scholarly journals Considering the Five Senses in Architecture

2015 ◽  
Vol 10 (Special-Issue1) ◽  
pp. 138-143
Author(s):  
Arezou Zaredar
Keyword(s):  
Conscious Perception ◽  
Architectural Space ◽  
Five Senses ◽  
The Senses ◽  
The Moment

Despite fully attention of most current architects to the sense of eyesight, architecture stimulates all of our senses. This paper discusses the perception of senses in architecture, explaining how they work and influence on each other and the differences between them. Besides giving examples of programs to improve conscious perception in an architectural space. In author`s Thesis announced with “Five Senses Museum” it has been attempted to consider all senses in frame of architecture because consciously or spontaneous they affect perception of space and also make it a place to remind with five senses. To approach this aim, this museum contains five main galleries to deal with five senses, notes the correct behavior to the senses and attempts to guide human to recognize itself with practicing domination to senses and recognizing them and learning to be in the moment concentrated. So a beyond perception among the traditional museums is possible.

Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life

2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello
Keyword(s):  
Still Life ◽  
Sense Data ◽  
Complex Image ◽  
Starting Point ◽  
Depth Analysis ◽  
Tobacco Pipes ◽  
Five Senses ◽  
The Senses ◽  
Cut Tobacco ◽  
Selection Of

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.

The Changing Perception of the Five Senses

2020 ◽  
pp. 103-122
Author(s):  
Sara Benninga
Keyword(s):  
Material Culture ◽  
Lived Experience ◽  
17Th Century ◽  
Scientific Instruments ◽  
Peter Paul Rubens ◽  
Courtly Culture ◽  
Southern Netherlands ◽  
The Subject ◽  
Five Senses ◽  
The Senses

This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context

scholarly journals The teachings of Alexei Chernyakov about the soul and mind: reflections and comments

2021 ◽  
Author(s):  
Oleg Gushchin
Keyword(s):  
General Feeling ◽  
The Senses ◽  
Continuous Dynamic ◽  
Common Feeling ◽  
The Moment ◽  
The Mind

Chernyakov in his famous monograph reveals the concept of the soul through the opposite — the concept of the mind. But the point is not only in the explication of the concept through the opposite meaning. Following the logic of Chernyakov, the soul and mind at a certain stage fall into a kind of dynamic unity as the highest participation in the divine gaze. Being, according to Aristotle, a common feeling, the soul is through continuous “flipping” of private feelings, and so that in the formula: “I feel and understand what I feel,” the second term is exfoliated, i.e. the terminological limitation has been removed. As a result, the pure movement “feel the feeling of feeling” is released as a continuity of sensual evidence. The soul lives in the gaps of the mind and sees its infinity in them. Chernyakov draws attention to the fact that any distinction is simultaneously and latently the moment of binding distinctions. But the moments of discrimination / binding in soul and mind are given in different ways. Awakening (discriminating), the soul simultaneously connects the different so as to survey the all-encompassing expanse of itself and all that exists in the unity of self-movement. The soul, like the mind, is a form without matter, but in a different way from the mind. The soul also moves towards the object, but does not deviate from it to meet with itself, as the mind does, but passes through the object at the moment when it is already (still) decomposed or is in a de-objectified form. An object, being the energy of the mind, is "weathered" in relation to the soul, leaving a kind of living sensory imprint, the soul revives when it connects sensory imprints of objects, meeting itself in them. Chernyakov, referring to Aristotle, believes that the general feeling really contains in some way all the objects of the senses (but without matter). We explain to ourselves that these objects are in a de-objectified form. Unimpeded by overcoming (opening) the gap of the mind, the soul “sees” (binds) a multitude of sensory forms, in each of which a free gaze as such is released. This is not a gaze fixed on something unchanging. And it is also not a perception, which, as part of a speculative form, adds a new “perceive something” to “I perceive something”. Now the act: “I perceive something” is opened and partially discarded, leaving only an independent, continuous dynamic attachment in the remainder: “perceives” + “perceives” + “perceives”, etc.

scholarly journals The empiricism of Michel Serres a theory of the senses between philosophy of science, phenomenology and ethics

2021 ◽  
Vol 32 (2) ◽  
pp. 229-245
Author(s):  
Petra Gehring
Keyword(s):  
Philosophy Of Science ◽  
Radical Empiricism ◽  
Michel Serres ◽  
Five Senses ◽  
The Senses ◽  
Working Method

The paper presents the philosophy of the French philosopher Michel Serres, with an accent on his working method and unusual methodology. Starting from the thesis that the empiricist trait of Serres? philosophy remains underexposed if one simply receives his work as that of a structuralist epistemologist, Serres? monograph The Five Senses (1985) is then discussed in more detail. Here we see both a radical empiricism all his own and a closeness to phenomenology. Nevertheless, perception and language are not opposed to each other in Serres. Rather, his radical thinking of a world-relatedness of the bodily senses and an equally consistent understanding of a sensuality of language - and also of philosophical prose - are closely intertwined.

Alan of Lille and the New Man

1977 ◽  
Vol 14 ◽  
pp. 137-157 ◽  
Author(s):  
Michael Wilks
Keyword(s):  
Liberal Arts ◽  
Virgin Mary ◽  
Long Poem ◽  
Alan Of Lille ◽  
New Man ◽  
Good Taste ◽  
New Type ◽  
Five Senses ◽  
The Senses

Let them be forbidden access to this work, wrote Alan of Lille in his Anticlaudianus, who would only look for the image of sensuality and not the truth of reason . . . Do not allow those tasteless men, who cannot take their studies beyond the bounds of the senses, to impose their own interpretations on this book . . . lest the majesty of its secret meanings be profaned, like pearls cast before swine, when divulged to the unworthy. But what is this majestic secret significance which Alan wished to keep hidden from people so lacking in good taste as to want to probe it and misunderstand it? On the surface the Anticlaudianus, Alan’s most famous work, is an epic romance about a celestial journey and a great battle which is clearly being used as a moral treatise, a summa de virtutibus et vitiis. His long poem tells the story of how the goddess Nature, in council with the Virtues, seeks to make a new type of person, the homo perfectus. They realise that such a divine being cannot be created unless a soul is brought from God, whereupon Phronesis, the searcher after truth to whom the secrets of God are revealed, undertakes a journey to heaven in a chariot constructed by the seven liberal arts and drawn by the five senses. With the aid of Theology and Faith, Phronesis meets the heavenly host, the Virgin Mary, and eventually God himself, who has a soul made for her. She brings this soul, carefully sealed to keep it fresh, back to the waiting body, and the novus homo is complete. He then has to prove himself in a great pitched battle between the virtues and the vices.

scholarly journals REKONSTRUKSI PEMAHAMAN KONSEP I’JAZ AL-QUR’AN PERSPEKTIF GUS BAHA’

QOF ◽  
2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Nur Sholihah Zahro'ul Isti'anah ◽  
Zaenatul Hakamah
Keyword(s):  
Content Analysis ◽  
Analysis Methods ◽  
Five Senses ◽  
The Senses ◽  
The Dead

Generally the miracles of the Prophets are understood to be something sensory, just as the Prophet Musa parted the sea with his staff; Prophet Ibrahim did not feel burning on heat in the embers; Prophet Isa healed the sick and raised the dead. However, according to KH. Bahauddin Nur Salim (Gus Baha'), this understanding needs to be improved, as he conveyed in the Darusan Menara Timur study on May 29, 2019 and published on Youtube. This article will outline the study with content analysis methods using reconstruction theory. From the results of the analysis, it was concluded that from the perspective of Gus Baha', understanding i'ja>z as something sensory is wrong, especially understanding the miracles of the Qur'an that can be witnessed not by the five senses, but by reasoning and the eyes of the heart (bas}i>rah). Understanding miracles as something unusual and unmatched also needs to be clarified. Because, God's creations are considered ordinary as mentioned in the QS. Al-Baqarah verse 26- mosquitoes are also Allah's qudrats that cannot be imitated by humans. Its miracle lies in the ability of reason to understand its awesomeness. The mistake of understanding the concept of i'ja>z can have an impact on the value of faith, because the faith that grows from the ability to witness miracles through prayer will be of higher quality and more lasting than the faith that grows from the ability to witness in the senses.

scholarly journals Book Review: The Five Senses and Beyond: The Encyclopedia of Perception

2017 ◽  
Vol 56 (4) ◽  
pp. 303
Author(s):  
Linda Loos Scarth
Keyword(s):  
Taste Aversion ◽  
Taste Bud ◽  
Taste System ◽  
Medical Diagnoses ◽  
Five Senses ◽  
The Senses

The 219 entries in this book are a limited, eclectic collection of common and uncommon terms, complex concepts, physical locations, medical diagnoses, and a few persons and associations related to some aspect of perception. These entries are not grouped into the five senses (sight, hearing, taste, smell, and touch), which would have been useful to those wanting to understand one of the senses. The only sense that has an entry titled with its common name is touch, though smell, sight, and hearing have “See” references in the index. “Taste Aversion,” “Taste Bud,” and “Taste System” are entry terms.

Human feelings and senses

2020 ◽  
pp. 58-60
Author(s):  
Natalya Sakhno
Keyword(s):  
Empty Stomach ◽  
Visceral Sensitivity ◽  
Present Stage ◽  
The World ◽  
Five Senses ◽  
The Senses ◽  
Limb Flexion

People interact with the world around them, learn about it, have the opportunity to feel pleasure, pain or disappointment with the help of the senses. Previously it was believed that a person has only five senses: hearing, touch, vision, smell and taste. Then, people usually say «he has sixth sense» about those with intuition. And now at the present stage, scientists recognize the presence of more than 20 senses in a person. For example, a person is able to feel changes in the temperature of surrounding objects and air, to analyze the degree of limb flexion, to feel the empty stomach or fullness of the bladder. Thus, there can be pain, vibration, gravitation, visceral sensitivity, and so on. Many feelings have already been well studied, but there are those that no one knows about. Therefore, scientists continue to work on the study of human feelings, sensitivity and their properties.

Sensuous Curriculum

2021 ◽  
Author(s):  
Walter S. Gershon
Keyword(s):  
Sensory Input ◽  
Sensory Experience ◽  
Marginalized Groups ◽  
Norms And Values ◽  
Five Senses ◽  
Everyday Experiences ◽  
The Senses ◽  
Ways Of Being ◽  
Educational Studies ◽  
Sensory Studies

Education is a sensory experience. This is the case regardless how a sensorium is constructed. A sensorium is how a group defines, categorizes, and conceptualizes the senses, a Western five-senses model for example. Regardless of the sociocultural norms and values a sensorium engenders, animals, human and nonhuman alike, experience their lives through the senses. From this perspective, anything that might be considered educational, regardless of context and irrespective of questions of what might “count” as schooling, is a sensory experience. Sensuous curriculum sits at the intersection of two transdisciplinary fields, curriculum and sensory studies. As its name suggests, sensuous curriculum is an expression of ongoing critical educational studies of, with, and through the senses. In so doing, sensuous curriculum brings to the fore the extraordinary nature of everyday experiences in educational ecologies, from entangled sociocultural norms and values to the ways that sensory input and interpretation inform every aspect of educational ways of being, knowing, and doing. Sensoria have always been tools for understandings, particularly for continually marginalized groups whose claims are often dismissed through Western, Eurocentric framings. For the notion and instantiation of framings require both a set of universally understood constructs and their applications as well as the necessity of the act: when framing, someone or something is always framed. Providing critical tools for the interruption of such constructs and their use, sensuous curriculum is a rich site of study in ways that are theoretically and materially significant, while offering often underutilized trajectories for the exploration of educational understandings.

Perception, epistemic issues in

2018 ◽  
Author(s):  
Brian P. McLaughlin
Keyword(s):  
Sense Perception ◽  
Logical Possibility ◽  
Optical Illusions ◽  
Water Line ◽  
Sour Milk ◽  
The World ◽  
Primary Means ◽  
Five Senses ◽  
The Senses ◽  
The Way

We learn about the world through our five senses: by seeing, hearing, smelling, tasting and feeling. Sense perception is a primary means by which we acquire knowledge of contingent matters of fact. We can also acquire such knowledge by, for instance, conscious reasoning and through the written and spoken testimony of others; but knowledge so acquired is derivative, in that it must be based, ultimately, on knowledge arrived at in more primary ways, such as by sense perception. We can perceive something without acquiring any knowledge about it; for knowledge requires belief, and we can perceive something without having any beliefs about it. Viewing any but the most simple visual scenes we see many things we form no beliefs about. However, when we perceive something, we are acquainted with it by its sensorially appearing (looking, sounding, smelling and so on) some way to us. For we see something if and only if it looks some way to us, hear something if and only if it sounds some way to us, and so on. When, based on how they appear, we form true beliefs about things we perceive, the beliefs sometimes count as knowledge. Often the way something appears is the way it is. The red, round tomato looks red and round; the sour milk tastes sour. But the senses are fallible. Sometimes the way something appears is different from the way it is. Appearances can fail to match reality, as happens to various extents in cases of illusion. There are, for instance, optical illusions (straight sticks look bent at the water line) and psychological ones (despite being exactly the same length, the Müller-Lyer arrows drawings look different in length). In such cases, looks are misleading. The ever-present logical possibility of illusion makes beliefs acquired by perception fallible: there is no absolute guarantee that they are true. But that does not prevent them from sometimes counting as knowledge – albeit fallible knowledge. Recognitional abilities enable us to obtain knowledge about things from how they perceptually appear. Sense perception thus acquaints us with things in a way that contributes to positioning us to acquire knowledge about them. The central epistemic issues about sense perception concern its role in so positioning us.

Sign in / Sign up

Export Citation Format

Share Document