Theological Views of Clive Staples Lewis in the Late Period of the Writer’s Work

2019 ◽  
Vol 131 (10) ◽  
pp. 436-444
Author(s):  
Lyudmila Efimova ◽  
Natalia Shekhireva ◽  
Lyubov Nesterova ◽  
Viktoria Lopatinskaya ◽  
Elena Abramtseva

The relevance of the study is due to the fact that it attempts to analyze the artistic features, genre identity and the issues addressed in one of the most significant and monumental works of Clive Staples Lewis The Chronicles of Narnia written in the late period of the writer’s work (1950–1956). In this regard, the purpose of this article is to consider the fantasy world of C. S. Lewis and the traditions of the English literary fairy tale, the genre of fantasy as a semantics-forming genre, as well as the moral issues through the prism of the Gospel values, which are fundamental in understanding the characters of the heroes. The leading approaches to the study of this problem are the comparative method, the method of philological and philosophical analysis, the dialectical and deduction method, which allow to analyze in detail The Chronicles of Narnia as a work of art in all its genre, ideological and philosophical diversity. The article presents a detailed analysis of Clive Staples Lewis’ The Chronicles of Narnia. It is revealed that this work represents a special synthesis of a number of genre structures, such as a parable, a fairy tale, and the genre of fantasy. It is substantiated in the paper that fantasy acts as the main genre structure, since it ‘generalizes’ the parable and the fairy tale, the reality and the fantasy world. The article shows that it is fantasy, as a synthesis of various genre elements, that ensures the unity of the ‘world’s dual nature’: the writer’s world, the country where he and his characters live, and the fictional country. The spiritual evolution of Lewis’ characters is accomplished through overcoming temptations, fear, indifference, and betrayal. The humaneness of Lewis’ moral position is manifested in the fact that he believes that God and his life-giving power is present in the life of every person, and the Joy of man is to meet with God. The materials of the article are of practical value for philologists, philosophers and theologists, and can also be used in lecture courses of “History of Foreign Literature of the XX Century” as well as “History of English Literature of the XX Century”, in lecture courses in cultural studies, history of philosophy of science, history of philosophy of religion, and in the teaching of theology.

2020 ◽  
Vol 12 (3-1) ◽  
pp. 36-56
Author(s):  
Stanislav Rykov ◽  

This article presents a philosophical and methodological remark on the paper of A. Krushinskiy “Subject, Space, Time: How to Read Ancient Chinese Text” at the Round Table on the project “Geography of Rationality” (Moscow, RAS Institute of Philosophy, March 31, 2020), which gives an alternative explanation for the appearance of translations and studies of unsatisfactory quality in modern Russian sinology. A. Krushinskiy attributes this to the fact that authors of these unsatisfactory works do not take into account the specifics of reading ancient Chinese texts, namely, ignoring the methodological theory of V. Spirin according to which ancient Chinese texts reveal additional semantic content, if read nonlinearly. The present article points that this is not due to ignoring the particular methodological achievements of V. Spirin, but because of the general methodological attitudes of authors writing about ancient Chinese philosophy. The article distinguishes three types of general methodological attitudes: “sophistic” (when material from the history of philosophy is used for the author’s self-realization), “philosophical” (when material from the history of philosophy is used to solve a particular philosophical problem) and “historical” (when the description of material from the history of philosophy is the end in itself). It also shows methodological differences between these types that affect the style and methodology of scholars. The article pays special attention to the description of the general regulatory principles of the historian of philosophy, i.e. 1) accuracy in ‘modernization’, ‘actualization’ and ‘comparative method’; 2) moderation in ‘universalizations’ and ‘author’s interpretations’; 3) distinction between ‘subjects’ of historical philosophical material (author/s, text, tradition); 4) special attention to contradictions and uncertainties in it; and 4) understanding that for a historian of philosophy ‘true” is ‘admissible’. It is concluded that problems with translations and studies of unsatisfactory quality arise mainly when authors consciously or unconsciously confuse these three general methodological attitudes in their texts and thereby mislead readers.


2020 ◽  
Vol 59 (1-4) ◽  
pp. 145-160
Author(s):  
Giovanbattista Galdi

SummarySupport verb constructions are documented throughout the history of Latin. These syntagms are characterized by the presence of a support verb with a more or less reduced semantic force, and a predicative (abstract or verbal) noun that often constitutes its direct object. The present contribution deals, specifically, with the use of facio as a support verb (as in bellum facere, iter facere, insidias facere etc.), focussing on the post-classical and late period. Two main questions shall be discussed: (a) whether, and if so, how facio becomes more productive in later centuries in both non-Christian and Christian sources; (b) what type of semantic evolution the verb undergoes in later Latin and whether, in this respect, continuity or rupture should be assumed with regard to the earlier period. This last point will enable us to suggest a more convincing explanation of an often-quoted passage of Cicero (Phil. 3. 22), in which the expression contumeliam facere is found.


Author(s):  
Jack Zipes

This book explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. The book reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. The book looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the “Grimm” aspects of contemporary tales, and the tales' utopian impulses. It shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. The book concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. The book examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.


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