Through Archie Lindo’s Lens

2020 ◽  
Vol 24 (3) ◽  
pp. 143-163
Author(s):  
O’Neil Lawrence
Keyword(s):  
National Identity ◽  
Visual Culture ◽  
Black Male ◽  
Male Body ◽  
Point Of Entry ◽  
The Creation ◽  
Iconic Representations

The “creation” of Jamaican national identity owed much to the artistic movement that preceded and followed independence in 1962. While depictions of the peasantry, particularly male laborers, have become iconic representations of “true” Jamaicans, the scholarship surrounding these works has conspicuously ignored any erotic potential inherent in them. Using the contemporaneous, mostly private homoerotic photographic archive of Archie Lindo as a point of entry, this essay questions and complicates the narrative surrounding nationalist-era art in Jamaica, particularly the ways the black male body was mobilized in the development of Jamaican art and visual culture.

Violence, Visual Culture, and the Black Male Body by Cassandra Jackson

2012 ◽  
Vol 45 (3) ◽  
pp. 480-485
Author(s):  
Jennifer McFarlane-Harris
Keyword(s):  
Visual Culture ◽  
Black Male ◽  
Male Body

‘She will wear the britsch’: Masculinity and the iconography of Prince Albert

2020 ◽  
Vol 7 (1-2) ◽  
pp. 199-222
Author(s):  
Hannah Bradshaw
Keyword(s):  
Nineteenth Century ◽  
Performance Studies ◽  
Art History ◽  
Male Body ◽  
Masculine Ideology ◽  
The Creation ◽  
Female Rule ◽  
And Performance

This article examines the early representations of Prince Albert that either satirize or attempt to reconcile the hierarchical ambiguities and issue of threatened masculinity that resulted from unconventional male consortship and female rule. It concludes that the latter was achieved through the development of a suitable and legible iconography for a nineteenth-century male consort in adherence with British iconographic tradition and values. Drawing from methods in nineteenth-century art history as well as gender and performance studies and anthropology, it argues that images of the male body play a fundamental role in the construction and perpetuation of masculine ideology and subjectivity through the creation of the semblance of an innate and axiomatic masculine archetype. In doing so, this article problematizes and historicizes masculinity by illuminating the plurality of expressions of masculinity and rejecting the essentialist narrative of masculinity as something measurable or quantifiable, as well as ahistorical, atemporal, apolitical and heteronormative.

The “Latin” Melting Pot

2021 ◽  
Vol 44 (1) ◽  
pp. 85-118
Author(s):  
Yuval Tal
Keyword(s):  
National Identity ◽  
Literary Representations ◽  
Immigrant Assimilation ◽  
Melting Pot ◽  
The North ◽  
The Creation ◽  
French National Identity ◽  
Nationality Law ◽  
Communal Organization ◽  
Ethnic Origins

Abstract This article explores how, through discussions about immigrant assimilation in fin de siècle Algeria, French republicans contemplated and wrote into law the ethnic traits of French national identity. Republicans assumed that the North Mediterranean immigrants who settled in Algeria shared ethnic origins with French settlers and consequently asserted that France should work to “fuse” the two groups. Assertions about immigrants' ethnicity took different forms. In the colony they appeared either at the margins of colonial administrators' attacks against immigrant communal organization or in literary representations of French-Mediterranean fusion. In the metropole republican legislators portrayed immigrants as innately prone to becoming French and thus supported the 1889 nationality law that naturalized them. The passing of the 1889 law prompted the creation of an explicitly ethnorepublican assimilatory model. The model's proponents combined sociological and eugenicist principles to both socialize immigrants into the nation and promote the transfer of their Mediterranean “vigor” into French bodies. Cet article examine les efforts des intellectuels et des dirigeants républicains pour assimiler les immigrés européens en Algérie à la fin du dix-neuvième siècle. Il affirme que les identités communautaires et la prépondérance démographique des immigrés ont poussé l'élite républicaine à envisager leur capacité ethnique à s'assimiler à la société française, et montre que l'idée que les Français et les immigrés avaient la même origine ethnique a façonné les débats sur l'assimilation nationale et a influencé la formation des lois républicaines fondamentales. En Algérie, des affirmations à propos de l'identité ethnique des immigrés européens apparaissaient en marge des discussions politiques sur leur organisation communautaire et dans les romans des écrivains algérianistes. En métropole, des législateurs républicains supposaient que la « ressemblance ethnique » entre Français et immigrés assurait l'assimilation rapide de ces derniers et ils ont soutenu la loi de 1889 sur la nationalité qui les a naturalisés. A l'issue de la législation de 1889, une vision de fusionnement des colons français et des membres de la « race méditerranéenne » en Algérie s'est développée. Ses partisans ont combiné des principes sociologiques avec des principes eugéniques dans le but d'incorporer les immigrés européens dans la nation et de faire transporter leur « vigueur » dans les corps des Français.

Incentivizing Safety and Discrimination: Employment Risks under Workmen’s Compensation in the Early Twentieth Century United States

2014 ◽  
Vol 15 (1) ◽  
pp. 31-67
Author(s):  
Nate Holdren
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Employment Discrimination ◽  
Job Applicants ◽  
Insurance Companies ◽  
Point Of Entry ◽  
Early Twentieth Century ◽  
Workplace Accidents ◽  
The Creation ◽  
Workmen's Compensation

This article takes criticisms of employment discrimination in the aftermath of the creation of workmen’s compensation legislation as a point of entry for arguing that compensation laws created new incentives for employment discrimination. Compensation laws turned the costs of employees’ workplace accidents into a risk that many employers sought to manage by screening job applicants in a manner analogous to how insurance companies screened policy applicants. While numerous critics blamed insurers for discrimination, I argue that the problem was lack of insurance. The less that companies pooled their compensation risks via insurance, the greater the incentives for employers to stop employing people they would have previously been willing to hire.

scholarly journals Een pasgeboren staat, of een recentelijk ontwaakte natie?

1970 ◽  
Vol 59 ◽  
pp. 5-22
Author(s):  
Nele Bemong
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Collective Memory ◽  
Cultural Memory ◽  
Crucial Role ◽  
Historical Novel ◽  
International Community ◽  
Historical Novels ◽  
The Creation

Between 1830 and 1850, practically out of nowhere there came into beinga truly 'Belgian' literature, written boch in Flemish and in French, but aimedat a single goal: the creation of a Belgian past and the conscruction of aBelgian national identity. The historical novel played a crucial role in thisconscruction and representation of a collective memory for the Belgian statejust out of the cradle. The prefaces to these historical novels are characterizedboth by the central role granted to the representacion of Flanders as the cradleof nineteenth-century Belgium, and by the organically and religiously inspiredimagery. Attempts were made to create an intimate genealogical relationshipwith the forefathers, in order to make the Belgian citizens feel closer to theirrich heritage. Through the activation of specific recollections from theimmense archive of the collective cultural memory, Belgian independencefound its legitimization both towards the international community andtowards the Belgian people.

scholarly journals Embracing the Modern: Edna Cress Staebler at the University of Toronto, 1926-1929

2008 ◽  
pp. 69-88
Author(s):  
Alyson E. King
Keyword(s):  
National Identity ◽  
Young Woman ◽  
University Of Toronto ◽  
New Ideas ◽  
The Creation ◽  
The University ◽  
Interwar Era

Edna Cress Staebler was a fairly typical young woman when she arrived at the University of Toronto in 1926. While attending the university, she explored the new ideas and norms of the interwar era. This article examines Staebler’s experiences within the context of modernity, the university and the creation of a Canadian nation. Staebler’s university years provided the foundations for her later career as a journalist and author during which she helped to create a modern Canadian national identity.

scholarly journals CULT PLACES OF MARI AS A SYMBOL OF CULTURAL IDENTITY

2019 ◽  
Vol 13 (4) ◽  
pp. 678-687
Author(s):  
Vladimir Gennadyevich Kudryavtsev
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Landscape Design ◽  
Religious Organizations ◽  
Self Defense ◽  
The People ◽  
National Movements ◽  
The Creation ◽  
Local Traditions

The article is devoted to the study of places of worship in traditional Mari culture, which are in varying degrees of sacredness. They have so far preserved artifacts and symbols that form the cultural identity of the people. The Mari religion in the most complete local traditions preserves the system of pagan cults and rites. The trend towards the revival of pagan religion and the creation of religious organizations and communities is associated with a general upsurge in national identity. This became necessary in the context of national movements as a means of ethnic self-defense and a factor of ethnocultural revival. Original ethnocultural traditions and formative elements of folk architecture are relevant and important in the design of modern architectural complexes and the creation of small architectural forms in folk architecture, landscape design, and the formation of an ethnocultural environment. Further sacralization of places of worship will contribute to the preservation of natural monuments and the manifestation of artifacts and symbols of cultural identity.

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