Reference Person Influence on Career Women's Dress

1985 ◽  
Vol 3 (2) ◽  
pp. 11-19 ◽  
Author(s):  
Nancy J. Rabolt ◽  
Mary Frances Drake
Keyword(s):  
Women's Dress ◽  
Reference Person

scholarly journals Examining Automatic Stereotyping From a Propositional Perspective: Is Automatic Stereotyping Sensitive to Relational and Validity Information?

2021 ◽  
pp. 014616722110241
Author(s):  
Tal Moran ◽  
Jamie Cummins ◽  
Jan De Houwer
Keyword(s):  
Total N ◽  
Relational Information ◽  
Truth Values ◽  
Alternative Perspective ◽  
Automatic Stereotyping ◽  
Reference Person ◽  
Trait Associations

Research on automatic stereotyping is dominated by the idea that automatic stereotyping reflects the activation of (group–trait) associations. In two preregistered experiments (total N = 391), we tested predictions derived from an alternative perspective that suggests that automatic stereotyping is the result of the activation of propositional representations that, unlike associations, can encode relational information and have truth values. Experiment 1 found that automatic stereotyping is sensitive to the validity of information about pairs of traits and groups. Experiment 2 showed that automatic stereotyping is sensitive to the specific relations (e.g., whether a particular group is more or less friendly than a reference person) between pairs of traits and groups. Interestingly, both experiments found a weaker influence of validity/relational information on automatic stereotyping than on non-automatic stereotyping. We discuss the implications of these findings for research on automatic stereotyping.

A THEORY OF THE VALENCED OTHER: THE INTERSECTION OF THE LOOKING-GLASS-SELF AND SOCIAL PENETRATION

1996 ◽  
Vol 24 (3) ◽  
pp. 293-308 ◽  
Author(s):  
Wayne E. Hensley
Keyword(s):  
Theoretical Analysis ◽  
Curvilinear Relationship ◽  
Emotional Involvement ◽  
Social Penetration ◽  
Affect And Cognition ◽  
Looking Glass ◽  
Reference Person

This paper considers the relationships between the looking-glass-self (Cooley, 1902) and social penetration (Altman & Taylor, 1973). This theoretical intersection yields a conceptual other whose reflected image of us is both affect and cognition: the valenced other. This theoretical analysis produces a curvilinear relationship which is hypothesized to exist between image accuracy and the penetration level of the reference person. The most accurate images are, in descending order: casual acquaintance, friend, intimate and stranger. The distortion in the intimate's image is due to their emotional involvement rendering them blind to otherwise obvious information. This paper argues that neither the looking-glass-self nor social penetration is complete alone. This resultant unified system gives rise to the valenced other concept.

Through space, relations, and thoughts

2021 ◽  
Author(s):  
David Felipe Guerrero-Beltran ◽  
Katarzyna I. Wojtylak
Keyword(s):  
Mental State ◽  
Linguistic Theory ◽  
Cognitive Semantics ◽  
Emotional States ◽  
Form Complex ◽  
The Third ◽  
Systematic Description ◽  
Basic Linguistic Theory ◽  
Cross Reference ◽  
Reference Person

Abstract This paper aims to describe the morphosyntax and semantics of postpositions in Karijona, a Cariban language from Northwest Amazonia. The data, collected in the Karijona settlement of Puerto Nare (Colombia), were analyzed according to Basic Linguistic Theory and Cognitive Semantics. Like other Cariban languages, Karijona has a typologically unusual system of postpositions, which can cross-reference person and number, and form complex stems consisting of locative roots and locative suffixes. In terms of their semantics, the system distinguishes among spatial, relational, and ‘mental state’ postpositions. The first type encodes noun classification, orientation, and distance. While the second type has prototypical relational meanings, the third refers to cognitive and emotional states. This paper presents the first systematic description of the Karijona postpositions.

Women's Dress in Eastern and Southern Africa

Costume ◽  
1975 ◽  
Vol 9 (1) ◽  
pp. 40-42 ◽  
Author(s):  
Valerie E. Vowles
Keyword(s):  
Southern Africa ◽  
Eastern And Southern Africa ◽  
Women's Dress

The concept of a surrogate is ill adapted to intensive care: Criteria for recognizing a reference person

2016 ◽  
Vol 32 ◽  
pp. 89-92 ◽  
Author(s):  
Jean-Philippe Rigaud ◽  
Jean-Baptiste Hardy ◽  
Nicolas Meunier-Beillard ◽  
Hervé Devilliers ◽  
Fiona Ecarnot ◽  
...  
Keyword(s):  
Intensive Care ◽  
Reference Person

scholarly journals Gender, fashion and representation in nineteenth century British art

2021 ◽  
Author(s):  
Azadeh Monzavi
Keyword(s):  
Nineteenth Century ◽  
Research Study ◽  
Major Research ◽  
Research Project ◽  
Visual Narratives ◽  
British Art ◽  
Artistic Production ◽  
Victorian Women ◽  
Women's Dress ◽  
British Culture

This Major Research Project (MRP) examines the artistic production of British culture in the second half of the Nineteenth Century from 1850–1900, while critically engaging with existing nineteenth century art and literature, in order to deepen the understanding of the immense role played by fashion in the lives of Victorian women. I have approached this research study not through the examination of actual dress in its materiality, but instead, through its visual representation in paintings. These sartorial embodiments of women’s dress could help extend our understanding of artworks that are rooted in visual narratives—both literally and figuratively. Thus, this project aims to re-imagine histories of art through the analysis of the clothed body of women in nineteenth century paintings—for it is through their sartorial choices that women defied the Victorian ideals of femininity and femaleness.

Fashionable Figures: Narrative Roundels and Narrative Borders in Nineteenth-Century Han Chinese Women’s Dress

Costume ◽  
2016 ◽  
Vol 50 (1) ◽  
pp. 63-89 ◽  
Author(s):  
Rachel Silberstein
Keyword(s):  
Nineteenth Century ◽  
Museum Collection ◽  
Late Qing ◽  
Royal Ontario Museum ◽  
Economic Context ◽  
Theatrical Performance ◽  
Close Relationship ◽  
Close Study ◽  
And Performance ◽  
Women's Dress

Figural motifs have received little attention in Chinese dress and textile history; typically interpreted as generic ‘figures in gardens’, they have long been overshadowed by auspicious symbols. Yet embroiderers, like other craftsmen and women in Qing dynasty China (1644–1911), sought inspiration from the vast array of narratives that circulated in print and performance. This paper explores the trend for the figural through the close study of two embroidered jackets from the Royal Ontario Museum collection featuring dramatic scenery embroidered upon ‘narrative roundels’ and ‘narrative borders’. I argue that three primary factors explain the appearance and popularity of narrative imagery in mid- to late Qing dress and textiles: the importance of theatrical performance and narratives in nineteenth-century life; the dissemination of narrative imagery in printed anthologies and popular prints; and the commercialization of embroidery. By placing the fashion for these jackets firmly within the socio-economic context of nineteenth-century China, the paper provides a novel way of understanding the phenomena of narrative figures on women’s dress through the close relationship between popular culture and fashion in nineteenth-century Chinese women’s dress.

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