Toward a Feminism’s Queer Affective Politics: Queer Affect Theory as a Reading Practice

2019 ◽  
Vol 35 (2) ◽  
pp. 75-98
Author(s):  
Sungwon Heo
2018 ◽  
Vol 44 (2) ◽  
pp. 106-112 ◽  
Author(s):  
Sara Wasson

This article suggests that some illness experience may require a reading practice less concerned with narrative coherence or self-authorship, and more interested in the value of textual fragments, episodes and moments considered outside a narrative framework. Chronic pain can pose multiple challenges to the narrative orientations celebrated in both ‘survivorship’ discourse and classic medical humanities scholarship. In its recalcitrance to cure, its often mysterious aetiology and its complex blend of somatic, interpersonal and affective elements, representations of chronic pain can require a richer vocabulary of temporality. I draw on contemporary affect theory to augment the available critical vocabulary for the textual representation of protagonists’ temporal orientation within illness experience, identifying a language for the emergent present that resists a narrative form. Beyond identifying narrative ‘incoherence’, affect discourse gives a way to recognise the strained, equivocal labour of incoherence, of inhabiting a cryptic present moment. Affect theory’s attention to the emergent present may give a way to read incoherent ‘chaos’ outside from a narrative framework, not only as a dark, formless stage in a personal story. To expand our vocabulary for this position, I offer a term for a particular affective experience of the present amid repeated marginalisation: the temporality of thwarted connection. I illustrate how these concepts can enable an alternative reading stance by offering a brief analysis of Lous Heshusius’s hybrid autobiography and academic study, Chronic Pain from the Inside Out.


2019 ◽  
Vol 13 (1) ◽  
pp. 1-18
Author(s):  
Jedidiah Anderson

This paper deals with the concept of Al-Waṭan, or ‘the homeland’, in Arabic in The Shell (Al-Qawqʿa) by Muṣṭafā Khalifa and Men in the Sun (Rijāl fīsh-Shams) by Ghassān Kanafānī. Analysis of how alienation from this concept has affected both Khalifa's and Kanafānī's characters is carried out through the lenses of Deleuze and Guattari's theories of rhizomatic associations and minor literature, as well as through the lens of affect theory. The paper also examines parallels between definitions of Al-Waṭan/the homeland in Ibn Manẓūr's classical dictionary Lisān al-ʿArab and Deleuze and Guattari's concepts of the war machine and the apparatus of capture.


2017 ◽  
Vol 8 (1-2) ◽  
pp. 27-37 ◽  
Author(s):  
Dorina Miller Parmenter

Despite Christian leaders’ insistence that what is important about the Bible are the messages of the text, throughout Christian history the Bible as a material object, engaged by the senses, frequently has been perceived to be an effective object able to protect its users from bodily harm. This paper explores several examples where Christians view their Bibles as protective shields, and will situate those interpretations within the history of the material uses of the Bible. It will also explore how recent studies in affect theory might add to the understanding of what is communicated through sensory engagement with the Bible.


2018 ◽  
Vol 2 (1) ◽  
pp. 75-84
Author(s):  
Muhammad Yaser Arafat

This paper seeks to study the recitation of the Qur'an with the recitation of Javanese style as an interpretation in the reading. The recitation of the Javanese style is done by reciting the Qur'an by using the rhythm of the spiritual sound art treasury of Sekar Macapat. The recitation of Javanese style is not an insult to the Qur'an. Reading practice is not the same as chanting the Qur'an with the rhythm of Arabic songs, dangdut, punk, hip-hop, and other types of musical genres. the recitation of the Qur'an with the Javanese rhythm derived from Sekar Macapat is a good, beautiful, and more important, suluki. it means that the recitation of Javanese style is an act of reciting the Qur'an as well as a cultured act, which aims to draw closer to Allah Almighty, the Prophet Muhammad (peace be upon him), and to connect himself to the spiritual genealogy of the saints in Java. therefore, I call it "Jawi's recitation," which in Javanese spiritual treasury means one who has understood the real reality (al-Haq).


Author(s):  
Ian Finseth

This chapter focuses on how witneᶊes to Civil War death made sense of their traumatic experience. The ethical challenge was one of recognition: to see and know the often-anonymous dead for who and what they were. Yet the dead were invariably integrated into familiar frameworks of meaning and into the conventions of aesthetics and rhetoric. Drawing on insights from phenomenology, pragmatism, Freudian psychology, and affect theory, the chapter shows that the psychological proceᶊes of abstraction and typification underlay a social logic of necrophilic dependency that both thrived on the dead and yet resisted their complex individuality. This problem is then connected to a long-standing cultural and historical melancholia whereby the Civil War dead have been internalized and eternalized as representational artifacts within a society that remains divided and ambivalent over the meaning of the war.


2021 ◽  
pp. 136754942110086
Author(s):  
Siao Yuong Fong

There is a long history of television and film research that highlights the essential roles audiences play in everyday production decisions. Based largely on Western media industries, these studies’ investigations of producer–audience relationships have revolved predominantly around the market concerns of liberal media models. So how do producer–audience relationships work when it comes to illiberal contexts of media production? Using Singapore as a case study, this article argues that existing approaches to producer–audience relations largely based on liberal media industries like Hollywood are insufficient for thinking through audience power in everyday media production in illiberal contexts. Drawing on insights from affect theory, I examine the materials gathered during an immersive ethnography of the writing process of a Singaporean television drama and propose conceptualizing audiences as an ‘affective superaddressee’, as a productive way to think about the work that situational audiences do in everyday media production in illiberal contexts.


2020 ◽  
Vol 138 (4) ◽  
pp. 618-648
Author(s):  
Rachel A. Burns

AbstractThis article reassesses the grammatically problematic half-line prologa prima (l. 89a) in the Old English wisdom poem Solomon and Saturn I, and suggests that it ought to be emended to the grammatically viable reading of “prologa prim”. Line 89 a introduces a passage in which the words of the Pater Noster become anthropomorphised as warriors and attack the devil. I will argue that “prologa prim” is an exegetical exercise, informed by grammatical theory and liturgical practice, designed for an audience of monastic readers. This multivalent half-line offers different levels of meaning when read according to different permutations of language and metaphor, in a process analogous to the interpretation of scripture according to the influential model of fourfold exegesis. When read literally, as ‘the first of the initial letters’, “prologa prim” indicates the unfolding and time-bound process of reading. Previous scholars (Anlezark 2009; Anderson 1998) have noted the allusive references in line 89 a to Greek logos (‘word’) and Old English prim (‘first hour’, ‘Prime office’), but not their full significance. Through these allusions, the reader shifts from a literal reading to a spiritual and metaphorical reading of the half-line, achieving a diachronic perspective of the Pater Noster’s recitation across time, and finally an atemporal perspective, reading in line 89 a a paraphrase of John 1:1, “In the beginning was the Word”. In conjunction with the subsequent episode of the battle, line 89 a forms an exemplum of the monastic practice of lectio divina. This example of ‘monastic poetics’ (O’Camb 2014; Niles 2019) moves from grammatical analysis to a vision of the Word.


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