The Audacity to Strong-Arm the Generals: Paulo Maluf and the 1978 São Paulo Gubernatorial Contest

2012 ◽  
Vol 92 (3) ◽  
pp. 471-505
Author(s):  
Bryan Pitts

Abstract In 1978, as striking metalworkers, students, and a revitalized political opposition challenged the Brazilian military regime from without, a stunning rebellion by the regime’s civilian allies in São Paulo undermined it from within. Dealing the regime a shocking political defeat, the delegates to the regime-allied political party’s state convention rejected the generals’ anointed gubernatorial candidate and narrowly nominated the rebel Paulo Maluf, who would go on to be confirmed by a manipulated electoral college. Although Maluf and the delegates did not challenge the regime on ideological grounds, the mix of resentment, regionalism, and personal rivalries that drove their insurrection and the generals’ reluctant tolerance of it highlight the fragility of the regime’s support among those who were thought to be its most stalwart allies. Moreover, Maluf’s selection demonstrates key differences between the Brazilian military regime and its Southern Cone counterparts and expands our understanding of how authoritarian regimes placed constraints upon and were in turn constrained by civilian political elites.

2021 ◽  
Vol 78 (1) ◽  
pp. 61-87
Author(s):  
James P. Woodard

AbstractThis article examines a much cited but little understood aspect of the Latin American intellectual and cultural ferment of the 1910s and 1920s: the frequency with which intellectuals from the southeastern Brazilian state of São Paulo referred to developments in post Sáenz Peña Argentina, and to a lesser extent in Uruguay and Chile. In books, pamphlets, speeches, and the pages of a vibrant periodical press—all key sources for this article—São Paulo intellectuals extolled developments in the Southern Cone, holding them out for imitation, especially in their home state. News of such developments reached São Paulo through varied sources, including the writings of foreign travelers, which reached intellectuals and their publics through different means. Turning from circuits and sources to motives and meanings, the Argentine allusion conveyed aspects of how these intellectuals were thinking about their own society. The sense that São Paulo, in particular, might be “ready” for reform tending toward democratization, as had taken place in Argentina, Uruguay, and Chile, was accompanied by a belief in the difference of their southeastern state from other Brazilian states and its affinities with climactically temperate and racially “white” Spanish America. While these imagined affinities were soon forgotten, that sense of difference—among other legacies of this crucial period—would remain.


Rumores ◽  
2011 ◽  
Vol 5 (10) ◽  
pp. 357
Author(s):  
Maria Aparecida Laet

<p>Review of the book LEITÃO, Bárbara Júlia Menezello. <em>Bibliotecas públicas, bibliotecários e censura na Era Vargas e Regime Militar</em>. São Paulo: Interciência, 2011. (available only in portuguese)</p><p> </p>


1998 ◽  
Vol 30 (1) ◽  
pp. 1-33 ◽  
Author(s):  
KENNETH P. SERBIN

Employing new archival sources, this article reappraises the role of human rights in the opposition to Brazil's repressive military regime. While most interpretations pinpoint the protest against the 1975 murder of journalist Vladimir Herzog as the opposition's great awakening, this research focuses on a similar outcry against the 1973 killing of University of São Paulo student Alexandre Vannucchi Leme. His death led students and clergymen to defy riot troops and gather 3,000 people for a memorial service that was the first large-scale anti-regime demonstration of the 1970s and a decisive step in the Roman Catholic Church's development as leader of the opposition.


Matrizes ◽  
2015 ◽  
Vol 9 (1) ◽  
pp. 273
Author(s):  
João Elias Nery

The review approaches the book The universities and the military regime (As Universidades e o regime militar) – Brazilian political culture and authoritarian modernization, by Rodrigo Patto Sá Motta (Zahar, 2014), that analyzes the relations between the Dictatorship (Ditadura) and the Brazilian universities, using sources recently opened to the researchers. This book develops an analytical perspective beyond the dichotomy repression-resistance, replaced by resistance, adhesion and accommodation, with a panoramic approach of the several State actions and their consequences to the university, having University of Brasilia (UnB), Federal University of Minas Gerais (UFMG), and, in another registry, the University of São Paulo (USP), as the focus of analysis.


2020 ◽  
Vol 15 (2) ◽  
pp. 161
Author(s):  
Antonia Cristina De Alencar Pires ◽  
Gustavo Tanus ◽  
Filipe Schettini

Resumo: O cinema constrói uma diversidade de narrativas importantes para discutir sobre a humanidade e seus modos de relacionar-se. Muitas delas tratam do autoritarismo dos estados e sua antítese, que é a revolta, a resistência. Objetivamos analisar duas dessas narrativas fílmicas, intituladas Manhã cinzenta e Contestação, ambas de 1969, tanto por serem filmes que tematizaram sobre o protagonismo dos estudantes frente ao autoritarismo e à violência das ditaduras, quanto por terem sido compostas por reutilização de imagens de arquivos fílmicos e jornalísticos, destes, sonoras de noticiários e clipagem de jornais. Essas narrativas serão lidas tendo como embasamento as teses benjaminianas, a fim de observar como foram construídas as temporalidades, a percepção dos acontecimentos, a construção da história. Essas narrativas suscitam reflexões e debates sobre os movimentos autoritários e repressivos, mostrando-nos a relação entre arte e política como um modo de colocar-se no tempo e no espaço. Assim, o engajamento de intelectuais e artistas, imbuídos da noção de que a arte pode ser um canal de mobilização efetiva, se mostra como uma forma de intervenção transformadora da realidade, e contestadora da grande narrativa da história.Palavras-chave: cinema político; história; regimes autoritários; teses benjaminianas.Abstract: Cinema builds a diversity of important narratives to discuss humanity and its ways of interacting. Many of them deal with state authoritarianism and its antithesis: revolt, resistance. This paper aims to analyze two of these film narratives, entitled Grey Morning and Contestation, both from 1969, for two reasons: they are documentaries that thematize students’ protagonism against the authoritarianism and violence of dictatorships; they were composed by reusing images of filmic and journalistic files, newscast audios and newspaper clippings. These narratives will be read on the grounds of Walter Benjamin’s theses, in order to observe how temporalities were constructed, together with the perception of events and the construction of history. These narratives raise reflections and debates on authoritarian and repressive movements, showing the relation between art and politics as a way of inserting oneself in time and space. Thus, the engagement of intellectuals and artists, imbued with the notion that art can be an effective channel for mobilization, stands as a form of intervention that transforms reality and challenges the grand narrative of history.Keywords: political cinema; history; authoritarian regimes; Walter Benjamin’s theses.


Crisis ◽  
2014 ◽  
Vol 35 (1) ◽  
pp. 5-9 ◽  
Author(s):  
Daniel Hideki Bando ◽  
Fernando Madalena Volpe

Background: In light of the few reports from intertropical latitudes and their conflicting results, we aimed to replicate and update the investigation of seasonal patterns of suicide occurrences in the city of São Paulo, Brazil. Methods: Data relating to male and female suicides were extracted from the Mortality Information Enhancement Program (PRO-AIM), the official health statistics of the municipality of São Paulo. Seasonality was assessed by studying distribution of suicides over time using cosinor analyses. Results: There were 6,916 registered suicides (76.7% men), with an average of 39.0 ± 7.0 observed suicides per month. For the total sample and for both sexes, cosinor analysis estimated a significant seasonal pattern. For the total sample and for males suicide peaked in November (late spring) with a trough in May–June (late autumn). For females, the estimated peak occurred in January, and the trough in June–July. Conclusions: A seasonal pattern of suicides was found for both males and females, peaking in spring/summer and dipping in fall/winter. The scarcity of reports from intertropical latitudes warrants promoting more studies in this area.


2004 ◽  
Vol 83 (02) ◽  
Author(s):  
SI Cubas de Almeida ◽  
CAA Angelini ◽  
PA Lima Pontes
Keyword(s):  

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