In the Stars: Astrology, Psychic Powers and the Australian Media

2014 ◽  
Vol 150 (1) ◽  
pp. 89-95
Author(s):  
Kate Darian-Smith
Keyword(s):  
Public Sphere ◽  
Scientific Knowledge ◽  
New Age ◽  
Broadcast Media ◽  
The Public ◽  
Scant Attention ◽  
History Of ◽  
The Public Sphere ◽  
New Age Spirituality ◽  
Ubiquitous Presence

Although astrological divinations, demonstrations of psychic powers and the teachings of non-conventional and New Age spirituality have had a ubiquitous presence in the Australian print and broadcast media for almost a century, they have attracted scant attention from media scholars. This article surveys the history of astrological and psychic content in the Australian media from the 1920s, arguing that such content generated new genres of programming and entertainment, and challenged the established authority of religion and scientific knowledge in the public sphere.

Iconic Books and Gestures: Aḥādīth al-Ṣifāt in the Public Sphere

2018 ◽  
Author(s):  
Livnat Holtzman
Keyword(s):  
Public Sphere ◽  
Fourteenth Century ◽  
Index Finger ◽  
Tenth Century ◽  
Public Attention ◽  
Public Controversy ◽  
The Public ◽  
Political Events ◽  
The Public Sphere ◽  
Ubiquitous Presence

This chapter examines the ubiquitous presence of aḥādīth al-ṣifāt in the public sphere by focusing on four iconic texts: the caliphal Qadiri Creed, Ibn Khuzayma’s (d. 924) Kitāb al-Tawḥid, Fakhr al-Din al-Razi’s (d. 1210) Asās al-Taqdīs and Ibn Taymiyya’s (d. 1328) al-Ḥamawiyya al-Kubrā. These iconic texts, which offer various discussions of aḥādīth al-ṣifāt, stood at the centre of public attention, and were revered as objects of political power. This chapter fully unfolds the connection between these four texts, and the role that they played in political events that took place in different venues from tenth century Nishapur to fourteenth century Damascus. Both the extremely popular Asās al-Taqdīs and al-Ḥamawiyya al-Kubrā ignited a public controversy about the performance of two iconic gestures that were linked to the recitations of aḥādīth al-ṣifāt: pointing the index finger heavenward and raising both hands in prayer. The chapter highlights al-Ḥamawiyya al-Kubrā’s iconicity by addressing the derogative name ḥashwiyya (vulgar anthropomorphists) which was central to this public controversy. The iconic books and gestures that are discussed in this chapter underscore the interface between theology and politics, and reveal a layer as yet unknown of the controversy between the ultra-traditionalists (Hanbalites) and the rational-traditionalists (the later Ashʿarites).

Introduction

2020 ◽  
pp. 1-14
Author(s):  
Kim T. Gallon
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Public Sphere ◽  
Interwar Period ◽  
Black Press ◽  
The Public ◽  
Introductory Section ◽  
African American Sexuality ◽  
History Of ◽  
The Public Sphere

This introductory section introduces the book’s major arguments and provides an overview of the history of the Black Press in the early twentieth century. The introduction also explores the theoretical conceptualization of the public sphere in relationship to African American life and the scholarship on pleasure and class in African American history. In laying out these terms, the introductory section of the book makes the case that they are useful categories of analysis for a deeper understanding of African American sexuality, pleasure, and the Black Press. Finally, the introduction features a discussion of the significance of the interwar period and its relationship to the history of African American sexuality in the Black Press.

scholarly journals Science in the Public Sphere: A History of Lay Knowledge and Expertise

Ambix ◽  
2017 ◽  
Vol 64 (2) ◽  
pp. 199-200
Author(s):  
Bernadette Bensaude-Vincent
Keyword(s):  
Public Sphere ◽  
Lay Knowledge ◽  
The Public ◽  
History Of ◽  
The Public Sphere

The nation and the South in the work of Rosario Romeo: A debate between John Dickie, Lucy Riall and Giuseppe Galasso: The idea of nation in Romeo

Modern Italy ◽  
2002 ◽  
Vol 7 (1) ◽  
pp. 59-84
Author(s):  
John Dickie ◽  
Lucy Riall ◽  
Giuseppe Galasso
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
National Character ◽  
Political Climate ◽  
Italian History ◽  
The Public ◽  
Political Forces ◽  
History Of ◽  
Anglo American ◽  
The Public Sphere

The last seven or eight years have brought a flood of printer's ink dedicated to the issue of national identity in Italy. At the same time, the new political forces that have emerged since Tangentopoli have all, in various ways, contributed to the re-emergence of patriotism in the language of the public sphere. What would Rosario Romeo have said about this new cultural and political climate? How would he have sought to intervene? It seems likely that he would have turned his famously acerbic critical intelligence on many of the volumes published. A signi. cant number of them merely offer versions of the same old pathologizing version of Italian history, or even, ahistorically, of the Italian national character. All the Sicilian historian would have to do would be to dust off his criticisms of those Anglo-American and Marxist historians who portrayed Italy, in his view, as having had the ‘wrong’ history, of having certain aboriginal defects.

The Lost Lullaby and Other Stories about Being an Armenian in Turkey

2006 ◽  
Vol 34 ◽  
pp. 67-92 ◽  
Author(s):  
Melissa Bilal
Keyword(s):  
Public Sphere ◽  
Cultural Politics ◽  
Lived Experiences ◽  
The Public ◽  
The Past ◽  
Armenian Identity ◽  
History Of ◽  
The Public Sphere ◽  
Different Cultures

Nınçir mangig im sirasun, Oror yem asum, Baydzar lusinn e meğm hayum, Ko ororotsum.By analyzing the transmission of Armenian lullabies within the changing contexts of identity and cultural politics in Turkey, this paper addresses displacement and loss as two interrelated experiences shaping the sense of being an Armenian in Turkey. I criticize the liberal multiculturalist perspective that represents cultures in a way that cuts the link between the past and the present, by dissociating different cultures from the history of their presence in Anatolia and the destruction of that presence. I argue that in such a context where cultures are detached from lived experiences and memory, it becomes impossible to share the stories of violence and pain in the public sphere; hence, the loss itself becomes the experience of being Armenian. Finally, I try to explain how today young generations of Armenians in İstanbul, in their search for an Armenian identity, have developed a certain way of belonging to the space and culture, a way of belonging that is very much shaped by the experience of loss.

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