The Death of the Twentieth-Century Working-Class Condition

2014 ◽  
pp. 117-142
Keyword(s):  
Twentieth Century ◽  
Working Class

The Strange Radicalism of Thomas Carnduff and St John Ervine

2017 ◽  
Author(s):  
Connal Parr
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
First World War ◽  
Class Consciousness ◽  
World War ◽  
Abbey Theatre ◽  
Unpublished Work ◽  
Early Twentieth Century ◽  
The First World War ◽  
First World

St John Ervine and Thomas Carnduff were born in working-class Protestant parts of Belfast in the 1880s, though Ervine would escape to an eventually prosperous existence in England. Orangeism, the politics of early twentieth-century Ireland, the militancy of the age—and the involvement of these writers in it—along with Ervine’s journey from ardent Fabian to reactionary Unionist, via his pivotal experiences managing the Abbey Theatre and losing a leg in the First World War, are all discussed. Carnduff’s own tumultuous life is reflected through his complicated Orange affiliation, gut class-consciousness, poetry, unpublished work, contempt for the local (and gentrified) Ulster artistic scene, and veneration of socially conscious United Irishman James Hope. It concludes with an assessment of their respective legacies and continuing import.

"Us" vs. "Them". Communist Dialectical Images from Interwar Europe and Soviet Russia

2021 ◽  
Author(s):  
Adri Kácsor
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Visual Culture ◽  
Upper Class ◽  
Avant Garde ◽  
Political Propaganda ◽  
Political Transformations ◽  
The Rich ◽  
Soviet Russia ◽  
Interwar Europe

Brawny male workers vs. bulging bourgeois men. Working-class mothers burdened by the hardship of poverty and childcare vs. elegant upper-class women enjoying a lifestyle of privilege. Such juxtaposed images of workers and the rich were prevalent in the visual culture of communism throughout the twentieth century, appearing on posters, illustrations, and other genres of political propaganda across countries and continents. Although these didactic propaganda images have rarely been considered in histories of modernism and the avant-garde, this article argues that they were among the key visual inventions of twentieth-century communist visual culture given their highly innovative aesthetics and juxtaposed structure that provided them a potential to become dialectical. Drawing on examples from interwar Europe and Soviet Russia, this article examines how didactic juxtapositions could become dialectical images, triggering political transformations while also making revolutionary class consciousness visible for the viewer.

Late Twentieth-Century Psychoanalytic Interpretations of Sects and Cults: Weston La Bare, Norman Cohn, & E. P. Thompson

2020 ◽  
Vol 1 (1) ◽  
pp. 29-46
Author(s):  
Stephen Kent
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
Working Class ◽  
Class Consciousness ◽  
Freudian Psychoanalysis ◽  
Ghost Dance ◽  
Late Twentieth ◽  
Religious Sects ◽  
Late Twentieth Century

Before the diminished influence of classical psychoanalysis in the late twentieth century, several now-classic studies of sectarian religions contained Freudian psychoanalytic perspectives on religious sects or cults. These studies included Weston La Barre’s analyses of both serpent handlers and the Native American Ghost Dance; Norman Cohn’s panoramic examination of medieval European sectarian apocalyptic movements; and E. P. Thompson’s groundbreaking examination of Methodism within the formation of English working-class consciousness. Regardless of the problems that are endemic to the application of Freudian psychoanalysis to history, the sheer (although sometimes flawed) erudition of these three authors suggests that classical psychoanalysis had an important interpretive role to play in the study of some sectarian and cultic groups.

Ugliness and Beauty: the Politics of Landscape in Walter Greenwood's Love on the Dole

2013 ◽  
Vol 29 (1) ◽  
pp. 35-47
Author(s):  
Claire Warden
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
The Other ◽  
Surrounding Area ◽  
North West ◽  
Avant Garde ◽  
The North ◽  
The One ◽  
The University ◽  
Open Fields

The multi-spatial landscape of the North-West of England (Manchester–Salford and the surrounding area) provides the setting for Walter Greenwood's 1934 play Love on the Dole. Both the urban industrialized cityscape and the rural countryside that surrounds it are vital framing devices for the narrative – these spaces not simply acting as backdrops but taking on character roles. In this article Claire Warden reads the play's presentation of the North through the concept of landscape theatre, on the one hand, and Raymond Williams's city–country dialogism on the other, claiming that Love on the Dole is imbued with the revolutionary possibility that defines the very landscape in which it is set. From claustrophobic working-class kitchen to the open fields of Derbyshire, Love on the Dole has a sense of spatial ambition in which Greenwood regards all landscapes as tainted by the industrial world while maintaining their capacity to function independently. Ugliness and beauty, capitalist hegemony and socialistic hopefulness reside simultaneously in this important under-researched example of twentieth-century British theatre, thereby reflecting the ambivalent, shifting landscape of the North and producing a play that cannot be easily defined artistically or politically. Claire Warden is a Lecturer in Drama at the University of Lincoln. Her work focuses on peripheral British performances in the early to mid-twentieth century. She is the author of British Avant-Garde Theatre (Palgrave MacMillan, 2012) and is currently writing Modernist and Avant-Garde Performance: an Introduction for Edinburgh University Press, to be published in 2014.

Exploring Working-Class Consciousness: A Critique of the Theory of the ‘Labour-Aristocracy’*

2010 ◽  
Vol 18 (4) ◽  
pp. 3-38 ◽  
Author(s):  
Charles Post
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Alternative Explanation ◽  
World Market ◽  
Capitalist Class ◽  
Capitalist Production ◽  
Leading Role ◽  
Victorian Period ◽  
The World ◽  
The Subject

AbstractThe notion of the labour-aristocracy is one of the oldest Marxian explanations of working-class conservatism and reformism. Despite its continued appeal to scholars and activists on the Left, there is no single, coherent theory of the labour-aristocracy. While all versions argue working-class conservatism and reformism reflects the politics of a privileged layer of workers who share in ‘monopoly’ super-profits, they differ on the sources of those super-profits: national dominance of the world-market in the nineteenth century (Marx and Engels), imperialist investments in the ‘colonial world’/global South (Lenin and Zinoviev), or corporate monopoly in the twentieth century (Elbaum and Seltzer). The existence of a privileged layer of workers who share monopoly super-profits with the capitalist class cannot be empirically verified. This essay presents evidence that British capital’s dominance of key-branches of global capitalist production in the Victorian period, imperialist investment and corporate market-power can not explain wage-differentials among workers globally or nationally, and that relatively well-paid workers have and continue to play a leading rôle in radical and revolutionary working-class organisations and struggles. An alternative explanation of working-class radicalism, reformism, and conservatism will be the subject of a subsequent essay.

The Fix We Are In

2017 ◽  
Vol 2 (1) ◽  
pp. 75-87
Author(s):  
Richard Hudelson
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Philosophy Of Science ◽  
Political Theory ◽  
Labor Movement ◽  
Philosophy Of History ◽  
Science Ethics ◽  
Current Thinking ◽  
Grand Strategies

I have been thinking about the history and future of the labor movement for fifty years. As an academic in philosophy I have focused my research on the intersections of the global labor movement with philosophy of history, philosophy of science, ethics, economics, and political theory. ‘The Fix We Are In’ is a summary of my current thinking. At present the grand strategies for emancipation, ascendant in the mid-twentieth century, have faltered. Headless capitalism runs amuck. The conditions of the working class deteriorate. There is no vision of a better world—no clear pathway toward a better future. The ‘popular revolt’ bubbling up around the globe is a product of this moment. My paper concludes with a difficulty regarding my own favored way forward. Responses from readers would be welcome at: [email protected].

“This Room is Yours, Personal!”: The Rise and Fall of Middle-Class Decoration Expertise in the Bedrooms of America’s Teens, 1900–1985

2011 ◽  
Vol 21 (1) ◽  
pp. 109-129
Author(s):  
Jason Reid
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Middle Class ◽  
Working Class ◽  
Top Down ◽  
Room Design ◽  
Do It Yourself ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War

This article also examines how the decline of teen-oriented room décor expertise reflected significant changes in the way gender and class influenced teen room culture during the tail end of the Cold War. Earlier teen décor strategies were often aimed towards affluent women; by contrast, the child-centric, do-it-yourself approach, as an informal, inexpensive alternative, was better suited to grant boys and working class teens from both sexes a greater role in the room design discourse. This article evaluates how middle-class home décor experts during the early decades of the twentieth century re-envisioned the teen bedroom as a space that was to be designed and maintained almost exclusively by teens rather than parents. However, many of the experts who formulated this advice would eventually become victims of their own success. By the 1960s and 1970s, teens were expected to have near total control over their bedrooms, which, in turn, challenged the validity of top-down forms of expertise.

This Is Not a Game

2018 ◽  
pp. 51-82
Author(s):  
Daniel Renfrew
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Lead Poisoning ◽  
Import Substitution ◽  
Social Imaginary ◽  
Social Imaginaries ◽  
Counter Narrative ◽  
Working Class History ◽  
History Of ◽  
Socioeconomic Crisis

This chapter argues that lead poisoning acted as a metonym of a general social imaginary of crisis associated with the collapse of the neoliberal model while also being rooted in the legacies of the mid-twentieth-century Import Substitution Industrialization (ISI) period. The chapter counters Uruguay’s modern foundational myths of “exceptionalism” with social imaginaries anchored in the militant working-class history of La Teja. The chapter critically examines these foundational myths in relation to the all-encompassing socioeconomic crisis that began in 2002, arguing that activists interpreted the lead-poisoning epidemic within the working-class counter-narrative of Uruguayan national identity and history, politics and society, and in dialogue with a counter-imaginary of crisis linked to the material and symbolic fallout of the neoliberal order.

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