Peter Zinkernagel and David Favrholdt: A Response to George Berkeley in Twentieth-Century Danish Philosophy

2020 ◽  
Vol 53 (1) ◽  
pp. 33-60
Author(s):  
Jørgen Huggler

Abstract Berkeley’s criticism of Locke’s distinction between primary and secondary qualities is a challenge to epistemologists. Do we experience a mind-independent reality, even though we do it with the help of senses bound to give us subjective experiences? Berkeley – or a straw man by that name (i.e. Berkeley without God) – played an important part as sparring partner for an influential development of Danish theoretical philosophy in the second half of the 20th century. The protagonists here are Peter Zinkernagel (1921–2003) and David Favrholdt (1931–2012). Zinkernagel held an extraordinary appointment as research fellow at the University of Copenhagen. Favrholdt was the founding father of the Philosophical Institute at Odense University (today: University of Southern Denmark). This essay focuses on the constructive moments in Zinkernagel’s alternative to immaterialism, being based on a distinction between perception and action, and on Favrholdt’s development of a reconstruction of the distinction between primary and secondary qualities.

2019 ◽  
Vol 35 (03) ◽  
pp. 195-208
Author(s):  
Silvia Mei

Brevity in experimental Italian theatre is not merely an expressive dimension of scenic creation, but a forma mentis, a conceptual vocation of young companies. The 2000s produced a minor theatre in Italy – first because of the reduced stage size, and second because of the brevity of works such as installation pieces. Moving from the linguistic disintegration of the historical avant-gardes of the twentieth century, this theatre is especially inspired by the visual arts, even though its historical roots remain fragmented and art is still seen in the synthetic language of modern dance and Futurist variety. Short forms actually become a tool for crossing artistic genres and languages. Starting from Deleuze’s and Guattari’s philosophical concept of minor literature, in this article Silvia Mei explores and analyzes work by such Italian contemporary companies as gruppo nanou, Città di Ebla, Anagoor, Opera, ErosAntEros, and Teatro Sotterraneo – all representative of what can be called installation theatre, a new theatrical wave that crosses the boundaries and specificities of artistic language, leading to the deterritorialization of theatre itself, a rethinking of the artistic work as well as its relationship with the audience. Silvia Mei is Adjunct Professor of the History of Theatre Directing and Theatre Iconography at the University of Bologna, having been a Research Fellow at the University of Turin. Her recent publications include ‘La terza avanguardia: ortografie dell’ultima scena italiana’, in Culture Teatrali, No. 14 (2015), and Displace Altofest (Valletta: Malta 2018 Foundation).


Author(s):  
Barry Stroud

This chapter challenges the notion that the colours we believe to belong to the objects we see are ‘secondary’ qualities of those objects. Such a notion is endorsed by John McDowell, who has explained why he thinks the author is wrong to resist it. McDowell recognizes that the author’s focus on the conditions of successfully unmasking the metaphysical status of the colours of things is a way of trying to make sense of whatever notion of reality is involved in it. However, the author argues that the notion of reality he is concerned with is ‘independent reality’, not simply the general notion of reality. He also contends that an exclusively dispositional conception of an object’s being a certain colour cannot account for the perceptions we have of the colours of things.


2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.


Author(s):  
Sadik Haci

The study follows the life and scientific trajectories of the turkologist Hasan Eren from the town of Vidin, lecturer at the University of Ankara, editor and author of various dictionaries, including the first etymological dictionary of the Turkish language. It traces the preparation and growth of the world-famous Turkish linguist and lexicologist, who left Bulgaria to study and after his exceptional training among Hungarian orientalists such as Gyula Németh he grew up as one of the most famous Turkish scholars in the field of llinguistics. This study presents the conditions and possibilities for Turkish intelligentsia in Bulgaria in the twentieth century.


Journeys ◽  
2021 ◽  
Vol 22 (2) ◽  
pp. 83-92

Randy Malamud, The Importance of Elsewhere: The Globalist Humanist Tourist. Chicago/Intellect, The University of Chicago Press, 2018, vii + 236 pp., ISBN-13: 978-1783208746, $29.50 (paperback).Mark Rice, Making Machu Picchu: The Politics of Tourism in Twentieth Century Peru (Chapel Hill, NC: University of North Carolina Press, 2018), xvi + 253 pp., ISBN 978-1-4696-4353-3, $28.75 (paperback).Jeffrey Mather, Twentieth-Century Literary Encounters in China: Modernism, Travel, and Form (New York: Routledge, 2020), ix + 182 pp., ISBN 978-1-03-208815-0, US $48.95 (paperback).


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