scholarly journals 14. Nostalgia as a Perspective on Past Dance Culture in Finland

2020 ◽  
pp. 395-416
Author(s):  
Helena Saarikoski
Keyword(s):  
Twentieth Century ◽  
African American ◽  
World War Ii ◽  
Elderly People ◽  
World War ◽  
Post World War Ii ◽  
Dance Culture ◽  
The Core ◽  
Look Back ◽  
Archive Material

Saarikoski (Finland) bases the core of her article on ethnological archive material produced in the course of an inquiry in 1991 about the dancing on so-called pavilions or at outdoor dancing venues in the middle of the twentieth century. Accounts of the post-World-War-II period predominate, and Saarikoski finds nostalgia to be the primary attitude displayed as elderly people look back on their youth and happy memories of dancing. The dance repertoire was a mix of round dances and African-American-derived dances, and the distinction between the styles did not seem to be important to the dancers.

Stranded Modernity

2022 ◽  
Author(s):  
Daishiro Nomiya
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Large Scale ◽  
Developmental Pattern ◽  
World War ◽  
Historical Process ◽  
Post World War Ii ◽  
Early Twentieth Century ◽  
Nation States

High modernity claims that the modernity project gave rise to institutional organs of modern nation states, culminating in an emergence of ultra-military states with wartime economy in the early twentieth century. It also argues that the same developmental pattern continued to dominate in the post-World War II period. This chapter examines this high-modernity thesis, employing Japan and Hiroshima as cases to be analyzed. Against the high-modernity thesis, many believe that Japan had a historical disjuncture in 1945, being ultramilitary before the end of World War II and a peaceful nation after. Examinations show that, while the modernity project controlled a large-scale historical process in Japan, it met vehement resistance, and became stranded in Hiroshima.

The FBI Helped to Define the Twentieth-Century Black Atlantic, Both Blocking and Forcing Its Flows

F.B. Eyes ◽  
2015 ◽  
Author(s):  
William J. Maxwell
Keyword(s):  
United States ◽  
Twentieth Century ◽  
African American ◽  
World War Ii ◽  
The United States ◽  
Black Atlantic ◽  
World War ◽  
Black Transnationalism ◽  
The Mind

This part marshals the largely uncompiled evidence of FBI author files to suggest that the worst suspicions about the stakeout of Paris noir were basically correct—that Wright was not too wrong, it follows, when he darkly joked that any African American “who is not paranoid is in serious shape,” at least if he or she sought literary license outside the United States during the Hoover era. Two decades before American involvement in World War II opened the floodgates of black Paris, the FBI began to influence the movements of expatriate Afro-modernists—this even as it manipulated “lit.-cop federalism” to nationalize itself in the mind of white America. In the French capital of black transnationalism, and satellites beyond, FBI agents and informers kept tabs on a network of black literary travelers they hoped to link by the vulnerabilities of statelessness alone. Thus, this book's fourth thesis: The FBI helped to define the twentieth-century Black Atlantic, both blocking and forcing its flows.

The Onassis Global Shipping Business, 1920s–1950s

2014 ◽  
Vol 88 (2) ◽  
pp. 241-271 ◽  
Author(s):  
Gelina Harlaftis
Keyword(s):  
Twentieth Century ◽  
Hong Kong ◽  
World War Ii ◽  
British Empire ◽  
Transitional Period ◽  
World War ◽  
Post World War Ii ◽  
Old Order

Aristotle Onassis was a leading figure in creating the new global tanker business in the second half of the twentieth century. This article examines the first thirty years of his career, before he became renowned worldwide, setting his business in the context of global shipping developments. Onassis is the most famous of the shipping tycoons that transformed maritime business in the post–World War II transitional period. He is among those “new men”—Greek, Norwegian, Danish, American, Japanese, or Hong Kong shipowners—who replaced the old order of the traditional British Empire shipowners. These new pioneers established the global shipping business in the era of American dominance.

Census and Sensibilities in Sarajevo

2006 ◽  
Vol 49 (1) ◽  
pp. 40-73 ◽  
Author(s):  
Fran Markowitz
Keyword(s):  
Twentieth Century ◽  
Foreign Policy ◽  
World War Ii ◽  
Ethnically Diverse ◽  
Decennial Census ◽  
Self Management ◽  
World War ◽  
Post World War Ii ◽  
The 1960S ◽  
Kingdom Of Yugoslavia

During the latter part of the twentieth century, there was a country called Yugoslavia. Built on the ruins of the Kingdom of Yugoslavia, the post-World War II Socialist Federated Republic of Yugoslavia was an ethnically diverse state comprised of six republics, which, by the 1960s, was committed to a foreign policy of non-alignment and to the domestic programs of worker self–management and “brotherhood and unity” among its peoples (see, e.g., Banac 1984; P. Ramet 1985; Shoup 1968; Zimmerman 1987). Like most other European states, the decennial census became a defining feature of Yugoslavia's sovereignty and modernity (Kertzer and Arel 2002: 7).

Nauvoo Restoration Incorporated and a Formal Latter-day Saint Presence in Nauvoo

2018 ◽  
pp. 76-101
Author(s):  
Scott C. Esplin
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Jesus Christ ◽  
Latter Day Saints ◽  
World War ◽  
Post World War Ii ◽  
The Road ◽  
Colonial Williamsburg ◽  
Restoration Work ◽  
The Church

During the second half of the twentieth century, The Church of Jesus Christ of Latter-day Saints (Mormonism) returned in a formal and dramatic way to Nauvoo, Illinois. This chapter discusses that return, beginning with the restoration work of J. LeRoy Kimball and the organization he headed, Nauvoo Restoration Incorporated. Over a period a several decades, Kimball led a team of renowned archaeologists and historians to restore Nauvoo into a Midwestern version of Colonial Williamsburg. Eventually, however, tensions between the historical and the religious led to a shift in emphasis for the site, as those directing Nauvoo Restoration embraced the proselytizing potential among the thousands who took to the road in the post-World War II tourism boom, visiting sites like Nauvoo.

Beckett Resitué Dans L'Histolre

2007 ◽  
Vol 17 (1) ◽  
pp. 231-246
Author(s):  
Stan E. Gontarski
Keyword(s):  
World War Ii ◽  
Phenomenal World ◽  
World War ◽  
Cultural Traditions ◽  
Post World War Ii ◽  
The Core ◽  
Starting Point ◽  
Literary Convention ◽  
Post Humanism

A paradox lies at the core of Samuel Beckett's creative enterprise. As arguably the pre-eminent writer of the post-World War II era, a period we loosely call post-modem, his work is equally the culmination of the Romantic agony ; he is at once the emblematic deconstructive author and heir to Kant and Schopenhauer (despite their emphasis on the phenomenal world). In other words, his celebrated innovation and his assault on literary convention are themselves rooted in discemable literary and cultural traditions, as pre- as post-modem, his sensibility reaching back to the classical – that classicism leavened both by late Romanticism and post-humanism. Finally, his celebrated aporia may finally be more rooted in Scholasticist than in post-structuralist thought. One useful starting point for reading Beckett then may be Beckett's own reading, particularly those works he read as he struggled to invent himself as a writer.

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