Living in the Skin of a Theory

2021 ◽  
Vol 8 (3) ◽  
pp. 283-297
Author(s):  
Nat Baldino

Abstract This essay argues for an imaginative reading practice in which the “trans” and the “study” of transgender studies are shown as coconstitutive. Arguing that the problem of incommensurability leads transgender studies to spend more time on the signifier trans than on the study of transgender studies, this essay uses the intuitive, ambivalent, and nuanced methodology of Toni Cade Bambara's Salt Eaters to open up space for a trans study that is more capacious, yet still tethered to the experience of living in one's skin as not only content but also form. Ultimately, this essay wonders how transgender studies can learn to live in the skin of a theory, in all its contradiction and strange negotiations, using the same imagination we use to make sense of our own embodied selves.

2018 ◽  
Vol 2 (1) ◽  
pp. 75-84
Author(s):  
Muhammad Yaser Arafat

This paper seeks to study the recitation of the Qur'an with the recitation of Javanese style as an interpretation in the reading. The recitation of the Javanese style is done by reciting the Qur'an by using the rhythm of the spiritual sound art treasury of Sekar Macapat. The recitation of Javanese style is not an insult to the Qur'an. Reading practice is not the same as chanting the Qur'an with the rhythm of Arabic songs, dangdut, punk, hip-hop, and other types of musical genres. the recitation of the Qur'an with the Javanese rhythm derived from Sekar Macapat is a good, beautiful, and more important, suluki. it means that the recitation of Javanese style is an act of reciting the Qur'an as well as a cultured act, which aims to draw closer to Allah Almighty, the Prophet Muhammad (peace be upon him), and to connect himself to the spiritual genealogy of the saints in Java. therefore, I call it "Jawi's recitation," which in Javanese spiritual treasury means one who has understood the real reality (al-Haq).


2020 ◽  
Vol 138 (4) ◽  
pp. 618-648
Author(s):  
Rachel A. Burns

AbstractThis article reassesses the grammatically problematic half-line prologa prima (l. 89a) in the Old English wisdom poem Solomon and Saturn I, and suggests that it ought to be emended to the grammatically viable reading of “prologa prim”. Line 89 a introduces a passage in which the words of the Pater Noster become anthropomorphised as warriors and attack the devil. I will argue that “prologa prim” is an exegetical exercise, informed by grammatical theory and liturgical practice, designed for an audience of monastic readers. This multivalent half-line offers different levels of meaning when read according to different permutations of language and metaphor, in a process analogous to the interpretation of scripture according to the influential model of fourfold exegesis. When read literally, as ‘the first of the initial letters’, “prologa prim” indicates the unfolding and time-bound process of reading. Previous scholars (Anlezark 2009; Anderson 1998) have noted the allusive references in line 89 a to Greek logos (‘word’) and Old English prim (‘first hour’, ‘Prime office’), but not their full significance. Through these allusions, the reader shifts from a literal reading to a spiritual and metaphorical reading of the half-line, achieving a diachronic perspective of the Pater Noster’s recitation across time, and finally an atemporal perspective, reading in line 89 a a paraphrase of John 1:1, “In the beginning was the Word”. In conjunction with the subsequent episode of the battle, line 89 a forms an exemplum of the monastic practice of lectio divina. This example of ‘monastic poetics’ (O’Camb 2014; Niles 2019) moves from grammatical analysis to a vision of the Word.


Paragrana ◽  
2016 ◽  
Vol 25 (2) ◽  
pp. 49-62
Author(s):  
Katrine Dirckinck-Holmfeld

AbstractThe essay takes up Eve Kososky Sedgwick’s influential call for a reparative reading or practice, understood primarily as a performative and literary reading practice, in an attempt to inform what I call a reparative critical image practice. Montaging my own experiences learning from filmmaker Harun Farocki during the Labour in a Single Shot workshop (Cairo 2012) together with reflections from my work with the video-installation Leap into Colour (Cairo, Beirut, Copenhagen 2012-2015), the essay speculates how the reparative critical image undergoes a process of rematerialisation. The essay explores how the image migrates between different contexts, compressions, codecs and formats, and how this route, or line of flight, is enfolded into the image’s texture. I argue that montaging these layers of intensities can create a collaborative, historically dense, fabulous image, held together by affect.


2017 ◽  
Vol 43 (1) ◽  
pp. 425-443 ◽  
Author(s):  
Kristen Schilt ◽  
Danya Lagos
Keyword(s):  

2016 ◽  
Vol 72 ◽  
pp. S248-S251 ◽  
Author(s):  
James P. Hughes ◽  
Lynda Emel ◽  
Brett Hanscom ◽  
Sahar Zangeneh

2008 ◽  
Vol 36 (1) ◽  
pp. 113-136
Author(s):  
Sirkka Knuuttila

This article addresses Barthes’s development from a structuralist semiotician towards an affectively responding reader in terms of ‘postrational’ subjectivity. In light of his whole oeuvre, Barthes anticipates the understanding of emotion as an integral part of cognition presented in contemporary social neuroscience. To illustrate Barthes’s growing awareness of the importance of this epistemological move, the article starts from his textual ‘reality effect’ as a critical vehicle of realist representation. It then shifts to his attempt at conceptualising an affective reading which resists the universalising idea of one ideologically determined signified. Barthes’s progress towards embracing the actual reader’s embodied self-feeling is prompted by two conceptual milestones: the obtuse meaning found in cinematic stills, and the experience of punctum felt in photos. In light of his lectures in the Collège de France, Barthes substitutes the Husserlian disembodied method of introspection with the Chinese wu-wei as a reading practice. As a result, his Zen-Buddhist concentration on bodily feelings elicited by visual/verbal images becomes a method capable of creating a fruitful link between language and wordless cognition. Finally, the article proposes an idea of the ‘embodied reality effect’ by reading affectively two similar scenes interpreted by the early and late Barthes himself.


2017 ◽  
Vol 1 (1) ◽  
pp. 35
Author(s):  
Syofia Delfi ◽  
Hamidah Yamat

Learners’ reading performances are needed to be studied in order to clarify the appropriate context of studies about learners’ extensive reading experiences. This article is based on a preliminary study on “a Case Study on Two Indonesian Learners’ Extensive Reading in English Experiences towards Developing Reading Competency”. This article aimed to answer two questions: (1) How is The Indonesian EFL learners’ reading performance before learning extensive reading? (2) How is The Indonesian EFL learners’ reading TOEFL score for reading section before learning extensive reading? An analysis was conducted for the data on the documents of reading performance and Reading Section of TOEFL score. The result of this study found: (1) The Indonesian EFL learners’ reading performance before learning extensive reading is in the range 66-80 (B) in Reading III for all learners (100%) (2) The Indonesian EFL learners’ TOEFL score for Reading section before learning extensive reading is in the range 51% - 80 %. These preliminary data were needed in order to indentify the learners’ reading performances, therefore, it is expected that the findings are meaningful for the study designed.


Author(s):  
Jens Kramshøj Flinker

        The purpose of this article is twofold: Existentialism as a philosophical discipline and ethical reference point seems to be a rare guest in ecocriticism. Based on an analysis of Lyra Koli's climate fiction Allting Växer (2018) this article argues that existentialism has something to offer to the ecocritical field. I make use of an econarratological approach, drawing on James Phelan's narrative ethics. Thus, I emphasize the article's second purpose, as narrative ethics is about reconstructing narratives own ethical standards rather than the reader bringing a prefabricated ethical system to the narrative. This reading practice can help to question the idea that some ethical and philosophical standards are better than others within ecocriticism—by encouraging scholars in ecocriticism to relate to what existentialism has to do with climate change in this specific case. In continuation of my analysis, I argue that Allting Växer is pointing at a positive side of existentialist concepts such as anxiety or anguish, that is, that there is a reflecting and changing potential in these moods or experiences. This existentialist framework contrasts with the interpretation of "Anthropocene disorder" (Timothy Clark) as the only outcome when confronting the complexity of the Anthropocene.


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