The Changing Perception of the Five Senses

2020 ◽  
pp. 103-122
Author(s):  
Sara Benninga
Keyword(s):  
Material Culture ◽  
Lived Experience ◽  
17Th Century ◽  
Scientific Instruments ◽  
Peter Paul Rubens ◽  
Courtly Culture ◽  
Southern Netherlands ◽  
The Subject ◽  
Five Senses ◽  
The Senses

This article examines the changing approach towards the representation of the senses in 17th-century Flemish painting. These changes are related to the cultural politics and courtly culture of the Spanish sovereigns of the Southern Netherlands, the Archdukes Albert and Isabella. The 1617–18 painting-series of the Five Senses by Jan Brueghel the Elder and Peter Paul Rubens as well as the pendant paintings on the subject are analyzed in relation to the iconography of the five senses, and in regard to Flemish genre themes. In this context, the excess of objects, paintings, scientific instruments, animals, and plants in the Five Senses are read as an expansion of the iconography of the senses as well as a reference to the courtly material culture of the Archdukes. Framing the senses as part of a cultural web of artifacts, Brueghel and Rubens refer both to elite lived experience and traditional iconography. The article examines the continuity between the iconography of the senses from 1600 onwards, as developed by Georg Pencz, Frans Floris, and Maerten de Vos, and the representation of the senses in the series. In addition, the article shows how certain elements in the paintings are influenced by genre paintings of the courtly company and collector’s cabinet, by Frans Francken, Lucas van Valckenborch and Louis de Caullery. Through the synthesis of these two traditions the subject of the five senses is reinvented in a courtly context

The Culture of Travel in Edo-Period Japan

2020 ◽  
Author(s):  
Robert Goree
Keyword(s):  
Material Culture ◽  
Lived Experience ◽  
Travel Literature ◽  
Publishing Industry ◽  
18Th Century ◽  
17Th Century ◽  
Japanese Culture ◽  
Edo Period ◽  
The Road ◽  
Woodblock Printing

The expansion of travel transformed Japanese culture during the Edo period (1603–1867). After well over a century of political turmoil, unprecedented stability under Tokugawa rule established the conditions for men and women from all levels of the hierarchical society to travel safely for purposes as varied as the cultural consequences of a country increasingly on the move. Starting in the first half of the 17th century, institutionalized forms of compulsory travel for the highest-ranking samurai and a limited number of elite foreigners made for conspicuous political spectacle and prompted the Tokugawa shogunate to develop and maintain an extensive system of roads, post-towns, checkpoints, and sea routes. Prompted by the economic prosperity of the Genroku era (1688–1704) in the late 17th century, an ever-growing portion of the population, including commoners from cities and villages, took advantage of newfound leisure to embark on journeys for pilgrimage, medical treatment, and sightseeing. This change was accompanied by the expansion of tourism, which grew into a sophisticated commercial enterprise in the 18th century. Poets, writers, painters, performers, and scholars took to the road throughout the Edo period for artistic and intellectual pursuits, often as teachers or students, generating and spreading culture where they went. With an astonishing output of travel literature, guidebooks, maps, and woodblock prints featuring landscapes, a thriving commercial publishing industry, which first blossomed in the Genroku era, used woodblock printing technology to popularize travel in increasingly diverse ways. Together with such influential forms of print, the things that people wore, packed, bought, enjoyed, and rode while traveling formed a rich body of material culture that reveals the lived experience of travel for the duration of Tokugawa rule.

Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life

2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello
Keyword(s):  
Still Life ◽  
Sense Data ◽  
Complex Image ◽  
Starting Point ◽  
Depth Analysis ◽  
Tobacco Pipes ◽  
Five Senses ◽  
The Senses ◽  
Cut Tobacco ◽  
Selection Of

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.

Nog een suggestie voor het onderwerp van Rembrandts historiestuk te Leiden: De grootmoedigheid van Alexander

1987 ◽  
Vol 101 (2) ◽  
pp. 89-94
Author(s):  
J. Bruyn
Keyword(s):  
17Th Century ◽  
General Nature ◽  
History Painting ◽  
Emotional Words ◽  
Left Hand ◽  
Right Hand ◽  
Political Allegory ◽  
The Subject ◽  
Background Wave ◽  
The Right

AbstractOf the nine interpretations proposed for Rembraradt's history Painting of 1626 now at Leiden, none is really convincing. Il seems attractive to think of palamedes Condemned by Agamemncm as the subject because of its political significance in the year after the publication of Voredel's tragecty Palamedcs or Innocence Murdered, which denounced the execution of the Remonstrant leader Johan van Oldenbarnevelt in 1619. γet the scene depicted does not fit any episode frorn the Palamedes story. It appears rather to represent three young men appearing before a crowned figure who makes a pronouncement, probably one of magnanimity or clemency. It is conceivable that the subject was taken from Q. Curtius Rufus's Historiae Alexandri Magni Macedonis, ofwhich several editions, including translations into the vernacular, were published in Holland in the first decades of the 17th century. The episode in question was known to the young Rubens, but does not seem to have been illustrated by any other artist. At the beginning of the seventh book it is described how Alexander summoned before. him in the presence of the army two oj three brothers, who had been close friends of Philotas, a former, friend of his who had been executed for plotting against his life. The youngest brother, Poleinon, had panicked and fled but was caught and brought back at the very moment when Alexander had accused the brothers and the eldest, Amyntas, after having been released from his bonds and given a spear which he held in his left hand, had embarked on his szzccess ful defence. The appearance of Polemon infuriated the soldiers, but when he took the blame on himself and prrifessed his brothers' innocence, they were moved to tears. So too was Alexander who, prompted by their cries, absolved the brothers. This anecdote does at least explain some of the features of Rembrandt's scene. The young man standing on the right with his right hand raised as if swearing an oath would be the eloquent Amyntas with a spear in his left hand. Hidden behind him kneels the second brother, Simias, while Polemon, 'a young man just come to maturity and in the first bloom of his youth', has fallen on one knee in the foreground, underlining his emotional words with his right hand bressed to his heart. Alexander raises his sceptre in token of his absolution and some men in the background wave and shout from a socle they have climbed. Interpreted in this way, the scene coralains not a topical political allegory but, as would seem usual with history paintings, a message of a more general nature: the magnanimity of Alexander as an 'exemblum virtutis'.

The Lived Experience of Financialization at the UK Financial Fringe

2021 ◽  
pp. 1-22
Author(s):  
LINDSEY APPLEYARD ◽  
CARL PACKMAN ◽  
JORDON LAZELL ◽  
HUSSAN ASLAM
Keyword(s):  
Lived Experience ◽  
Financial Services ◽  
Global Financial Crisis ◽  
Credit Market ◽  
Short Term ◽  
Dramatic Decline ◽  
The Everyday ◽  
The Subject ◽  
The Uk ◽  
The Impact

Abstract The financialization of everyday life has received considerable attention since the 2008 global financial crisis. Financialization is thought to have created active financial subjects through the ability to participate in mainstream financial services. While the lived experience of these mainstream financial subjects has been the subject of close scrutiny, the experiences of financial subjects at the financial fringe have been rarely considered. In the UK, for example, the introduction of High-Cost, Short-Term Credit [HCSTC] or payday loan regulation was designed to protect vulnerable people from accessing unaffordable credit. Exploring the impact of HCSTC regulation is important due to the dramatic decline of the high-cost credit market which helped meet essential needs in an era of austerity. As such, the paper examines the impact of the HCSTC regulation on sixty-four financially marginalized individuals in the UK that are unable to access payday loans. First, we identify the range of socioeconomic strategies that individuals employ to manage their finances to create a typology of financial subjectivity at the financial fringe. Second, we demonstrate how the temporal and precarious nature of financial inclusion at the financial fringe adds nuance to existing debates of the everyday lived experience of financialization.

Féminisation linguistique et écriture inclusive: de quelques nouvelles formes langagières du français

2021 ◽  
Vol 9788879169776 ◽  
pp. 71-88
Author(s):  
Françoise Sullet-Nylander
Keyword(s):  
17Th Century ◽  
French Language ◽  
Inclusive Language ◽  
The Subject ◽  
The One

From the 17th century to the present day, the French language has often been the subject of controversies relating to the development of its grammar or its lexicon. The one we are interested in in this article is relatively recent – at least it has expanded in recent years, in the wake of the MeToo movement, in 2017. In France, recent studies on the subject testify to the interest shown in the question, but also to the profound differences regarding the functions of these “new” language forms. The evolution of society is expressed in language, and conversely the language register the transformations of society. Drawing on the reflections of Alpheratz (2018), Cerquiglini (2018) and Viennot (2018), we will first present the different stages of these transformations of the French language, the moments of “tension” around the issue of gender in language, as well as the “principles” of inclusive language. Then, from a corpus of around 200 university emails, we will analyze some of these new language forms in use in this textual genre.

Retro-Digitization of Croatian Pre-Standard Grammars

2021 ◽  
Vol 8 (4) ◽  
pp. 297-310
Author(s):  
Marijana Horvat ◽  
Martina Kramarić
Keyword(s):  
19Th Century ◽  
17Th Century ◽  
Web Portal ◽  
Printed Media ◽  
History Of ◽  
The Subject ◽  
The Rich ◽  
The 19Th Century ◽  
And Linguistics ◽  
Language Text

In this article, we will present the rich linguistic heritage of the Croatian language and our attempts to ensure its preservation and presentation to the general public by means of the "Retro-digitization and Interpretation of Croatian Grammar Books before Illyrism ‒ RETROGRAM" project. There is a long tradition of grammatical description in the history of the Croatian language. The first grammar book of the Croatian language was written at the beginning of the 17th century and the first grammar book written in Croatian was compiled in the middle of the 17th century. In later years, when literary and linguistic activity were transferred from the Dalmatian area to the northern and eastern part of Croatia, the Latin model for the description of the Croatian language was still present, even though German was also used. There were a large number of grammars written up to the second half of the 19th century, which are considered pre-standard Croatian grammars. They are the subject of research within the project "Pre-standard Croatian Grammars" at the Institute of Croatian Language and Linguistics. This research proposal "Retro-digitization and Interpretation of Croatian Grammar Books before Illyrism" aims to create a model for the retro-digitization of the chosen eight Pre-standard Croatian Grammars (written from the 17th until the 19th century). The retro-digitization of Croatian grammar books implies the transfer of printed media to computer-readable and searchable text. It also includes a multilevel mark-up of transcribed or translated grammar text. The next step of the project is the creation of a Web Portal of Pre-standard Croatian Grammars, on which both the facsimiles and the digitized text of the grammars will be presented. Our aim is to present to the wider and international public the attainments of the Croatian language and linguistics as an important part of Croatian culture in general. Keywords: pre-standard Croatian grammars, history of the Croatian language, retro-digitization, Extensible mark-up language, Text encoding initiative, web portal of pre-standard Croatian grammars

Żelazna Nowa, stanowisko 2. Cmentarzysko kultury przeworskiej z Zapilcza na południowym Mazowszu

2020 ◽  
Author(s):  
Małgorzata Cieślak-Kopyt ◽  
Dorota Pogodzińska
Keyword(s):  
Material Culture ◽  
Archaeological Heritage ◽  
Non Invasive ◽  
Vistula River ◽  
Animal Bones ◽  
The Subject ◽  
Metal Detectors ◽  
Przeworsk Culture ◽  
Small Finds

The subject of the monograph, published as the 10th volume of the Saved Archaeological Heritage series, are the results of rescue excavations on a cemetery from the period of Roman influence on the Vistula River near Magnuszew in southern Mazovia (Poland), carried out several years ago at the initiative of the Museum in Radom. This necropolis, like many similar ones throughout the country, was systematically destroyed as a result of agricultural activities, and in recent years also through illegal prospection with the use of metal detectors. Archaeologists, with the cooperation of numerous volunteers, managed to protect against further destruction about 60 graves (urned and urnless) from the period between the 1st century BC and the 3rd century CE. These are an evidence of the settlement of the region by people whose material traces are referred to in the archaeological nomenclature as the Przeworsk culture (associated mainly with the Germanic tribes). The cinerary graves were equipped with ceramics, metal parts of clothing, tools, less often weapons, glass beads, imported vessels or dice. Among the forms of graves, the so-called groove object stands out: a kind of rectangular grave feature tied with survival to the beginnings of our era of Celtic traditions, arriving here from northern Małopolska. In addition to the standard catalogue with the description of graves, pottery and small finds, and very detailed illustration plates, the monograph includes an analysis of material culture and forms of burial, photographs of selected finds and very extensive specialist reports. The latter include both osteological materials (anatomo-anthropological analysis, analysis of animal bones placed in the graves), as well as other ecofacts and individual categories of furnishings (glass, faience, iron and bronze objects). The whole is complemented by clear plans with the location of graves and artifacts in the necropolises, as well as with the results of non-invasive research going far beyond the excavated area and of key importance for further in situ protection of this extremely valuable monument.

Navigation and the Schools: I.

1976 ◽  
Vol 29 (4) ◽  
pp. 392-402
Author(s):  
E. W. Anderson
Keyword(s):  
Minimum Wage ◽  
Limited Liability ◽  
17Th Century ◽  
Marine Insurance ◽  
Shipping Company ◽  
Force And Motion ◽  
The Status ◽  
The Subject

On 29 October 1969, taking the chair at a Duke of Edinburgh Lecture, the great educator Lord Butler commented, ‘…in my view, it would do a great deal of good if navigation could be considered an educational subject’. Indeed, we know that by 1700 the discipline was being taught in ordinary schools in this country, and it is perhaps worth repeating Isaac Newton's remarks on the Christ's Hospital syllabus: ‘he that is able to argue nimbly and judiciously about figure, force and motion is never at rest until he gets over every rub’.The inclusion of navigation in the curricula of schools during the 17th century was for financial rather than for educative reasons. In those days, the master of a ship was responsible for its navigation and invariably had a stake in the marine enterprise. Thus he might make a small fortune in a single voyage. By 1800, the introduction of the limited liability shipping company and the growth of marine insurance were beginning to relegate the captain to the status of a hired servant paid the minimum wage. Navigation rapidly disappeared from ordinary schools and was taught only in the specialized nautical establishments. Nevertheless, it is worth noting that today, the mariner, the submariner, the pilot and the astronaut have restored to the subject its original lustre and the yachting explosion has given the discipline a wide appeal.

scholarly journals The empiricism of Michel Serres a theory of the senses between philosophy of science, phenomenology and ethics

2021 ◽  
Vol 32 (2) ◽  
pp. 229-245
Author(s):  
Petra Gehring
Keyword(s):  
Philosophy Of Science ◽  
Radical Empiricism ◽  
Michel Serres ◽  
Five Senses ◽  
The Senses ◽  
Working Method

The paper presents the philosophy of the French philosopher Michel Serres, with an accent on his working method and unusual methodology. Starting from the thesis that the empiricist trait of Serres? philosophy remains underexposed if one simply receives his work as that of a structuralist epistemologist, Serres? monograph The Five Senses (1985) is then discussed in more detail. Here we see both a radical empiricism all his own and a closeness to phenomenology. Nevertheless, perception and language are not opposed to each other in Serres. Rather, his radical thinking of a world-relatedness of the bodily senses and an equally consistent understanding of a sensuality of language - and also of philosophical prose - are closely intertwined.

scholarly journals Pengembangan Bahan Ajar Panca Indera Berbasis Multiple Intelligences Pada Siswa Kelas I Sekolah Dasar

2020 ◽  
Vol 3 (1) ◽  
pp. 105-118
Author(s):  
Fauziah Azizah Amir
Keyword(s):  
Multiple Intelligences ◽  
Descriptive Statistics ◽  
Test Validation ◽  
Teaching Materials ◽  
Student Activities ◽  
Analysis Technique ◽  
Study Results ◽  
The Subject ◽  
Five Senses ◽  
Five Phases

The main purpose of this research is to develop the teaching materials of five senses based on multiple intelligences which are valid, and to know the level of effectiveness of the materials teaching the five senses, a multiple intelligences to the observation of students ' activities and the study results test. This research uses research methods Research & Development (R&D). To develop the product, researchers use ADDIE's model of development consisting of five phases: 1. Analysis, 2. Design, 3. Development, 4. Implementation, and 5. Evaluation. The teaching materials are developed in the form of a multiple intelligences-based five senses module which is the subject of a trial is 20 students. The technique of data collection in this study is the students ' intelligences test, validation sheet, observation sheets, student activities, and student study results tests. The data analysis technique used by researchers to test the valid is analyzed quantitatively and to test its effectiveness will be in quantitative analysis. For the analysis quantitatively used descriptive statistics

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