scholarly journals Commentary on the study “The overrated power of background music in television news magazines: A replication of Brosius’ 1990 study”

2013 ◽  
Vol 17 (3) ◽  
pp. 332-333
Author(s):  
Hans-Bernd Brosius
2021 ◽  
pp. 030573562199909
Author(s):  
Ann-Kristin Herget ◽  
Jessica Albrecht

Although it is frequently used and is highly valued in practice, background music in non-fictional media formats has shown a broad spectrum of ambiguous results in previous empirical research. Scholars have often even advised against the use of music in formats such as television news, news magazines, and documentaries. Discrepancies in the effectiveness of background music have also been found in film and advertising research. In these research areas, the congruence between music and medium has been shown to be especially relevant for predicting music’s effects. In this study, two experiments were conducted to investigate the influence of congruent and incongruent music in non-fictional media formats. The first experiment ( N = 92) focused on music’s expressed and induced emotions, recipients’ memory performance, and the perceived credibility and general evaluation of the media format. Experiment 2 ( N = 147) concentrated on attitude changes. As expected, carefully selected congruent background music (i.e., music expressing emotions and triggering associations fitting the media format’s topic) positively influenced recipients’ emotionalization, memory performance, and attitude change, as well as the perceived credibility and general evaluation of the media format. All of the measured effects can be considered medium or large ([Formula: see text]).


2013 ◽  
Vol 17 (3) ◽  
pp. 309-331 ◽  
Author(s):  
Reinhard Kopiez ◽  
Friedrich Platz ◽  
Anna Wolf

2018 ◽  
Vol 37 (4) ◽  
pp. 451-465 ◽  
Author(s):  
Barbara K. Kaye ◽  
Thomas J. Johnson

The ubiquity of mobile devices and the apps that power them has spurred concerns that they are contributing to the decline in news media use. Mobile devices, however, have been credited with spurring political participation. In its examination of app-reliant individuals, this study found that reliance on apps positively predicts political participation, and respondents who rely heavily on mobile apps for political information are more politically active than light app users on six of the seven measures of nononline participation and three of the six measures of online political activity. Heavy-reliant users also rely more heavily on all six online-only media tested than light app users and rely more heavily on broadcast television news, CNN, and news magazines. Data were collected from October 31, 2016, through November 2, 2016, from 644 respondents of a national online panel.


Author(s):  
Elliot E. Slotnick ◽  
Jennifer A. Segal

2013 ◽  
Vol 10 (3) ◽  
pp. 635-649 ◽  
Author(s):  
Gillian Murray

This article uses an extant collection of television news inserts and other television ephemera to examine women's employment at Midlands ATV. Focusing on the years between the first Midlands News broadcasts in 1956 until major contract changes across the ITV network in 1968, it examines the jobs women did during this formative period and their chances for promotion. In particular it suggests that contemporary ideas of glamour and their influence in screen culture maintained a significant influence in shaping women's employment. This connection between glamorous television aesthetics and female employees as the embodiment of glamour, especially on screen, did leave women vulnerable to redundancy as ‘frivolity’ in television was increasingly criticised in the mid-1960s. However, this article argues that the precarious status of women in the industry should not undermine historical appreciation of the value of their work in the establishing of television in Britain. Setting this study of Midlands ATV within the growing number of studies into women's employment in television, there are certain points of comparison with women's experience at the BBC and in networked ITV current affairs programmes. However, while the historical contours of television production are broadly comparable, there are clear distinctions, such as the employment of a female newscaster, Pat Cox, between 1956 and 1965. Such distinctions also suggest that regional news teams were experimenting with the development of a vernacular television news style that requires further study.


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 1758-1769
Author(s):  
Vidisha Madonna D’Souza

Television News has been a resorted platform for Indian viewers over the past decades. A majority of Indian viewers are known to trust this platform for its highly expected one-stop, credible, professionally opinionated sense of reporting.  News channels have become platforms for celebrity journalists and anchors to exercise their authority. News organisations have become backbones of information and public opinion and journalists and their organisational agenda have taken this forward.  With bold and competitive strategies used to enable news presentations, it is essential to examine and recognize existing Television news narrative conventions and practices that have gained momentum in recent years. Through a qualitative analytical approach taken for this research study, it is clear that narrative conventions exist and modify, thus producing fashionable and modernized forms of presentation techniques during prime time. With a clear organisational norm and genre of discourse shared by Indian English television channels today, the paper highlights persisting organisational norms, unconventional discourses, rhetoric (audio and visual) and music – a contributing element as existing contributors of narrative conventions. 


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