Ezekiel At the Turn of the Century

2003 ◽  
Vol 2 (1) ◽  
pp. 9-31 ◽  
Author(s):  
Risa Levitt Kohn

Recent scholarship has helped illuminate historical circumstances sur rounding the Israelite Exile. As a result, the book of Ezekiel has gained renewed interest. As a prophet of the Exile, Ezekiel is recognized as an important and liminal figure in the evolution of Israelite theology. In the 1994 volume of Currents, Pfisterer Darr surveyed the state of the field of Ezekiel studies. The present article identifies and examines several emerg ing trends in Ezekiel scholarship since the publication of Pfisterer Darr's study, including literary relations in Ezekiel, the psychology of the prophet, Ezekiel's sign-acts, adulterous Jerusalem (Ezek. 16; 23), corporate and indi vidual responsibility (Ezek. 18), and recent scholarship on Ezek. 40-48.

Moreana ◽  
2016 ◽  
Vol 53 (Number 205- (3-4) ◽  
pp. 17-44
Author(s):  
Gabriela Schmidt

Paratexts have attracted increasing attention in recent scholarship as an especially privileged tool for managing the reception of a text in early print culture, and Thomas More was certainly an exceptionally versatile user of this strategic publishing device. Not only does he make ample use of conventional paratextual techniques such as prefaces, marginal glosses and commendatory poems, he also takes the medium one step further by making his paratexts part of the narrative setting of his works, especially in the literary dialogues. In creating a plethora of (semi-)fictional voices and contexts, he effectively blurs the line between text and context, fact and fiction, and author and editor/printer. While this textual game of hide-and-seek has been extensively studied in Utopia and has often been seen as a typically ‘humanist’ feature of the text, the present article explores similar techniques throughout More’s work, thus overcoming the alleged rift between his pre- and post-reformation writings.


2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.


Author(s):  
Nancy M. Wingfield

This chapter explores a variety of issues central to the turn-of-the-century Austrian panic over trafficking. They include anti-Semitism, Jews as protagonists and victims, and mass migration in an urbanizing world, as well as why particular Austrian cities were associated with the trade in women. The chapter analyzes the government’s domestic and international efforts to combat trafficking, as well as the role bourgeois reform organizations played. It explores the relationship between the trafficker and the trafficked, arguing that these women and girls were not simply victims, but sometimes willing participants, or something in between, in order to sketch a more nuanced picture of turn-of-the-century “white slaving.” The term “trafficker” is employed to reflect the way sources (the state, journalists, reform groups) viewed the issue, not because it can be proved that the problem was as widespread as they claimed.


2021 ◽  
Author(s):  
Elisabeth Hollender

AbstractBased on Ivan Marcus’s concept of “open book” and considerations on medieval Ashkenazic concepts of authorship, the present article inquires into the circumstances surrounding the production of SeferArugat ha-Bosem, a collection of piyyut commentaries written or compiled by the thirteenth-century scholar Abraham b. Azriel. Unlike all other piyyut commentators, Abraham ben Azriel inscribed his name into his commentary and claims to supersede previous commentaries, asserting authorship and authority. Based on the two different versions preserved in MS Vatican 301 and MS Merzbacher 95 (Frankfurt fol. 16), already in 1939 Ephraim E. Urbach suggested that Abraham b. Azriel might have written more than one edition of his piyyut commentaries. The present reevaluation considers recent scholarship on concepts of authorship and “open genre” as well as new research into piyyut commentary. To facilitate a comparison with Marcus’s definition of “open book,” this article also explores the arrangement and rearrangement of small blocks of texts within a work.


2001 ◽  
Vol 70 (1) ◽  
pp. 98-131 ◽  
Author(s):  
Marjule Anne Drury

The past two decades have seen an efflorescence of works exploring cultural anti-Catholicism in a variety of national contexts. But so far, historians have engaged in little comparative analysis. This article is a first step, examining recent historical literature on modern British and American anti-Catholicism, in order to trace the similarities and distinctiveness of the turn-of-the-century German case. Historians are most likely to be acquainted with American nativism, the German Kulturkampf, continental anticlericalism, and the problems of Catholic Emancipation and the Irish Question in Britain. Many of the themes and functions of anti-Catholic discourse in the West transcended national and temporal boundaries. In each case, the conceptualization of a Catholic ‘other’ is a testament to the tenacity of confessionalism in an age formerly characterized as one of inexorable secularization. Contemporary observers often agreed that religious culture—like history, race, ethnicity, geography, and local custom—played a role in the self-evident distinctiveness of peoples and nations, in their political forms, economic performance, and intellectual and artistic contributions. We will see how confessionalism remained a lens through which intellectuals and ordinary citizens, whether attached or estranged from religious commitments, viewed political, economic, and cultural change.


1968 ◽  
Vol 2 (3) ◽  
pp. 4-17 ◽  
Author(s):  
Oleg Grabar

Like most other fields, the study of Islamic art is both the beneficiary and the victim of its own past. Like many fields, it is affected in various more or less successful ways by developments and needs in related areas of learning. Like all fields, it is tied to the quality and idiosyncrasies of the men who practice it. Inasmuch as bibliographical surveys according to traditional lines of techniques and periods are available (Pearson, Index Islamicus with supplements, London, 1958, 1962, 1968; especially K.A.C. Creswell, A Bibliography of the Architecture, Arts and Crafts of Islam, Cairo, 1961) and current works are listed with a fair degree of completeness in the yearly Abstracta Islamica published by the Revue des Etudes Islamiques, my concern in this paper will be to review the state of the field, the ways in which one can find out about it, and the work being done according to three major categories: traditional techniques and documentation; new problems and solutions; light and dark areas of research.


2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Olaf Kolditz ◽  
Leslie A Jakobs ◽  
Ernst Huenges ◽  
Thomas Kohl

Sign in / Sign up

Export Citation Format

Share Document