scholarly journals “I think it is [the] mother who keeps things going”: The gendered division of labor in the transmission of memory of the Armenian Genocide

2021 ◽  
pp. 175069802098875
Author(s):  
Öndercan Muti ◽  
Öykü Gürpınar
Keyword(s):  
Social Construction ◽  
Collective Memory ◽  
Division Of Labor ◽  
Power Relations ◽  
Armenian Genocide ◽  
Men And Women ◽  
Gendered Division Of Labor ◽  
The Social ◽  
Gender Influences ◽  
Memory Transmission

In this paper, we discuss what role gender plays in remembering, transmitting, and reframing memories of the Armenian Genocide in order to address the question of how young Armenian women negotiate their roles in this process. Centering the societal roles of memory transmission, we employ the specific sociological lens of gender to analyze 26 interviews conducted in Beirut during the week of the official commemorations of the Armenian Genocide in 2016. We define gender as the social construction of a stylized repetition of acts that reflect power relations. Accordingly, the examination of these power relations is necessary not only to understand the experiences and testimonies of men and women, but also the transmission of memory. While understanding Armenian youth as agents of the collective memory, gender allows us to discuss different patterns of remembrance and transmission. We therefore argue that gender influences how individuals remember the Armenian Genocide, as it underpins the (historically) assigned roles of memory and transmission.

Social Norms, Choice, and Work

2018 ◽  
Author(s):  
Christie Hartley
Keyword(s):  
Labor Market ◽  
Social Norms ◽  
Division Of Labor ◽  
Family Life ◽  
Work And Family ◽  
Personal Relationships ◽  
The Political ◽  
Liberal Democracies ◽  
Men And Women ◽  
Gendered Division Of Labor

In modern liberal democracies, the gendered division of labor is partially the result of men and women making different choices about work and family life, even if such choices stem from social norms about gender. The choices that women make relative to men’s disadvantage them in various ways: such choices lead them to earn less, enjoy less power and prestige in the labor market, be less able to participate in the political sphere on an equal basis, make them to some degree financially dependent on others, and leave them at a bargaining disadvantage and vulnerable in certain personal relationships. This chapter considers if and when the state should intervene to address women’s disadvantage and inequalities that are the result of gender specialization. It is argued that political liberals can and sometimes must intervene in the gendered division of labor when persons’ interests as free and equal citizens are frustrated.

scholarly journals La construcción discursiva de la identidad andaluza y la reproducción de la memoria colectiva en la serie La respuesta está en la historia / The Discursive Construction of Andalusian Identity and Collective Memory Play in the Series the Answer Lies in History

2015 ◽  
Vol 4 (1) ◽  
Author(s):  
Kamil Fleissner
Keyword(s):  
Discourse Analysis ◽  
Social Construction ◽  
Collective Memory ◽  
Critical Discourse Analysis ◽  
Collective Identity ◽  
Theoretical Approach ◽  
Critical Discourse ◽  
Discursive Construction ◽  
Television Series ◽  
The Social

ABSTRACTThis study aims to analyze the discoursive representation of andalusian collective identity and memory in the television series “La respuesta está en la historia”. I will reflect the theoretical approach of the social construction of identities and I will use the methodology of the critical discourse analysis to identify, classify and explore the basic discoursive strategies that are reproduced by the television series.RESUMENEl propósito general de este estudio es analizar la construcción discursiva de las representaciones de la identidad social y de la memoria colectiva de los andaluces en la serie “La respuesta está en la Historia”. Reflejando las explicaciones teóricas de la construcción de la identidad y los conceptos de la memoria colectiva, y usando la perspectiva teórico-metodológica del análisis crítico del discurso identifico, clasifico y exploro las principales estrategias discursivas usadas en el programa.

Snark Hunting in Canadian Law: Art and Authenticity

2017 ◽  
Vol 32 (03) ◽  
pp. 417-436
Author(s):  
Josh Nelson ◽  
Adie Nelson
Keyword(s):  
Social Construction ◽  
Power Relations ◽  
Canadian Law ◽  
The Social ◽  
Settler Societies

Abstract This reflection on the social construction of authenticity analogizes the quest for artistic authenticity to snark hunting. To illustrate the instability of this term, it employs various Canadian examples, including the “Michelangelo” terracotta sculptures donated to the Museum of Vancouver, the “Igloo tag,” the importation of a sculpture by Edward Chukwuweike Madukaego, and the work of Bill Reid. It posits that proclamations of authenticity and fraudulence are ultimately utterances denoting and invoking power relations. It also reveals, through the use of specific examples, how negotiations around artistic authenticity in settler societies can replicate and re-entrench colonialist power.

The Melancholy of Faith

2017 ◽  
Author(s):  
Jermaine Singleton
Keyword(s):  
Social Construction ◽  
Great Depression ◽  
Power Relations ◽  
Ritual Practice ◽  
The Great Depression ◽  
The Social ◽  
Gender Hierarchy ◽  
Gendered Power

This chapter addresses the question of how unresolved racial grief works through the demands of capital, racialization, and sacred ritual practice to enact a gender hierarchy. It thinks through James Baldwin's first novel, Go Tell It on the Mountain (1953), to explore how testifying serves as a technology of black patriarchy—a ritual that arises out of the need for racial and economic redemption yet unfolds within and propagates gendered power relations. It examines how the content and structure of Baldwin's Bildungsroman, set in Harlem's Pentecostal community during the Great Depression, allegorizes the conversion of John Grimes, who embodies the “weak, feminine flesh” of his matrilineal line that is sacrificed to secure his “manchild” status of salvation. The chapter is punctuated by a section that situates Baldwin's novel as a form of sexual testifying on the part of Baldwin himself. In doing so, it places Baldwin's novel in conversation with its dramatic sequel, The Amen Corner (1954), to explore how both texts anticipate and extend queer theoretical conversations about the social construction of black, gay subject-formations.

Constructing Freedom: Institutional Pathways to Changing the Gender Division of Labor

2014 ◽  
Vol 12 (1) ◽  
pp. 81-99 ◽  
Author(s):  
Elizabeth K. Markovits ◽  
Susan Bickford
Keyword(s):  
Social Construction ◽  
Public Sphere ◽  
Division Of Labor ◽  
The Public ◽  
Gender Division Of Labor ◽  
Women's Participation ◽  
The Social ◽  
Paid Labor ◽  
Democratic Freedom ◽  
The Public Sphere

In recent years, there has been renewed public discussion regarding the relationship between women’s equality and their traditional responsibility for carework. In this essay, we analyze the structures of choice and constraint that continue to produce the gender division of family labor and thus women's unequal participation in the public sphere. We conceptualize this as a problem of democratic freedom, one that requires building institutional pathways to sustain women's participation. Drawing on Nancy Hirschmann's arguments about processes of social construction and their relation to freedom, we argue that gender inequality in the public sphere means that women are unfree, in the sense that they are not participating as peers in the material and discursive processes of social construction that then help to shape their own desires and decisions. We use that framework to analyze the current landscape in which different subgroups of women make decisions about paid labor and care work. Our goal is to bring into view the way the social construction of desire interacts with the material context to underwrite inequality between women and men and across different groups of women. Gender equality and the project of democracy require participatory parity between women and men in the public sphere. We therefore turn in our last section to an effort to imagine how public policies could construct pathways that can help interrupt and undo the gender division of labor, and thus better support democratic freedom.

Visual Culture and Islam in Kazakhstan: The Case of Asyl Arna’s Social Media

2016 ◽  
Vol 3 (4) ◽  
pp. 301-329
Author(s):  
Wendell Schwab
Keyword(s):  
Social Media ◽  
Middle Class ◽  
Visual Culture ◽  
Division Of Labor ◽  
Television Channel ◽  
Gendered Division Of Labor ◽  
The Social ◽  
Authority Figures ◽  
Simple Rules ◽  
Media Company

Asyl Arna is the most popular Islamic television channel in Kazakhstan and the dominant Islamic media company in Kazakhstan. This article examines how images on the social media pages of Asyl Arna create a way of understanding and engaging in contemporary Islamic life in Kazakhstan. I examine four kinds of images: lists, portraits of authority figures, illustrations or photos of the Qur’an, and images related to a middle-class life with a strongly gendered division of labor. The visual culture of Asyl Arna’s social media promote Islam as an achievable part of a middle-class lifestyle that can provide simple rules for a pious, economically successful life and a connection to the numinous through the Qur’an.

scholarly journals Identity and Hair Narrative in Adichie's Americanah

2018 ◽  
Vol 9 (3) ◽  
pp. 859-864
Author(s):  
Dr. Angela Ngozi Dick
Keyword(s):  
Social Construction ◽  
Human Hair ◽  
Social Life ◽  
Power Relations ◽  
Theoretical Framework ◽  
New Historicism ◽  
Human Being ◽  
Symbolic Function ◽  
The Social ◽  
Academic Calendar

Although the social construction of the human hair varies from culture to culture, the symbolic function of hair varies from person to person. In Adichie’s  Americanah, the characters are primarily defined by their hair before the construction of their race, career and  personality. The human hair becomes the premise for brotherhood and sisterhood in. Many episodes take place in the salon, thereafter a person’s hair is qualified as either good or bad. The theoretical framework for this paper is New Historicism which interrogates social life and power relations among people in the society. In this work we conclude that Adichie tells the story of human hair not for its sake but to portray the problem of immigrants, religious fanaticism, disruption of academic calendar and the frustration therein, loveless marriage, the environment and other human conditions. Finally, the hair shows that every person is a complete human being first and foremost

scholarly journals Youth and Gender in a Mayan Town in Yucatán

2020 ◽  
pp. 21-35
Author(s):  
Maya Lorena Pérez Ruiz
Keyword(s):  
High School ◽  
High School Students ◽  
Social Construction ◽  
Social Practices ◽  
School Students ◽  
Men And Women ◽  
The Social ◽  
And Gender

In this article I propose to analyze the social construction of youth among the population of Yaxcabá, Yucatán, Mexico, using ethno-history, linguistics and anthropology. I demonstrate the continuity and differences of what it means to be young in Mayan culture, paying attention to the differences and inequalities between men and women, shown by Mayan language and certain social practices and beliefs. I finally analyze what high school students think about what it means to be Maya, to be young and whether or not they conceive themselves as Mayans.

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