scholarly journals Evolution of Verse Form, Plots and Characters in English Plays (mid-16th to mid-19th centuries)

2019 ◽  
Vol 6 (1) ◽  
pp. 7-19
Author(s):  
Marina Tarlinskaja

The aim of this essay is to demonstrate how the rhythmical evolution of English dramatic iambic pentameter parallelled the changes of aesthetic tastes and social values of English society from the mid-sixteenth to mid-nineteenth century. During 250 years the evolution of such features as the abundance or absence of enjambments, the use of constrained or loose iambs, and some others corresponds to the changes in the architecture of the theaters, the social structure of the audience, the manners of declamation, the complexity of poetic language, and the types of characters and plots the playwrights used.

Author(s):  
Natal'ya Savchuk

The article discusses the causes of the sociocultural contradictions that led to the radicalization of society and the emergence of terrorist revolutionary organizations in the second half of the 19th century. The social structure of society is considered. The danger of underestimating society propaganda of extremist ideas of revolutionaries is shown.


Author(s):  
Anderson Claytron Tavares

 O presente artigo mostra que existiu uma sólida estrutura religiosa financiadora da empreitada maçônica nos diversos locais que a mesma teve acesso e que o êxito desse empreendimento só foi possível pela alta carga de capital religioso presente na estrutura da maçonaria; a constituição Maçônica de 1723, os ritos de passagem e as muitas cosmogonias presentes nas antigas obrigações maçônicas, ajudaram no desenvolvimento da ordem elevando a mesma a uma missão de caráter transcendental. Em 1865 quando se tentou laicizar a maçonaria retirando do ritual a invocação do Grande Arquiteto do Universo, verificou-se através da mudança do rito moderno francês que a base religiosa brasileira era muito mais forte e se impôs à Ordem.  O estatuto maçônico através de sua herança religiosa dialogou profundamente com os preceitos da estrutura social que lhe deu aporte no século XIX, fornecendo uma forte base que serviu de alicerce para fundamentação de suas convicções. The present article shows that there was a solid religious structure that financed the Masonic enterprise in the various places that it had access and that the success of this enterprise was only possible due to the high load of religious capital present in the structure of Freemasonry; the Masonic constitution of 1723, the rites of passage and the many cosmogonies present in the old Masonic obligations, helped in the development of the order, elevating it to a mission of transcendental character. In 1865, when it was tried to lay Freemasonry by removing from the ritual the invocation of the Great Architect of the Universe, it was verified through the change of the modern French rite that the Brazilian religious base was very strong imposing itself before the Order. The Masonic statute through its religious inheritance deeply dialogue with the precepts of the social structure that gave him support in the nineteenth century, providing a strong foundation that served as a foundation for the foundation of his convictions..


TOTOBUANG ◽  
2021 ◽  
Vol 9 (2) ◽  
pp. 301-313
Author(s):  
Bayu Suta Wardianto

Social society and socio-culture cannot be separated from each other. Therefore, literature was born as a product of society and culture. From these literary works, literary teaching materials with social and cultural background can be made. This study explains the social identity and local wisdom contained in the collection of Celurit Hujan Panas short stories by Zainul Muttaqin. In this study, the method used is the quality desriptive method. The data used comes from quotes on a collection of short stories of Celurit Hujan Panas. This research used listening and note-taking techniques. Research data analysis started from presenting the data, reducing the data, and analyzing conclusions. The results of this study show that the social identity contained in the story are namely (1) social structure, (2) social behavior, and (3) ontological definitions. Moreover, the values of local wisdom contained in the story are (1) culture, (2) beliefs, and (3) social values. Sosial masyarakat dan sosial budaya tidak bisa dipisahkan satu sama lain. Karena itulah, sastra lahir sebagai produk dari sosial dan budaya. Dari karya sastra tersebut, dapat dibuat bahan ajar sastra berlatar sosial dan budaya. Penelitian ini menjelaskan tentang identitas sosial dan kearifan lokal yang terkandung dalam kumpulan cerpen Celurit Hujan Panas karya Zainul Muttaqin. Metode yang digunakan dalam penelitian ini yaitu metode deksriptif kualititatif. Data yang digunakan berasal dari kutipan pada kumpulan cerpen Celurit Hujan Panas. Penelitian menggunakan teknik simak dan catat. Analisis data penelitian dimulai dari menyajikan data, mereduksi data, dan kesimpulan analisis. Penelitian ini menunjukkan hasil bahwa identitas sosial yang terkandung yaitu (1) struktur sosial, (2) tingkah laku sosial, dan (3) definisi ontologis. Nilai kearifan lokal yang terkandung adalah (1) nilai budaya, (2) kepercayaan, dan (3) nilai sosial. 


2018 ◽  
Vol 62 (1 (460)) ◽  
pp. 181-192
Author(s):  
Wacław Forajter

In the article, Pierre Bourdieu’s “habitus” theory is employed to discuss Henryk Sienkiewicz’s hunting practices. Particular attention is devoted to the way the writer defines the concept of “masculinity” and its relationships with hunting skills. The author also points to the compensatory nature of this type of practices in the context of the nineteenth-century transformations of the social structure, the Polish political situation and the biography of the author of With Fire and Sword.


1977 ◽  
Vol 27 ◽  
pp. 41-68 ◽  
Author(s):  
G. S. Holmes

Despite the rich and exciting work of recent years, the social history of England between the Restoration and the Industrial Revolution still bears something of a hangdog look, scarcely war-ranting, as yet, the cosmic conclusions and ferocious controversies to which students of early Stuart and early nineteenth-century society have grown accustomed. Yet, thanks to the work of one remarkable Englishman, who was born in 1648 and died in 1712, there is one aspect of this pre-industrial period—its social structure—on which we are all happy to pontificate. Gregory King's table of ranks and degrees, on which in the last resort so much of this confidence rests, has now acquired a unique cachet. The continual reproduction in post-war textbooks of this famous document, which we think of as King's ‘social table’ but which he described as his ‘Scheme of the Income and Expense of the Several Famillies of England’, is just the most obvious symptom of its dominant historiographical influence.


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