The four articles in this first issue of 2014 could not have, at first glance, less in common. The first piece, ‘Zooësis and “Becoming with” in India: The “Figure” of Elephant in Sahyande Makan: The Elephant Project’ by Ameet Parameswaran, examines the theatrical adaptation of a 1944 Malayalam poem by the company Theatre Roots and Wings. In ‘The Dynamics of Space and Resistance in Muhammad ‘Azīz's Tahrir Square: The Revolution of the People and the Genius of the Place’, Salwa Rashad Amin discusses the importance of ‘Azīz's play in the context of Egypt's recent and historical revolutions. Ketu Katrak takes up the performance of affect and its implication for social justice in ‘“Stripping Women of Their Wombs”: Active Witnessing of Performances of Violence’. Finally, Katia Arfara explores the work of a performance artist in terms of early twentieth-century precedents for European performance art, ‘Denaturalizing Time: On Kris Verdonck's Performative Installation End’. Theatre Research International readers will find much of value in each article, and they represent the kind of broad international focus our journal endeavours to provide.
“Passion, Lament, Glory”: Baroque Music and Modern Social Justice Resonances
