The Downfall of the Diorama

Nuncius ◽  
2020 ◽  
Vol 35 (3) ◽  
pp. 660-684
Author(s):  
Sarah Michel Scripps
Keyword(s):  
Twentieth Century ◽  
Progressive Era ◽  
Three Dimensional ◽  
Scientific Representation ◽  
Science Fair ◽  
Visual Medium ◽  
Science Fairs ◽  
Future Science ◽  
American Children ◽  
Philosophical Questions

Abstract Over the course of the twentieth century, millions of American children conducted their first science experiments by participating in science fairs. In tracing the development of a new visual medium of the 20th century – the science fair display – this paper captures the unruliness of scientific representation from a child’s eye view. The essay traces this phenomenon against the backdrop of broader debates regarding the role scientifically inclined youth would play in shaping the nation’s future. Science fairs also raise important philosophical questions regarding the epistemology of children’s experimentation. Over the course of fifty years, three-dimensional dioramas of the Progressive era were supplanted by postwar argument-driven text panels, capturing a distinct rupture in scientific representation. The essay argues that science fair displays provide an entry point for understanding how adolescents conceived of science on visual, material, social, and epistemological terms.

Reading the Image of Race: Neurocriminology, Medical Imaging Technologies and Literary Intervention

2018 ◽  
Author(s):  
Lindsey Andrews ◽  
Jonathan M. Metzl
Keyword(s):  
Twentieth Century ◽  
Wall Street Journal ◽  
Genetic Basis ◽  
Three Dimensional ◽  
Criminal Behaviour ◽  
Dominant Model ◽  
Wall Street ◽  
Behavioural Genetics ◽  
Black And White ◽  
Brain Scan

On 26 April 2013, the Wall Street Journal published an essay by neurocriminologist Adrian Raine promoting his newest book, The Anatomy of Violence: The Biological Roots of Crime. On the newspaper’s website, an image of a black-and-white brain scan overlaid with handcuffs headed the essay. Clicking ‘play’ turned the image into a video filled with three-dimensional brain illustrations and Raine’s claims that some brains are simply more biologically prone to violence than others. Rejecting what he describes as ‘the dominant model for understanding criminal behaviour in the twentieth century’ – a model based ‘almost exclusively on social and sociological’ explanations – Raine wrote that ‘the genetic basis of criminal behaviour is now well established’ through molecular and behavioural genetics.

GOVERNMENT/BUSINESS SYNERGY: EARLY AMERICAN INNOVATIONS IN BUDGETING AND COST ACCOUNTING

1992 ◽  
Vol 19 (2) ◽  
pp. 123-145 ◽  
Author(s):  
R. Penny Marquette ◽  
Richard K. Fleischman
Keyword(s):  
Twentieth Century ◽  
Progressive Era ◽  
Cost Accounting ◽  
American Government ◽  
Significant Cost ◽  
Industrial Environment ◽  
Early American ◽  
Planning And Control ◽  
And Control ◽  
Governmental Budgeting

This paper examines certain interactions between American government and business which resulted in important innovations in the areas of budgeting and cost accounting early in the twentieth century. The evidence suggests that budgeting methods were initially developed by municipal reformers of the Progressive era and were subsequently adapted by business for planning and control purposes. In like fashion, standard costing and variance analysis were significant cost accounting techniques born to an industrial environment which came to contribute markedly to a continuing improvement of governmental budgeting procedures.

DRIEDIMENSIONAAL NIEUWS

2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Mass Medium ◽  
Three Dimensional ◽  
Reciprocal Relationship ◽  
Visual Medium ◽  
The Public ◽  
Wax Models

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.

scholarly journals Representing the War. Early Twentieth Century Maps and Models in the Fonds of the Italian War History Museum in Rovereto

2021 ◽  
Vol 4 ◽  
pp. 1-8
Author(s):  
Elena Dai Prà ◽  
Valentina De Santi ◽  
Giannantonio Scaglione
Keyword(s):  
Twentieth Century ◽  
Three Dimensional ◽  
Field Surveys ◽  
History Museum ◽  
Early Twentieth Century ◽  
Wide Range ◽  
The First World War ◽  
Three Dimensional Models ◽  
The University ◽  
First World

Abstract. The representation of the areas in which some of the most significant events of the First World War took place has produced a wide range of materials, such as cartography, aerial and terrestrial photos, textual descriptions and field surveys. In addition, war events were also represented through three-dimensional models. Topographic maps and models constitute composite figurations, which are rich in informative data useful for the preservation of the memory of places and for increasing the knowledge of cultural heritage. Hence, these sources need to be studied, described, interpreted and used for future enhancement. The focus of this paper are archival materials from the collections kept at the Italian War History Museum of Rovereto (Museo Storico Italiano della Guerra), in the Trentino-Alto Adige region. Firstly, we will investigate the cartographic fond in order to assess the composition and origin of its materials. Secondly, we will present the Museum’s collection of Early-Twentieth Century models. Such precious heritage is not yet part of an exhibition, and is kept in the Museum’s warehouses. The paper constitutes the occasion to present the initial results of a still ongoing project by the Geo-Cartographic Centre for Study and Documentation (GeCo) of the University of Trento on the study and analysis of two archival complexes preserved in the abovementioned Museum. In particular, the paper focuses on the heuristic value of such representational devices, which enable an analysis of the different methods and languages through which space is planned and designed, emphasizing the complementarity between different types of visualization.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Jenny Tone-Pah-Hote
Keyword(s):  
Twentieth Century ◽  
Progressive Era ◽  
Cultural Production ◽  
Expressive Culture ◽  
Men And Women ◽  
Cultural Negotiation ◽  
The Arts ◽  
Interdisciplinary Study

This is an interdisciplinary study of how Kiowa men and women made, wore, displayed and discussed expressive culture. Kiowa men and women used the arts to represent new ways of understanding and representing Kiowa identity that resonated with their changed circumstances during the Progressive Era and twentieth century. Kiowas represented themselves individually and collectively through cultural production that emphasized the significance of change and cultural negotiation, gender, the ties and tensions over tribally specific and intertribal identities.

1900–1915

2020 ◽  
pp. 37-54
Author(s):  
Barbara Barksdale Clowse
Keyword(s):  
Health Care ◽  
Twentieth Century ◽  
Progressive Era ◽  
Urban Areas ◽  
Rural Families ◽  
Early Twentieth Century ◽  
The Us

Bradley emphasized prevention with patients because curing diseases remained problematic in early twentieth century medicine. The zeitgeist of the Progressive Era boded well for expanding health care in urban areas, but the doctor worried about rural families, especially in Appalachia. She closed her Atlanta office in 1915 and became a rural field doctor for the US Children’s Bureau.

Gender, Health, and the Problem of “Precocious Puberty” in Meiji Japan

2018 ◽  
Author(s):  
Izumi Nakayama
Keyword(s):  
Twentieth Century ◽  
Precocious Puberty ◽  
Physical Growth ◽  
Japanese Children ◽  
Meiji Japan ◽  
Complex Interactions ◽  
Early Twentieth Century ◽  
Physical Stature ◽  
Late Nineteenth ◽  
American Children

Mishima Michiyoshi, a Japanese pioneer of school hygiene, believed that Japanese children experienced precocious puberty, resulting in underdeveloped and inferior physical stature in comparison to European and American children. This analysis of comparative anatomies interpreted the inferiority of the “Japanese” body as embodiment of its diminutive status in politics and civilizations. This chapter shows how intellectuals, government bureaucrats, school hygienists, and pediatric specialists viewed and interpreted children’s bodies and their physical growth, illustrating the complex interactions between ideals of civilization and gendered norms in late nineteenth and early twentieth century Japan.

Triangulations and meshes in computational geometry

Acta Numerica ◽  
2000 ◽  
Vol 9 ◽  
pp. 133-213 ◽  
Author(s):  
Herbert Edelsbrunner
Keyword(s):  
Twentieth Century ◽  
Computational Geometry ◽  
Delaunay Triangulation ◽  
Mesh Generation ◽  
Three Dimensional ◽  
Central Theme ◽  
Physical Processes ◽  
Finite Point ◽  
Major Application ◽  
Point Set

The Delaunay triangulation of a finite point set is a central theme in computational geometry. It finds its major application in the generation of meshes used in the simulation of physical processes. This paper connects the predominantly combinatorial work in classical computational geometry with the numerical interest in mesh generation. It focuses on the two- and three-dimensional case and covers results obtained during the twentieth century.

Georges de La Tour and the Enigma of the Visible

2017 ◽  
Author(s):  
Dalia Judovitz
Keyword(s):  
Twentieth Century ◽  
Natural World ◽  
Visual Medium ◽  
Religious Imagery ◽  
Conditions Of Possibility ◽  
Spiritual Reality ◽  
Interdisciplinary Study ◽  
Familiar Objects

Celebrated due to the aura of mystery attached to his rediscovered works in the twentieth century, Georges de La Tour’s paintings continue to be an object of scholarly interest and public fascination. Exploring the representations of light, vision and the visible in his works, this interdisciplinary study raises seminal questions regarding the nature of painting and its artistic, theological, and conceptual implications. If the visible presents an enigma in La Tour’s pictorial works, this is because familiar objects of visible reality serve as emblems of an invisible, spiritual reality. La Tour’s pursuit of likeness between image and the natural world bears the influence of the Catholic Reform’s call for the revitalization of religious imagery in the wake of Protestant iconoclastic outbreaks. Like the books shown in his paintings which are asking to be read, La Tour’s paintings are examined not just as visual depictions but also as instruments of insight, which ask to be deciphered rather than merely seen. La Tour’s paintings show how the figuration of faith as spiritual passion and illumination challenges the meanings attached to the visual realm of painterly expression. This study shows that La Tour’s emphasis on spiritual insight opens up a broader artistic, philosophical and conceptual reflection on the conditions of possibility of painting and its limitations as a visual medium. By scrutinizing what is seen and how and by questioning the position of the beholder, his works encourage meditation on the role of painting and its engagements with the visible world.

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