Trans Studies and Resistance in an Academy Based on Masculinity Contest Culture

2020 ◽  
Vol 7 (3) ◽  
pp. 407-420
Author(s):  
Travers

Abstract Trans studies is a burgeoning and global interdisciplinary field of scholarship. Although trans people in general continue to remain on the margins of the academy in Canada and the United States, some of the trans scholars who contribute to the field of trans studies are in continuing faculty (tenure-track and tenured) positions. Trans women in general and trans women and trans feminine people of color, in particular, however, are particularly underrepresented in this labor pool. The author brings together a theoretical pastiche consisting of a Black feminist analysis of patriarchy as a layered phenomenon, trans necropolitics, and a masculinity contest culture paradigm to trouble this limit to representation within trans studies in Canada and the United States.

2016 ◽  
Vol 5 (3) ◽  
pp. 116-125 ◽  
Author(s):  
Nadine Naber

This essay explores the conditions out of which a diasporic anti-imperialist Arab feminist group came into alignment with the Women of Color Resource Center. It focuses on the history and leaders of the Women of Color Resource Center and its roots in the 1960s and 1970s people of color and women of color based movements in the United States in order to map alliances among black feminist thought, radical women of color movements, and Palestinian de-colonization then and now.


Somatechnics ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 74-94 ◽  
Author(s):  
Rae Rosenberg

This paper explores trans temporalities through the experiences of incarcerated trans feminine persons in the United States. The Prison Industrial Complex (PIC) has received increased attention for its disproportionate containment of trans feminine persons, notably trans women of colour. As a system of domination and control, the PIC uses disciplinary and heteronormative time to dominate the bodies and identities of transgender prisoners by limiting the ways in which they can express and experience their identified and embodied genders. By analyzing three case studies from my research with incarcerated trans feminine persons, this paper illustrates how temporality is complexly woven through trans feminine prisoners' experiences of transitioning in the PIC. For incarcerated trans feminine persons, the interruption, refusal, or permission of transitioning in the PIC invites several gendered pasts into a body's present and places these temporalities in conversation with varying futures as the body's potential. Analyzing trans temporalities reveals time as layered through gender, inviting multiple pasts and futures to circulate around and through the body's present in ways that can be both harmful to, and necessary for, the assertion and survival of trans feminine identities in the PIC.


Genealogy ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 32
Author(s):  
Araceli Orozco-Figueroa

Recently, Black, Indigenous, and other People of Color (BIPOC) have encountered an escalation in adverse social conditions and trauma events in the United States. For individuals of Mexican ancestry in the United States (IMA-US), these recent events represent the latest chapter in their history of adversity: a history that can help us understand their social and health disparities. This paper utilized a scoping review to provide a historical and interdisciplinary perspective on discussions of mental health and substance use disorders relevant to IMA-US. The scoping review process yielded 16 peer reviewed sources from various disciplines, published from 1998 through 2018. Major themes included historically traumatic events, inter-generational responses to historical trauma, and vehicles of transmission of trauma narratives. Recommendations for healing from historical and contemporary oppression are discussed. This review expands the clinical baseline knowledge relevant to the diagnosis, treatment, and prevention of contemporary traumatic exposures for IMA-US.


2021 ◽  
Vol 7 (18) ◽  
pp. eabf4491
Author(s):  
Christopher W. Tessum ◽  
David A. Paolella ◽  
Sarah E. Chambliss ◽  
Joshua S. Apte ◽  
Jason D. Hill ◽  
...  

Racial-ethnic minorities in the United States are exposed to disproportionately high levels of ambient fine particulate air pollution (PM2.5), the largest environmental cause of human mortality. However, it is unknown which emission sources drive this disparity and whether differences exist by emission sector, geography, or demographics. Quantifying the PM2.5 exposure caused by each emitter type, we show that nearly all major emission categories—consistently across states, urban and rural areas, income levels, and exposure levels—contribute to the systemic PM2.5 exposure disparity experienced by people of color. We identify the most inequitable emission source types by state and city, thereby highlighting potential opportunities for addressing this persistent environmental inequity.


2018 ◽  
Vol 17 (3) ◽  
pp. 312-331 ◽  
Author(s):  
Faye Gleisser

This article draws out the ‘politics of the misfire’ as a process constituted in part by discursive articulations of the ‘misuse’ of guns, and in part by mediated visual narratives of criminality cultivated in American visual culture. Specifically, the author examines how the decades-long historiography of artist Chris Burden’s iconic artwork, Shoot (1971), relies upon and perpetuates spatially racialized and gendered notions of innocence and safety. She argues that the conceptual art collective Asco’s theorizing of misfires in response to their vulnerability as Chicanos in America provides a vital framework for recognizing how the neutralized archetype of white masculinity, simultaneously innocent and lawless, animates and sustains the legacy of Shoot. Through consideration of geographies of cumulative vulnerability, access to resources, and systemic racism this article links processes of art historical canonization to discriminatory practices that structurally oppress people of color in the United States.


Author(s):  
Richard D. Brown

While cherishing ideas of equal rights and equality, Americans have simultaneously sought inequality. The Revolution of 1776 committed Americans to the idea of equal rights, but just as fundamentally it dedicated the United States to the protection and increase of individual property and the power to direct it to heirs. Although equal rights and individual property rights have proved compatible with religious and ethnic equality, social and economic inequality, both meritocratic and inherited, have been integral to the American social and political order. Moreover, based on the emerging biologies of race and sex, the idea of equal rights for people of color and for women faced new barriers in nineteenth-century America and beyond into the twenty-first century.


2020 ◽  
Vol 7 (4) ◽  
pp. 615-624
Author(s):  
Laura Stamm

Abstract This article examines how the television series Pose (2018–) represents queer and trans people of color living with HIV/AIDS at the height of the crisis in 1987. While the series portrays an important part of transgender history, it also positions the AIDS crisis as something that is done and part of America's past. Despite the fact that rates of HIV infection remain at epidemic rates for trans women of color, Pose, like many other mainstream media representations, suggests that the AIDS crisis ended in 1995. The series brings trans women of color's experiences to a record number of viewers, but that representation comes with a certain cost—the cost of historicization.


Author(s):  
Annette K. Joseph-Gabriel

Chapter three functions as a bridge between the first two chapters on locating possibilities for liberation in the grey area of Antillean departmentalization, and the next two chapters on African women’s demands for independence. It examines the ways in which Eugénie Éboué-Tell’s and Jane Vialle’s work in the French senate connected the anticolonial activism of women in the Antilles and French Equatorial Africa, and extended this activism beyond the borders of imperial France to include the United States. Both women forged transnational black feminist networks and thus claimed multiple communities and political affiliations that often defied imperial and national borders.


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