Black book blackboard black book: A drawing-based strategy for knowledge transfer

This paper reflects on a project run in a first-year class of art and design degree, in the Curricular Unit of Art and Design Theory. The objective of the project was to investigate the potential of a teaching protocol where a set of drawings were generated in class by the teacher to facilitate knowledge transfer in the classroom. The drawings generated by the teacher in class have not been treated or explored as a strategy as such, but they supported the delivery of theoretical content in the classroom. As part of the teaching theory protocol, a series of drawings were built as a sequential visual narrative, in the form of a story; these drawings, acting as visual narratives, sought to enable students to understand the theoretical content. At the end of the sessions, all students involved in the project were evaluated through surveys, to gather evidence of their understanding of theory. The results obtained suggest that the use of drawing as a tool in explaining theory facilitates a better understanding of theoretical concepts for students. It also allows the teacher to clarify and adjust unclear points in the lectures, and as such this protocol could function as a recursive strategy. In conclusion, the simplicity of this strategy could benefit students with cognitive difficulties, offering a complementary approach in the dialogue between teacher and student. This approach is particularly useful in contributing to the transfer of knowledge in the classroom in a digital age.

Phytopathogenic micromycetes on alien plants from the publication «Black book of the flora of Belarus: alien harmful plants»

The 228 species of phytopathogenic micromycetes parasitising alien plants included in the publication «Black book of the flora of Belarus: alien harmful plants» (Minsk, 2020) were identified in the course of the conducted research. It was found that out of 322 plant species listed in this edition phytopathogenic micromycetes were found on 182 species (56.5 %). It is noted that among the phytopathogenic micromycetes only 92 species and intraspecific taxon (40.4 %) belong to the alien species of the Republic of Belarus. Obviously, these phytopathogens are highly specialised and currently parasitise only on these invasive plant species. The remaining 136 species and intraspecific taxon (59.6 %) affect both native and alien plant species.

THE MATERIALS TO THE "BLACK BOOK" OF THE FLORA OF THE CRIMEAN PENINSULA

The “black list” of the Crimean flora, on the territory of two administrative units - the Republic of the Crimea and the federal city of Sevastopol, is presented. The analysis of the alien species of the Crimean flora was carried out and the most dangerous for ecosystems invasive species of higher plants were identified in accordance with the recommendations for keeping the Black Books. The data on distribution, habitats and invasive status (IS) of 70 species are summarized. Transformers are represented by 9 species with IS 1 ( Ailanthus altissima, Bupleurum fruticosum, Elaeagnus angustifolius, Fraxinus ornus, Jacobaea maritima, Opuntia engelmannii subsp. lindheimeri, O. fragilis,O. humifusa, Rhamnus alaternus ), they change the appearance of ecosystems. Nineteen alien species actively disperse and naturalize in disturbed semi-natural and natural habitats (with IS 2) and 42 species (with IS 3) are widely distributed in disturbed habitats. The peculiarity and variety of soil and climatic conditions of the peninsula contribute to the introduction of alien species, many of which are invasive only on the territory of the Republic of the Crimea and the city of Sevastopol. This article is a necessary step towards the preparation of the Black Book of the flora of the Crimean Peninsula and the basis for making decision on prevention the economic and environmental damage of the natural biodiversity of the region.

Performance of/or Debt

On the occasion of its one hundredth anniversary, one bank opened a time vault. A group of indebted Croatian citizens decided to place their final testimony in it: The Black Book, a document containing all their memories, testimonies or references to the 2016 climax of the bank crises triggered by the sudden, unexpected inflation of the CHF. In exactly one hundred years someone will open this book, and thus re-discover the economy’s frank face. Meanwhile, Montažstroj offers a performance about the European precariat and the influences of debt-economics in our lives, not only financial, social and political, but existential as well. Their performance is, therefore, put in the context of contemporary political economic theories, mainly because of the intertextual connections with the contract with the Devil notion from Christopher Marlow’s Doctor Faustus, while critical references to Gilles Deleuze and Felix Guattari, Jacques Derrida, Maurizio Lazzarato, Bernard Stiegler and Franco Berardi Bifo, attempt to re-contextualize the performance’s strategies in a wider problematic field of the decay of capitalism.

Istanbul as Palimpsest: The Black Book as a Postmodernist Representation of Turkish History and Culture

Orhan Pamuk’s novel, The Black Book is a postmodern chronicle of Turkey in which the author uses the structure of a detective novel to delineate the themes of identity, culture and hybridity. The paper aims to depict how Pamuk foregrounds that identities are never determinate but are forever eluding by presenting a love triangle which disappears underneath a mystical quest for one’s true self. Galip’s assuming the persona of his alter-ego, Celal; Prince Osman’s pursuit of true knowledge through reading diverse books and ultimately rejecting them; and Bedii Usta’s disillusion with the State for disapproving the mannequins, all represent the interlacing of cultures and interdependence of identities in contemporary Turkey. Moreover, in the novel, the rich Ottoman tradition and Islamic literature are also revisited in a postmodern light so as to present the allegorical and political connotations inherent in them. The paper also examines how the novel portrays the forced westernization and erasure of history and memories through the use of film ekphrasis to highlight how the Turkish citizens were lured by the Western cinema and indoctrinated about the superiority of the West so as to generate in them a sense of anxiety about their identities.

Ecology of aggressive invasive plants of Kabardino-Balkaria (review

review of the book by S.Kh. Shkhagapsoev, V.A. Chadayeva, K.A. Shkhagapsoeva «Black Book of Flora of the Kabardino-Balkarian Republic».

Adventive and invasive plant species of natural ecosystems in the Republic of Khakassia

In this study, 56 adventive species have been identified in Khakas flora to date. In terms of the introduction method, xenophytes dominate; this group is composed of 44 species, which is 78.6% of all the adventive species under study. The ergasiophyte group consists of 12 species (21.4%). According to the naturalization degree, we identified three groups: epecophytes, agriophytes, and ephemerophytes. The epecophyte group is in the lead and consists of 21 species (37.5%). The agriophytes are represented by 19 invasive species (33.9%). The ephemerophyte group is composed of 16 species (28.6%). Thus, the ratios of the synanthropic-plant groups defined according to the introduction method and naturalization degree indicate that most of these adventive plants have been introduced unintentionally and successfully established themselves on a territory new to them. The adventive fraction of natural ecosystems in Khakas flora contains 20 species included in the report “The Black Book of the Flora of Siberia” [1].

Adventitious plants of the flora of the city of Omsk

The data of the study and analysis of the adventive element of the flora of the city of Omsk are presented. The updated list of adventitious plants of the flora of the city of Omsk is given. The invasive plants listed in the Black Book of Siberia are indicated.

The Book as Fearful Thing

Some books seem to have the power to possess their readers. This chapter traces the figure of this fearfully empowered book in eighteenth- and nineteenth-century contexts, when such books challenged more familiar celebrations of literacy and of the press’s power to disseminate enlightenment. Using a concept of “magic materiality,” taking our cue from legends conflating the printer Johann Faust with the sorcerer Dr Faustus, we explore the association, in Scottish gothic novels especially, of printed books with fearsome potency and political danger. In Walter Scott’s The Monastery, we show, a “black book” with an eerie life of its own represents both a Protestant Bible and a book of spells. Finally, we consider a historical episode shaped by this literary phenomenon, demonstrating how over the course of the 1793 sedition trials in Edinburgh, copies of Thomas Paine’s Rights of Man came to resemble the magic books of the era’s supernatural fiction.