration, all right, but in a very different wrapper

Anthropology and Theology

2018 ◽  
Author(s):  
Douglas J. Davies
Keyword(s):  
Institutional Factors ◽  
Final Part ◽  
The Third

This tripartite chapter calls for a creative approach that engages diverse themes while striving for satisfying resolutions of disciplinary tensions between anthropology and theology. It calls for this even if these resolutions are not achieved. The first part, entitled “Intrapersonal and Interpersonal Dialogue,” is heavily autobiographical, and offers a case study of reflexivity, excusing its indulgence in biographical reflection on account of its intention to pinpoint the very particular and contextual nature of idea development. The second part, headed “Further Conversation Pieces,” picks up just such ideas open to anthropological–theological conversation, including a cautionary gloss on the over-easy use of anthropology and theology as discrete terms. The third and final part, described as “Disciplinary Quandaries,” takes some of these formal classifications of disciplines further and also brings together some personal and institutional factors surrounding both anthropological and theological practice.

(In)visibility and the Process of Public Theology

2013 ◽  
Vol 7 (1) ◽  
pp. 45-64
Author(s):  
Eric Stoddart
Keyword(s):  
Theoretical Basis ◽  
Pierre Bourdieu ◽  
Roman Catholic ◽  
Public Theology ◽  
Substantive Content ◽  
Catholic Bishop ◽  
Recent Statement ◽  
Narrative Context ◽  
Analytical Device

Abstract In this article the notion of (in)visibility as a skill and an analytical device is brought into the field of public theology, and, using political and sociological insights from Andrea Brighenti and Pierre Bourdieu, a theoretical basis is established. Further, a liturgical and eschatological hermeneutic is applied to relativize (in)visibility and to locate its development as a skill in a Christian narrative context. The article argues that (in)visibility offers a complementary paradigm to the auditory that otherwise attends predominantly to the substantive content of public theological interventions; hence, it contends, the process and consequences for others (not necessarily acting as public theologians) are to be encompassed in a model of public theology. In addition, a case study on a recent statement by a Roman Catholic bishop in Scotland is presented.

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