scholarly journals Horses and Habitations: Iron Age Rock Art from Fortified Hilltop Settlements in the Wadi Draa, Morocco

2021 ◽  
pp. 1-28
Author(s):  
Youssef Bokbot ◽  
Corisande Fenwick ◽  
David J. Mattingly ◽  
Nichole Sheldrick ◽  
Martin Sterry
Keyword(s):  
Iron Age ◽  
Radiocarbon Dating ◽  
Contextual Information ◽  
Rock Art ◽  
Detailed Survey ◽  
Mobile Pastoralists

Abstract The article presents important results from the Middle Draa Project (MDP) in southern Morocco related to two mid-1st millennium CE hilltop settlements (hillforts) that were associated with significant rock art assemblages. The combination of detailed survey and radiocarbon dating of these remarkable sites provides a unique window on the Saharan world in which the pecked engravings, predominantly of horses, were produced. As the horse imagery featured on the walls of buildings within the settlement, the radiocarbon dating around the mid-1st millennium CE can also be applied in this instance to the rock art. The rarity of rock art of this period within habitation sites is also discussed and it is argued that its occurrence at both these locations indicates that they had some special social or sacred significance for their occupants. While it is commonplace for rock art of this era, featuring horses and camels, to be attributed by modern scholars to mobile pastoralists, a further argument of the paper is that the desert societies were in a period of transformation at this time, with the development of oases. The association of the rock art imagery with sedentary settlements, where grain was certainly being processed and stored, is thus an additional new element of contextual information for the widespread Saharan images of horses and horse and riders.

The first cup marks from the territory of Poland and their archaeological context

2019 ◽  
Vol 94 (1) ◽  
pp. 116-132
Author(s):  
Mateusz Jaeger ◽  
Jakub Niebieszczański ◽  
Mateusz Stróżyk
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Cultural Landscape ◽  
Contextual Information ◽  
Rock Art ◽  
General Pattern ◽  
Ex Situ ◽  
Late Iron Age ◽  
A Site ◽  
The Bronze Age

Abstract Thus far, prehistoric rock art has not been featured in the discourse concerned with the archaeology of Poland due to the absence of finds there belonging to this category. This text presents the very first identified specimens of cup marks in the present-day territory of Poland; all differ significantly in terms of context, which consequently determines the potential for interpreting the finds. The first is a boulder which was put in place as grave-marker at a Wielbark Culture site dated to Late Iron Age. The find appears to overlap with the general pattern of regularities observed in the funerary rituals of the Wielbark communities. The second instance is an isolated boulder with cup marks – most likely positioned ex situ – discovered at Wilcza (Greater Poland). Regarding the latter, available information contributes little to determination of chronology of the cup marks and the original location of the boulder in the landscape, thus obscuring the primary function of the feature. The third boulder yielded the most contextual information; it is situated within a complex of numerous Middle Bronze Age barrows in Smoszew, at a site which constitutes a part of the Bronze Age cultural landscape that has survived in the Krotoszyn Forest in southern Greater Poland. For the authors, this very feature served as a basis for a contextual and chronological analysis of rock art which has hitherto remained unknown in Poland. In light of obtained data, the cup-marked boulder from Smoszew should be approached as an element of the funerary landscape created by the Tumulus Culture community and evidence of broader cultural processes which linked particular regions of Europe in the Bronze Age.

scholarly journals THE OLDEST ROCK ART SITES OF THE KARATAU RANGE: PETROGLYPHS OF KARASUYIR

2022 ◽  
pp. 2-8
Author(s):  
С. С. Мургабаев ◽  
Л. Д. Малдыбекова
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Main Part ◽  
Rock Art ◽  
Early Iron Age ◽  
Stone Age ◽  
The Bronze Age

Статья посвящена новому памятнику наскального искусства хребта Каратау, открытому в урочище Карасуйир. Приводится краткое описание памятника, публикуются наиболее важные изображения. Сюжеты и стилистические особенности основной чaсти петроглифов памятника Карасуйир связаны с эпохой бронзы, остaльные рисунки отнесены к эпохе рaннего железа и, возможно, к эпохе камня. Для некоторых из них предложена предварительная интерпретация. The article is devoted to a new rock art site of the Karatau Range, discovered in the Karasuyir Area. A brief description of the site is provided, and the most important images are published. Subjects and stylistic features of the main part of Karasuyir petroglyphs are associated with the Bronze Age, and other engravings are related to the early Iron Age and, perhaps, to the Stone Age. A preliminary interpretation is proposed for some of them.

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

North European Rock Art

2017 ◽  
Author(s):  
Joakim Goldhahn
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Rock Art ◽  
Northern Europe ◽  
Long Distance ◽  
Migration Period ◽  
Farming Communities ◽  
And Migration ◽  
The Bronze Age

This chapter offers a long-term perspective on rock art in northern Europe. It first provides an overview of research on the rock art traditions of northern Europe before discussing the societies and cultures that created such traditions. It then considers examples of rock art made by hunter-gatherer societies in northern Europe, focusing on the first rock art boom related to Neolithization. It also examines the second rock art boom, which was associated with social and religious changes within farming communities that took place around 1600–1400 bc. The chapter concludes by analysing the breakdown of long-distance networks in the transition from the Bronze Age to the Iron Age and its consequences for the making of rock art within the southern traditions, as well as the use of rock art sites during the Pre-Roman Iron Age, Roman Iron Age, and Migration Period.

Change and Continuity in the Prehistoric Rock Art of East Siberia

2021 ◽  
Author(s):  
Irina A. Ponomareva
Keyword(s):  
Iron Age ◽  
Rock Art ◽  
East Siberia ◽  
Late Paleolithic ◽  
International Audience ◽  
Book Covers ◽  
Large Corpus

The book offers a detailed study of large corpus of rock art which is little known to an international audience. The book covers not only a huge region of East Siberia but also a period spanning from Late Paleolithic to the Iron Age, providing detailed accounts of the regional archaeology and rock art through the perspective of ethnicity, identity, and symbolism.

The Political History of Megiddo in the Early Iron Age and the Ambiguities of Evidence

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Zachary Thomas
Keyword(s):  
Iron Age ◽  
Radiocarbon Dating ◽  
Political History ◽  
The Political ◽  
Early Iron Age ◽  
Historical Sources ◽  
Ongoing Debate ◽  
Iron Age I ◽  
History Of ◽  
Historical Developments

Abstract This article reviews the major problems in the political history of Megiddo during the early Iron Age (Iron Age I–IIA), at the time of the early monarchic period in Israel (eleventh–ninth centuries BCE). Megiddo has been central to an ongoing debate over the nature of the early monarchic period in Israel and the exact chronology of the Iron Age I–IIA periods. This importance derives both from the extensive excavations of the relevant strata at Megiddo (VIA, VB and VA-IVB) as well as Megiddo’s appearance in relevant historical sources, namely the Hebrew Bible, which claims that Solomon “built” Megiddo, and its appearance in the campaign list of pharaoh Sheshonq I. Though the fragment of a stela of Sheshonq I was found at Megiddo, it was only found after having been discarded and so its stratigraphic attribution is unclear. Radiocarbon dating from these strata has assisted to some degree but still left dating and historical questions quite open. This article will demonstrate that the political history of Megiddo during the early Iron Age is beset with ambiguities in the evidence, which have been divided into seven ambiguities for the purpose of the discussion here. When these ambiguities are taken into account, it becomes clear that the interpreter has much latitude in making their reconstruction, specifically in how they date strata and associate them with putative historical developments. Different cases can be made for associating particular strata and their termination with Solomon, Sheshonq or even later kings, but none can claim to objectively be the correct or superior reconstruction.

scholarly journals Chemical characterization and radiocarbon dating of the rock art of Las Charcas caves, Cuba

Archaeometry ◽  
2020 ◽  
Author(s):  
R. A. Armitage ◽  
R. Arrazcaeta ◽  
S. Torres ◽  
S. M. Baker ◽  
D. Fraser
Keyword(s):  
Radiocarbon Dating ◽  
Rock Art ◽  
Chemical Characterization

Iron Age inhumation burials at Yarnton, Oxfordshire

Antiquity ◽  
1999 ◽  
Vol 73 (281) ◽  
pp. 551-562 ◽  
Author(s):  
Gill Hey ◽  
Alex Bayliss ◽  
Angela Boyle
Keyword(s):  
Iron Age ◽  
Radiocarbon Dating ◽  
Human Bone ◽  
Common Part ◽  
Burial Practice ◽  
Middle Iron Age

Radiocarbon dating of unaccompanied skeletons discovered during the excavation of an Iron Age, Roman and Saxon settlement at Yarnton, Oxfordshire, unexpectedly revealed the presence of a middle Iron Age cemetery (3rd or 4th century cal BC). British Iron Age burials before the 1st century BC are usually found as individuals, often in pits on settlement sites, or are repersented by disarticulated human bone. This paper explores whether cemeteries were a more common part of Iron Age burial practice than hitherto believed, or whether the Yarnton burials were a highly unusual and localized phenomenon? It highlights the merits of obtaining radiocarbon determinations on otherwise undated burials.

scholarly journals CALCIUM OXALATE RADIOCARBON DATING: PRELIMINARY TESTS TO DATE ROCK ART OF THE DECORATED OPEN-AIR CAVES, ERONGO MOUNTAINS, NAMIBIA

Radiocarbon ◽  
2020 ◽  
pp. 1-12
Author(s):  
Jean-Pascal Dumoulin ◽  
Matthieu Lebon ◽  
Ingrid Caffy ◽  
Guilhem Mauran ◽  
Alma Nankela ◽  
...  
Keyword(s):  
Organic Carbon ◽  
Calcium Oxalate ◽  
Organic Compounds ◽  
Radiocarbon Dating ◽  
Rock Art ◽  
Targeted Sampling ◽  
Heritage Site ◽  
Carbon Compounds ◽  
First Results ◽  
Two Phases

ABSTRACT The direct dating of rock paintings is not always possible due to the lack of organic carbon compounds in pigments, or because sampling from a heritage site is often restricted. To overcome these limitations, dating laboratories have to develop new approaches. In this study, we consider sampling calcium oxalate crusts covering the painted artworks as a way to indirectly date the rock art. This stratigraphic approach includes isolating and extracting pure oxalate from the crusts. The approach was tested on natural bulk accretions collected in the open-air sites of Erongo Mountains in Namibia. The accretions were separated into two phases (pure oxalate and the remaining residues) with a special pretreatment. This process removes carbonates through acidification (HCl 6N) and dissolves the oxalate into the supernatant, leaving the minerals and windblown organic compounds in the residue. The efficiency of the separation was checked on the two phases by FTIR analyses and by 14C dating and showed that pure oxalate powders were indeed obtained. AMS radiocarbon results of various accretions on the same art panels provided ages from modern periods to 2410 ± 35 BP. From these first results, more targeted sampling campaigns can be considered to provide a terminus ante quem for the rock art.

Este, Padova, Italy: Dating the Iron Age Waterfront

Radiocarbon ◽  
2014 ◽  
Vol 56 (02) ◽  
pp. 655-665
Author(s):  
John Meadows ◽  
Nicoletta Martinelli ◽  
Marie-Josée Nadeau ◽  
Elodia Bianchin Citton
Keyword(s):  
Tree Ring ◽  
Iron Age ◽  
Radiocarbon Dating ◽  
Calibration Data ◽  
Short Term ◽  
Northeastern Italy ◽  
Term Fluctuation

Two floating tree-ring chronologies were developed from oak timbers recovered during salvage excavations of a pre-Roman wharf in Este, a prominent center of the Veneti people, who lived in northeastern Italy during the Iron Age. Wiggle-match radiocarbon dating shows that one chronology spans the 10th and 9th centuries cal BC, and that the waterfront was probably built ∼800 cal BC. The second chronology apparently spans most of the 7th century cal BC, and is associated with a phase of construction about 2 centuries after the first. One of the samples gave what appeared to be anomalous14C results that may best be explained as evidence of a short-term fluctuation in atmospheric14C level, which can be seen in short-lived samples but is not apparent in the decadal or bidecadal calibration data. Both chronologies cover periods for which there are no other tree-ring chronologies in this region, and could become key to refining the local Iron Age chronology.

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