Of Flows, Bodies and Shows: Incipient Mass Cultures in Early Twentieth Century East Asia: An Introduction

2003 ◽  
Vol 2 (1) ◽  
pp. 1-12
Author(s):  
Alain Delissen
Author(s):  
James Mark Shields

Chapter 2, "Unification and Spiritual Activism: Murakami and Manshi" begins with an analysis of an academic movement called Daijō hibusseturon大‎乗‎非‎仏‎説‎論‎, which argued for a return to early Buddhism by critiquing the Mahāyāna derivations that had come to dominate in East Asia. It then turns to the work of two scholar-priests, both associated with the Ōtani-ha (Higashi Honganji) branch of the Shin sect: Murakami Senshō and Kiyozawa Manshi. Murakami and Kiyozawa might accurately be considered late representatives of the Buddhist Enlightenment. However, this chapter argues that they establish a bridge from the work of the early Buddhist modernists and reformers to the New Buddhists of the early twentieth century. In short, these two immensely influential figures established two distinctive possibilities for the emergent Buddhist modernisms of the early twentieth century.


Author(s):  
Peter Francis Kornicki

This chapter draws together the arguments made in the earlier chapters and addresses the question of nationalism, in particular after the Manchu conquest of China and the start of the Qing dynasty in 1644, which altered perceptions of China significantly in East Asia. The cultural pride that developed in Japan, Korea, and Vietnam led to greater interest in the vernaculars but it did not until later lead to a rejection of Sinitic, for until the early twentieth century Sinitic continued to be perceived as the common learned language of the whole of East Asia, rather that the property of China.


2017 ◽  
Vol 80 (3) ◽  
pp. 547-569
Author(s):  
Billy K.L. So ◽  
Sufumi So

AbstractThis article compares the ways in which two major textbook publishers in East Asia – namely Kinkōdō in Meiji Japan and the Commercial Press in early twentieth-century China – practised the Western model of corporations to build a new kind of publishing business in their respective societies, which were undergoing significant transformation. The study suggests that, although the use of the model could imply global business convergence, its transplantation process was largely shaped by entrepreneurs who negotiated the Western model as an alternative newly opened to them and brought to light variant forms of practice tailored to serve their own aspirations in corporate directions such as industrial integration and ownership structure. The two cases present two distinct patterns of developing a new textbook publishing business under the same corporation model.


Author(s):  
Nguyen Thi Thúy Vy

The late nineteenth and early twentieth century was a period that Western culture had a strong influence on East Asia countries. The need for finding new markets and expanding colonies of Western countries made most countries of East Asia were at risk of becoming Western colonies. This historical situation forced East Asia countries - whether they like it or not - to "Europeanize" and to absorb Western civilization achievements to survive. However, whether the impacts of Europeanization on values of culture were positive or negative, the Europeanization was strongly depended on the cultural characteristics and processes in each country. In the early twentieth century, under the impact of the process of Europeanization, large cities in Vietnam - especially Hanoi - greatly transformed the appearance and functions from medieval to early modern cities. Through research on the changing social position of Hanoi women in the process of Europeanization in the early 20th century on four dimensions: Time, space, human, and methods, the paper indicated the reasons, characteristics, rules, trends of the fluctuation of cultural values ​​in Hanoi in the early 20th century under the impact of the Europeanization process.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


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