scholarly journals Dal greco antico al greco moderno: alcuni aspetti dell’evoluzione morfosintattica (Università degli Studi di Firenze, 2012)

2014 ◽  
Vol 14 (2) ◽  
pp. 266-271
Author(s):  
Mariarosaria Zinzi

In this contribution, I offer a summary of my 2012 Ph.D. dissertation from the University of Florence (Firenze) on given morphosyntactic changes between Ancient Greek and Modern Greek.

2020 ◽  
Vol 16 ◽  
pp. 167
Author(s):  
Agis Marinis

The question posed by the title can be reformulated in the following manner: to what extent has it been possible or desirable to connect modern Greek customs with ancient ones? not customs in general, but more precisely religious customs. Greek folklore studies typically begin with Nikolaos Politis, professor at the University of Athens, the first to introduce the term λαογραφία (meaning “folklore studies”) towards the end of the nineteenth century. Yet, we need to revert to at least as far back as the time prior to the Greek Revolution, that is, the period of the Greek enlightenment, in order to trace the beginnings of the shaping of the ideological framework of modern Greek folklore studies. it is well known and has aptly been pointed out, also in connection with Greek folklore studies, that for the Greeks the enlightenment movement went hand in hand with a specific form of romanticism. The Greek idea of the nation developed within the framework of the Romantic movement and on the basis of the connection between “us” and “the ancients”. How, then, were modern Greek folk customs that were not firmly related to the orthodox church incorporated in this new cultural narrative?


Author(s):  
Chiara Lorini ◽  
Laura Ricotta ◽  
Virginia Vettori ◽  
Marco Del Riccio ◽  
Massimiliano Alberto Biamonte ◽  
...  

In Western countries, one of the main barriers to entomophagy is repulsion toward insects. Few studies have investigated the factors that influence attitudes toward entomophagy. Therefore, we conducted a cross-sectional study involving a sample of 248 university students, focusing on disgust and other potential attributes that can influence insect consumption, including health literacy. We used a 17-item self-administered questionnaire. Consistent with the literature, two items were chosen as outcome variables to evaluate the predictors of the propensity to consume insects: “Have you ever eaten insects or insect-based products?” and “How disgusting do you find eating insects?” The data analysis shows that having already eaten insects is inversely associated with the level of disgust (OR: 0.1, p < 0.01); and it is positively associated with higher levels of health literacy (OR: 3.66, p > 0.01). Additionally, having some knowledge and information about entomophagy is inversely associated with a higher level of disgust (OR: 0.44, p = 0.03 and OR: 0.25, p = 0.03, respectively), while being female is positively associated with disgust (OR: 3.26, p < 0.01). Our results suggest the potential role of health literacy, in addition to other factors, in influencing the willingness to taste insects. However, further studies involving larger and non-convenience samples are needed to confirm our hypothesis.


Author(s):  
J. L. Watson

AbstractTwo major themes dominate the poetry of the Alexandrian poet, C. P. Cavafy: homosexual desire and Greekness, broadly defined. This paper explores the interconnectivity of these motifs, showing how Cavafy’s poetic queerness is expressed through his relationship with the ancient Greek world, especially Hellenistic Alexandria. I focus on Cavafy’s incorporation of ancient sculpture into his poetry and the ways that sculpture, for Cavafy, is a vehicle for expressing forbidden desires in an acceptable way. In this, I draw on the works of Liana Giannakopoulou on statuary in modern Greek poetry and Dimitris Papanikolaou on Cavafy’s homosexuality and its presentation in the poetry. Sculpture features in around a third of Cavafy’s poems and pervades it in various ways: the inclusion of physical statues as focuses of ecphrastic description, the use of sculptural language and metaphor, and the likening of Cavafy’s beloveds to Greek marbles of the past, to name but three. This article argues that Cavafy utilizes the statuary of the ancient Greek world as raw material, from which he sculpts his modern Greek queerness, variously desiring the statuesque bodies of contemporary Alexandrian youths and constructing eroticized depictions of ancient Greek marbles. The very ontology of queerness is, for Cavafy, ‘created’ using explicitly sculptural metaphors (e.g. the repeated uses of the verb κάνω [‘to make’] in descriptions of ‘those made like me’) and he employs Hellenistic statues as a productive link between his desires and so-called ‘Greek desire’, placing himself within a continuum of queer, Greek men.


1995 ◽  
Vol 31 (2) ◽  
pp. 301-332 ◽  
Author(s):  
María Luisa Rivero ◽  
Arhonto Terzi

Imperative Vs with distinctive morphology either have a distinctive syntax (Modern Greek, Spanish), or distribute like others Vs (Serbo-Croatian, Ancient Greek). The contrast follows from properties of the root C. The first type has a strong Imperative V-feature in C, and under Chomsky's Greed Principle, Imperative Vs raise overtly to check this feature. The second type is the Wackernagel language, whose C hosts no features, but V-features are in I. If no phrase fronts, Vs move to C to support second position items. V-to-C affects all Vs, is last resort, follows Lasnik's Enlightened Self-Interest, and escapes Greed.


1944 ◽  
Vol 13 (38-39) ◽  
pp. 73-80
Author(s):  
W. R Loader

It has been suggested that there is less difference between ancient Greek and modern Greek than between present-day English and Chaucer's language. The suggestion is somewhat questionable. Broadly speaking, apart from dialects and local variations, there are presently three languages in Greece, the Kathareuousa, the Demotiki, and the popular newspaper language, which is a blend of the two.The Kathareuousa is the official and formal language, used in Government publications and statements, business correspondence, non-fictional books and treatises, law courts, University lectures, and in formal conversation. And although its grammatical structure is analytic as opposed to the synthesis of ancient Greek (a change which constitutes the main difference between classical and modern Greek, as it does between other modern and ancient languages), in the Kathareuousa the most strenuous attempt has been made to maintain the accidence and vocabulary of the ancient language.Words are declined and verbs conjugated (without some of their more difficult and less used moods and tenses) as in Attic Greek, pronouns and prepositions and the cases governed by them are the same, and while, naturally, many terms which describe things known only to the modern world are not to be found in Liddell and Scott, they are generally legitimate and intelligible compounds of words which are to be found in Liddell and Scott. Ἀɛροπλἁνoν for aeroplane, ἀɛρòσTαtoν for balloon, are instances which come easily to mind.


1991 ◽  
Vol 7 (28) ◽  
pp. 348-352
Author(s):  
Graham Ley

Is there a postmodernist theatre – and if so, what was the modernist theatre? What qualifies as avant-garde – and for how long? And why does the ‘established’ alternative theatre lean so heavily on appropriation, whether of ancient myths or contemporary ideologies – such as postmodernism? Graham Ley uses analogies from dance and design to explore our perceptions of and attitudes towards those contemporary theatre practitioners who may once have broken boundaries, but now often head the queue for lavish corporate finance. Graham Ley has taught in universities in England, Australia, and New Zealand, and his Short Introduction to the Ancient Greek Theatre will shortly appear from the University of Chicago Press.


2021 ◽  

This book includes 25 peer-reviewed short papers submitted to the Scientific Opening Conference titled “Statistics and Information Systems for Policy Evaluation”, aimed at promoting new statistical methods and applications for the evaluation of policies and organized by the Association for Applied Statistics (ASA) and the Department of Statistics, Computer Science, Applications DiSIA “G. Parenti” of the University of Florence, jointly with the partners AICQ (Italian Association for Quality Culture), AICQ-CN (Italian Association for Quality Culture North and Centre of Italy), AISS (Italian Academy for Six Sigma), ASSIRM (Italian Association for Marketing, Social and Opinion Research), Comune di Firenze, the SIS – Italian Statistical Society, Regione Toscana and Valmon – Evaluation & Monitoring.


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