The Audiovisual Turn of Recent Korean Documentary Cinema: The Time-Image, Place, and Landscape

2022 ◽  
Vol 30 (1) ◽  
pp. 189-216
Author(s):  
Jihoon Kim

Abstract This article discusses several documentary films since the 2010s that portray the place and the landscape related to Korea's social reality or a personal or collective memory of its past, classifying their common trope as the “audiovisual turn.” The trope refers to the uses of the poetic and aesthetic techniques to highlight the visual and auditory qualities of the images that mediate the landscape or the place. This article argues that the films’ experiments with these techniques mark formal and epistemological breaks with the expository and participatory modes of the traditional Korean activist documentary, as they create an array of Deleuzian time-images in which a social place or natural landscape is reconfigured as the cinematic space liberated from a linear time and layered with the imbrication of the present and the past. The images, however, are read as updating the activist documentary's commitment to politics and history, as they renew the viewer's sensory and affective awareness of the place and the landscape and thereby render them ruins.

2004 ◽  
Vol 2 (2) ◽  
pp. 198-221 ◽  
Author(s):  
Ala Al-Hamarneh

At least 50 per cent of the population of Jordan is of Palestinian origin. Some 20 per cent of the registered refugees live in ten internationally organized camps, and another 20 per cent in four locally organized camps and numerous informal camps. The camps organized by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) play a major role in keeping Palestinian identity alive. That identity reflects the refugees' rich cultural traditions, political activities, as well as their collective memory, and the distinct character of each camp. Over the past two decades integration of the refugees within Jordanian society has increased. This paper analyses the transformation of the identity of the camp dwellers, as well as their spatial integration in Jordan, and other historical and contemporary factors contributing to this transformation.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


Author(s):  
Andrew Valls

In regime transitions, a number of mechanisms are utilized to memorialize the past and to reject the ideas associated with human rights abused of the prior regime. This is often done through truth commissions, apologies, memorials, museums, changes in place names, national holidays, and other symbolic measures. In the United States, some efforts along these lines have been undertaken, but on the whole they have been very limited and inadequate. In addition, many symbols and memorials associated with the past, such as Confederate monuments and the Confederate Battle Flag, continue to be displayed. Hence while some progress has been made on these issues, much more needs to be done.


2020 ◽  
Vol 12 (2) ◽  
pp. 312-340
Author(s):  
Avi Kapach
Keyword(s):  

AbstractThis essay examines the use of myth and history in the Athenian public funeral speeches (epitaphioi logoi), concentrating specifically on temporality implied by the impulse to “mythologize” recent memories through speech, logos (Dem. 60.9; cf. Pl. Menex. 239b7-c7). While Loraux and other scholars are correct that the epitaphioi endowed Athens with a certain eternity by construing the present through the timeless lens of myth, the prevailing tendency to suspend the Athens of the epitaphioi outside of time leads to difficulties. As I argue, the chronological organization of the epitaphioi grants these speeches an important temporal element and situates them in the same continuum as the present – a move further reinforced by the tendency of the orators to rationalize the Athenian myths much as historians might; accordingly, I propose an adjusted taxonomy with which to approach the temporal status of Athenian epitaphic encomium: the epitaphioi are “mythical” less because of their eternalizing perspective than because of the malleable and pluralistic way in which they conceived of the past and molded it to their ideological purpose. Borrowing from anthropological and cognitive psychological frameworks, I further suggest that by routinely reconsolidating the past in the collective memory of the polis the epitaphioi positioned themselves in opposition to historiography.


2013 ◽  
Vol 44 ◽  
pp. 255-291
Author(s):  
Márton Dornbach

It is difficult to imagine how collective memory might function without the watershed dates that structure our stories about the past. Almost by definition, however, such familiar milestones fail to capture the complex dynamics of the transition from one era to the next. A case in point is the dismantling of the Iron Curtain. As the anniversary commemorations of 2009 showed, this development came to be epitomized by the tearing down of the Berlin Wall on 9 November 1989. One does not need to doubt the importance of this event to see that its sheer symbolic weight tends to obscure the intricacies of the Eastern European transition process. More often than not, accounts that foreground this turning point marginalize some sixty million Hungarians, Poles, Czechs, and Slovaks who embarked on the transition process well ahead of the citizens of East Germany.


1994 ◽  
Vol 31 (4) ◽  
pp. 1103-1109 ◽  
Author(s):  
Rob J. Hyndman

Continuous-time threshold autoregressive (CTAR) processes have been developed in the past few years for modelling non-linear time series observed at irregular intervals. Several approximating processes are given here which are useful for simulation and inference. Each of the approximating processes implicitly defines conditions on the thresholds, thus providing greater understanding of the way in which boundary conditions arise.


2018 ◽  
Vol 13 (1) ◽  
pp. 95 ◽  
Author(s):  
Roberto Robalinho

Resumo: Em junho de 2013 as ruas do Brasil foram tomadas por manifestantes. Se os protestos surpreendem e desestabilizam a realidade social com novas formas de ação política, esses processos tomam corpo através de uma relação contígua e simultânea com as imagens. Como podemos olhar para a relação liminar entre a multidão nas ruas e as telas para acessar a produção política e subjetiva de junho de 2013? Benjamin propõe um olhar sobre a história que não seja descritivo, linear e triunfalista, mas lacunar, sintomático, disruptivo, intensificado e capaz de atualizar as forças políticas no presente. Mais do que olhar o passado, Benjamin deseja intervir no presente. É a partir dessa provocação que olhamos as imagens de junho de 2013, mais especificamente para uma série de planos sequência que foram produzidos durante a noite de 17 de julho de 2013 quando o Bairro do Leblon foi tomado por manifestantes e barricadas em chamas. Porque o plano sequência e de que forma esta unidade de linguagem cinematográfica incorpora uma experiência das ruas insurgentes?Palavras-chaves: junho de 2013; imagem; história; produção política; produção subjetiva; plano sequência.Abstract: In June 2013 Brazilian streets were overtaken by protests. If new forms of political action capable of disrupting social reality were invented, this process was lived through a contiguous and simultaneous relation with images. How can we access June’s 2013 political and subjective production through the liminal relation between its images and the crowd on the streets? Benjamin proposes an approach to history that is not explanatory, linear and triumphant, on the contrary is fragmented, symptomatic, disruptive, intensified and able to bring forth political forces in the present. More than looking at the past, Benjamin desires to intervene in the present. This is a starting point to look at June 2013 images, more specifically, to a series of long shots that were produced in 2013 during the night of the 17 of July when the posh neighborhood of Leblon was overwhelmed by protesters and blazing barricades. Why the use of long shots and how does this unity of cinematic discourse express an experience of the insurgent streets?Keywords: June 2013; image; history; political production; subjective production; long shot.


Temida ◽  
2013 ◽  
Vol 16 (3-4) ◽  
pp. 117-133
Author(s):  
Vesna Nikolic-Ristanovic ◽  
Una Radovanovic ◽  
Milica Popovic

The aim of this paper is the presentation and analysis of the data collection methodology and content of the first volume of the Kosovo Memory Book 1998-2000, as an example of collecting and displaying data of war victimisation from the territory of the former Yugoslavia. Analysis of the Kosovo Memory Book is done in the context of so far development of methodology of data collection about war casualities, with examination of effects that data presented in the book may have on both victims and restoring of broken relationships among people. First, it provides an overview of the methodology used and data obtained, and then the methodology and data, as well as images of conflicts that established data provide and their consequences are discussed and analyzed.


2017 ◽  
Author(s):  
Enika Abazi ◽  
Albert Doja

In this article, we explore various forms of travel writing, media reporting, diplomatic record, policy-making, truth claims and expert accounts in which different narrative perspectives on the Balkan wars, both old (1912–1913) and new (1991–1999), have been most evident. We argue that the ways in which these perspectives are rooted in different temporalities and historicisations have resulted in the construction of commonplace and time-worn representations. In practical terms, we take issue with several patterns of narratives that have led to the sensationalism of media industry and the essentialisation of collective memory. Taken together as a common feature of contemporary policy and analysis in the dominant international opinion, politics and scholarship, these narrative patterns show that historical knowledge is conveyed in ways that make present and represent the accounts of another past, and the ways in which beliefs collectively held by actors in international society are constructed as media events and public hegemonic representations. The aim is to show how certain moments of rupture are historicised, and subsequently used and misused to construct an anachronistic representation of Southeast Europe.


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