Alfred Vierkandt’s notion of the social group

2021 ◽  
pp. 095269512110531
Author(s):  
Sandro Segre

German sociologist Alfred Vierkandt is hardly remembered today. This may seem surprising. Several prominent sociologists from the German-speaking countries contributed to the Handwörterbuch der Soziologie (1931), which Vierkandt edited and published. However, Vierkandt did not interact with any of them significantly, and this publication brought no recognition of the importance of his sociological oeuvre in Germany, the United States, or elsewhere. His key notion of the social group found no acknowledgment among other contemporary or later sociologists, even though several of them used this notion and discussed social groups in their own writings. Moreover, those who paid close attention to his writings, like Abel and Hochstim, evaluated them quite critically. Both before and after World War II, Vierkandt remained a solitary and relatively unknown author.

Author(s):  
Mark Franko

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.


2011 ◽  
Vol 28 (2) ◽  
pp. 151-169 ◽  
Author(s):  
Michael A. Rynkiewich

Abstract There was a time when mission studies benefitted from a symbiotic relationship with the social sciences. However, it appears that relationship has stagnated and now is waning. The argument is made here, in the case of cultural anthropology both in Europe and the United States, that a once mutually beneficial though sometimes strained relationship has suffered a parting of the ways in recent decades. First, the article reviews the relationships between missionaries and anthropologists before World War II when it was possible to be a ‘missionary anthropologist’ with a foot in both disciplines. In that period, the conversation went two ways with missionary anthropologists making important contributions to anthropology. Then, the article reviews some aspects of the development of the two disciplines after World War II when increasing professionalism in both disciplines and a postmodern turn in anthropology took the disciplines in different directions. Finally, the article asks whether or not the conversation, and thus the cross-fertilization, can be restarted, especially since the youngest generation of anthropologists has recognized the reality of local Christianities in their fields of study.


Mahjong ◽  
2021 ◽  
pp. 1-13
Author(s):  
Annelise Heinz

The Introduction provides an orientation to the book and its key questions: What did it mean to become “modern” in the early twentieth century? How did American ethnicities take shape in the years leading up to and after World War II? How did middle-class women experience and shape their changing roles in society, before the social revolutions of the late twentieth century? How are these things related? The Introduction also covers an overview of mahjong’s trajectory in the United States. It examines background related to the history of leisure, gender, and consumerism in addition to introducing key sources and methodologies. The introduction sets up the book to tell the story of mahjong’s role in the creation of identifiably ethnic communities, women’s access to respectable leisure, and how Americans used ideas of China to understand themselves.


Author(s):  
John F. Longres

Ernest Frederic Witte (1904–1986) was an educator and administrator. His work in the social welfare field, particularly during World War II, was influential both in the United States and internationally. He was among the first to deal with survivors of the Nazi death camps.


Author(s):  
Barry R. Chiswick

This article focuses on the economic progress of American Jewry. The American Jewish community has experienced a remarkable economic advancement from the nineteenth century to the present, both in absolute terms and relative to the non-Jewish population of the United States. It is an achievement that is unprecedented in terms of the various racial, ethnic, and religious groups that compromise the American population. The article examines the economic progress of American Jews with the help of quantitative data. It then traces the condition of the Jews in the colonial period to position of the Jews in Eastern Europe including Germany. The article further traces the occupation of Jewish people before and after the Second World War. With the end of World War II there was a change in attitudes toward anti-Semitic employment practices. One of the sectors was in higher education. A discussion on wealth acquired by Jewish people concludes this article.


Author(s):  
Antonio Andreoni ◽  
William Lazonick

This chapter integrates the theory and history of localized economic development by summarizing the experiences of three iconic industrial districts: a) the Lancashire cotton textile district which in the last half of the nineteenth century enabled Britain to become the ‘workshop of the world’; b) the globally competitive towns and cities specializing in a variety of light industries, especially in the Emilia Romagna regional district, that, as the ‘Third Italy’, brought economic modernity to that nation in the decades after World War II; and 3) the area in California south of San Francisco, centred on Stanford University, that, as ‘Silicon Valley’, made the United States the world leader in the microelectronics and Internet revolutions of the last decades of the twentieth century. Using the ‘social conditions of innovative enterprise’ as a common conceptual approach, the chapter highlights key lessons from history of the nexus between firms and their local ecosystems.


2014 ◽  
Vol 38 (3-4) ◽  
pp. 541-575
Author(s):  
Paul F. Lipold

The seven decades framed by the Great Railway Strike of 1877 and institutionalization of organized labor in the wake of World War II constituted a unique period of US labor relations, one that labor historians have identified as the most violent and bloody of any Western industrialized nation. Despite long-standing scholarly interest in the issues of labor-management conflict, however, important questions regarding the causes of extreme labor-management violence within the United States have never been adequately addressed. In this paper, I utilize a recently compiled and unique data set of American strike fatalities to statistically model the causes of extreme strike violence in the United States. The time-series evidence suggests that picket-line violence increased in association with (1) the struggle for and against unionization and (2) economic desperation associated with tightening labor markets. The results also both depict the stultifying effect of massacres and suggest that state support for labor's right to organize tended to decrease the likelihood of violence and vice versa. This paper not only thus provides fresh insights into classic questions, but also offers a basis for both transhistorical and international comparison.


2010 ◽  
Vol 43 (1-2) ◽  
pp. 49-58
Author(s):  
Vanja Avsenak

The purpose of this article is to present the reception of Sinclair Lewis's novels by Slovene critics. Initially, the article focuses on the life and workof Sinclair Lewis, giving special emphasis to social influences that made the author a representative figure in the literary and social world. Thus his works are nowadays to be understood primarily as fiction, but on the other hand also as sociological documents of a social and political situation of the period between the two world wars. Generally, the effect they produce is one of a critical discussion of the nation of the United States. When speaking of the social relevance that Lewis's novels have, it is obvious that his works are the portrayals of Americans and their deficiencies. At the time of their publication Lewis's novels received unfavourable criticism on accountof his overly open pro-European attitude and Slovene critics of the period before World War II emphasise this in much detail. It was precisely this anti-American propaganda in the novels themselves and sincerity on the part of the novelist that won the European critics as well as the readers whenit came to appreciating his works. However, Lewis's view of the Americans, as presented throughout his works, only enhanced his literary credibility as a modern writer. That is why the articles by Slovene critics that appeared after the Second World War, and even more significantly after Lewis's death, almost minutely reflect a more favourable attitude to Sinclair Lewis, which was also the case with foreign literary criticism of the post-war period. Critics still discuss the qualities and flaws of Lewis's novels, but being more lenient they no longer profess that the novels lack in artistic value. They remain, however, primarily relevant as social documents of the pre- and post-war era, which fully presented the American middle-class mentality in America and elsewhere. For this reason, the Nobel Prize for Literature awarded to Sinclair Lewis in 1930 seems duly justified. It signifies appreciation and respect that the American and European readers as well as critics used to have and still have for Sinclair Lewis. Therefore, it is no surprise that his novels are being translated in several foreign languages even in modern times.


Author(s):  
Wendy L. Wall

This chapter argues that the postwar decades were characterized less by a fixedconsensus about American political values than by widespread agreement about the needfor such a consensus. It then suggests that the roots of this consensus culture can be found in the turbulent years that preceded U.S. entry into World War II. During this period, diverse American elites worried that fascism and communism constituted a threat to the United States not only abroad but also at home. They were also concerned about the effects of disunity on democratic political culture. As a consequence, these elites came to believe that Americans needed to emphasize their shared political values in order to avoid the social unrest that had ravaged other lands, but did not always agree on the nature of those shared values.


1998 ◽  
Vol 32 (1) ◽  
pp. 39-61
Author(s):  
BRUCE LENTHALL

In the wake of World War II, the unofficial cartoonist laureate of the war, Bill Mauldin, turned the focus of his comic art to life within America's borders. In a 1946 panel, he portrayed two men talking in the shadow of the United States Capitol building. The listener was clearly a slick senator; the speaker looked to be a well-groomed tramp. His question no doubt left the senator fumbling for an answer: “Do you mean your American Way or my American Way, Senator?”Mauldin did not provide us with the senator's response, but it hardly matters. The tramp's question all but answers itself. The supposed post-war consensus, the shared American Way, had not been achieved by unanimous consent, the tramp was suggesting, but by leaving out those who did not fit into it. The popular imagination of America might have attained a single, clean vision of the nation, but only by cropping out anything that could blur the picture. The imagined American Way would not admit it, but there were others trying to climb into the frame.


Sign in / Sign up

Export Citation Format

Share Document