We need to talk about tracking - Practitioners' perspectives on assessment

2021 ◽  
Vol 23 (2) ◽  
pp. 23-25
Author(s):  
David Meechan

The following article discusses the current opportunity within the early years sector to review and improve assessment processes, providing a context, current practices and points for reflection. This is the first article in a four-part series from David Meechan's current research.

2020 ◽  
Vol 1 (1) ◽  
pp. 20-28
Author(s):  
Lida Colón

As a field, we discuss composition histories from inside the academy, both metaphorically and materially; the subject of the conversation is most often college students and we most often have these conversations at conferences or at our institutions. Driven by my own writing experiences, I have been thinking lately about the relationship between love—for self and others—and composition practice, and given the many parallels between the oppressions and resistance strategies employed by Black people in our nation’s early years and those of the current moment, I think about the evidence of the radicaly liberatory function writing served for enslaved Africans that can be found in in Black American’s current practices. Robert Colón, the center of the present work, is unmistakably a writer. This interview serves to provide some insight into contemporary Black composition practices offers new perspective on my position in the field of composition.


Author(s):  
Susan C. Cook

The foxtrot emerged circa 1914, most likely within African American practices, as a variation on the older duple meter one step popular with dancers since the early years of the twentieth century. The name foxtrot suggests a relationship with earlier trotting animal dances such as the turkey trot or grizzly bear and led to claims that it was the "invention" of the comic Harry Fox. While the one step, at its simplest, consisted of an easy walking step corresponding to each beat of 2/4 meter syncopated up tempo music, foxtrotters varied this duple meter walk through a combination of two slow and four quick steps danced over four beats of music. This combination, along with later variants such as two slow and two quick steps, proved to be extraordinarily versatile as dancers responded to popular music in a variety of tempi and corresponding emotional affects. The foxtrot’s versatility and up-to-date modernity ensured a transatlantic popularity that extended well into the rock ’n’ roll era and remains central to current practices of professional and amateur ballroom dance and Dansport.


Substantia ◽  
2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Seth C. Rasmussen

Anyone who has participated in modern scientific publishing has experienced the potentially complex issue of coauthors, both in terms of who merits to be included on a particular paper and in what order should they be listed. During the early years of serial scientific publications in the 17th and 18th centuries, nearly all papers consisted of just a single author.  In contrast, the growing complexity of most present-day studies has required collaborative teams to accomplish the work needed to present a suitable report meriting publication. Unfortunately, there exists no firm, uniform rules for determining authorship and current practices can vary significantly, even to the point that the literature is now plagued with ethically questionable practices.


2014 ◽  
Vol 38 (01) ◽  
pp. 102-129
Author(s):  
ALBERTO MARTÍN ÁLVAREZ ◽  
EUDALD CORTINA ORERO

AbstractUsing interviews with former militants and previously unpublished documents, this article traces the genesis and internal dynamics of the Ejército Revolucionario del Pueblo (People's Revolutionary Army, ERP) in El Salvador during the early years of its existence (1970–6). This period was marked by the inability of the ERP to maintain internal coherence or any consensus on revolutionary strategy, which led to a series of splits and internal fights over control of the organisation. The evidence marshalled in this case study sheds new light on the origins of the armed Salvadorean Left and thus contributes to a wider understanding of the processes of formation and internal dynamics of armed left-wing groups that emerged from the 1960s onwards in Latin America.


Author(s):  
J. E. Johnson

In the early years of biological electron microscopy, scientists had their hands full attempting to describe the cellular microcosm that was suddenly before them on the fluorescent screen. Mitochondria, Golgi, endoplasmic reticulum, and other myriad organelles were being examined, micrographed, and documented in the literature. A major problem of that early period was the development of methods to cut sections thin enough to study under the electron beam. A microtome designed in 1943 moved the specimen toward a rotary “Cyclone” knife revolving at 12,500 RPM, or 1000 times as fast as an ordinary microtome. It was claimed that no embedding medium was necessary or that soft embedding media could be used. Collecting the sections thus cut sounded a little precarious: “The 0.1 micron sections cut with the high speed knife fly out at a tangent and are dispersed in the air. They may be collected... on... screens held near the knife“.


2001 ◽  
Vol 27 (4) ◽  
pp. 380-380
Author(s):  
S Wolfendale
Keyword(s):  

1992 ◽  
Vol 46 (3) ◽  
pp. 556-557
Author(s):  
M.E.J. Wadsworth
Keyword(s):  

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